Victor Hsu

Sitcom veteran Ted Danson starred in this 30-minute ABC series, characterized by more than one critic as an edgier, up-to-date Bob Newhart Show. This time, Danson was seen as outwardly cool, calm, and collected psychotherapist Dr. Bill Hoffman, who conducted a weekly therapy session with a group of truly messed-up people. So beneficial was Dr. Bill's advice to his charges that it was just as well they had no inkling about his own chaotic private life, in which he continued to moon over his ex-wife (a recurring character played by Jane Kaczmarek) and brood over the fact that his restless daughter, Sasha (Lindsay Sloane), was carrying on with a much-older man. Dr. Bill's patients included Darlene (Darlene Hunt), whose nymphomania was but one of many hang-ups; Michael (Jere Burns), who had serious issues with anger; Dave (Charlie Finn), an office worker and would-be suicide who was inept at both pursuits; and Inger (Suzy Nakamura), who was bereft of all forms of basic social graces. Help Me Help You first hung up its shingle on September 26, 2006. ~ Hal Erickson, All Movie Guide

Making its Fox network bow on November 2, 2003, the weekly, half-hour Arrested Development would seem to meet all the qualifications of a "cult favorite." It was smart, hip, and savagely funny; it developed a fiercely loyal circle of fans; it was almost universally beloved of the critical establishment; and its ratings were seldom any better than mediocre. Jason Bateman headed the cast as Michael Bluth, a thirtysomething widower with a likable 13-year-old son named George Michael (Michael Cera). The level-headed Michael was disdained as the "white sheep" of his highly dysfunctional family because he refused to luxuriate in the wealth accumulated by his business entrepreneur father, George Bluth Sr. (Jeffrey Tambor), who had built a small Newport Beach frozen-banana stand into a vast financial empire. Instead, Michael broke from tradition by actually going to work for a living, and by not giving in to the ostentatious self-indulgence practiced by the rest of the Bluth clan. But when George Sr. was thrown in jail on a charge of fraud, Michael was forced to return to Orange County, CA, to take charge of the family and the family business, both of which were bankrupt because all of his father's assets had been frozen.

Now it was Michael's unenviable task to instill financial responsibility -- not to mention responsibility, period -- in the rest of the Bluth family. These included Michael's snobbish, boozy, hyperjudgmental mother, Lucille (Jessica Walter), who resided in a posh Balboa Bay penthouse and to whom credit cards were life's blood. Also living in Lucille's digs was Michael's youngest brother, Buster (Tony Hale), a perennial graduate student helplessly tied to his mother's apron strings (Buster would later become even more ineffectual, and far more of a thorn in Michael's side, when he lost his hand in an accident and was forced to use an ill-fitting hook). Moving in with Michael until conditions improved (if ever!) were his twin sister, Lindsay (Portia de Rossi), a selfish, scatterbrained liberal activist; Lindsay's husband, Tobias Fünke (David Cross), a former doctor who'd lost his license after administering CPR to a man who didn't need it, and who was half-heartedly trying to break into the acting profession (Tobias was also a deeply closeted homosexual, a fact obvious to everyone but himself); and the couple's spoiled-rotten daughter, Mae, aka "Maeby" (Alia Shawkat), for whom Michael's son, George Michael, harbored a somewhat unnatural crush. And just when you thought that the Bluth family couldn't be any more screwed up, we submit for your approval oldest son George Oscar II, aka "Gob" (Will Arnett), a spectacularly inept stage magician who suffered from a bad case of foot-in-mouth disease and who never had a job -- except when, during Michael's absence in season two, he inexplicably became the darling of Bluth Inc.'s board of directors.

Arrested Development also boasted a large cast of semi-regulars, most prominently Henry Winkler as the Bluth family's lovable but dangerously incompetent lawyer, Barry Zuckerkorn; Liza Minnelli as Lucille Bluth's neighbor and chief social rival Lucille Austero, aka Lucille 2, who at one point entered into a ridiculously torrid romance with the very much younger Buster; Justin Lee as Annyong, a 14-year-old Korean orphan whom Lucille Bluth adopted just to spite Buster; Ed Begley Jr. as George Sr.'s unscrupulous business rival Stan Sitwell; and an unbilled Ron Howard (whose Imagine Entertainment company produced the series) as the series' omnipresent narrator, forever filling in plot gaps with vital information (signature phrase: "In fact...") -- and always several steps ahead of the thick-eared characters. It is virtually impossible to chronicle all of the series' off-the-wall dialogue and surrealistic sight gags; suffice to say that the decision to approach the material in a hand-held "documentary" fashion, and to dispense with the use of a laugh track, only served to emphasize the million and one absurdities. The consistency of the series' lofty quality can be attributed to the fact that its creator, Mitchell Hurwitz (a veteran of such sitcoms as The Golden Girls and The John Larroquette Show), devoted every ounce of his energy to Arrested Development, refusing to accept any other projects throughout the show's run. Arguably too smart for the room, Arrested Development never got the huge audience it deserved, though the devotion of its fans and its multitude of industry awards all but shamed Fox into renewing the series beyond its first and second season. At the risk of offending devotees of Seinfeld and The Honeymooners, there are millions who regard Arrested Development as one of the best comedy series to grace network TV. ~ Hal Erickson, All Movie Guide

In this TV drama-comedy, Julie Barber (Allison Smith) hires detective wannabe Bob Jones (Frank Whaley) to track down the legendary private eye Buddy Faro (Dennis Farina), who was once such a name that he was portrayed by an actor (George Hamilton) in a TV series. Now nearly forgotten, Faro has inherited a small fortune, but no one knows where he went. Traveling to the dusty streets of a little town in Mexico, Jones manages to find the booze-soaked Faro lying in the gutter. Rescued by Jones and Julie, Faro returns to Hollywood, where he made his mark 20 years earlier. Things have changed, but the stylish Faro is soon back in business in a big way, confronting criminals in his ultra-cool style, while the Joel McNeely soundtrack provides a jazzy accompaniment. Premiered September 25, 1998 on CBS. ~ Bhob Stewart, All Movie Guide