Art Garfunkel

This concert film records a performance by vocalist Art Garfunkel. From historic Ellis Island, the Grammy winner performs over a dozen songs including "Scarborough Fair," "Bridge Over Troubled Water," "The Sounds of Silence," "A Heart in New York," and "Mrs. Robinson." ~ Perry Seibert, All Movie Guide

An all-star cast is included on this children's adventure that follows a search for Mother Goose by her son (Dan Gilroy) and Little Bo Peep (Shelley Duvall). ~ John Bush, All Movie Guide

In 1981, Paul Simon and Art Garfunkel -- former musical partners who had a rancorous falling-out after the success of their album Bridge Over Troubled Water -- set aside their differences and reunited for a concert tour, with the New York City date being a free concert in Central Park. The Central Park show was recorded and videotaped for later release, and this home video release presents highlights from the show, with Simon and Garfunkel performing their hits as a duo as well as several of their solo hits. Selections include "Bridge Over Troubled Water," "The Sounds of Silence," "The Boxer," "Mrs. Robinson," "Still Crazy After All These Years," and "Late in the Evening." ~ Mark Deming, All Movie Guide

Psychiatrist Alex (Art Garfunkel) becomes sexually obsessed with Milena (Theresa Russell), a woman whom he meets at a party. The pair become involved in an intense and mutually destructive love affair. The drama unfolds in a series of flashbacks, as Alex tells his story to police Inspector Netusil (Harvey Keitel) who is investigating Milena's apparent suicide attempt. Alex's obsession grows, but Milena stays slightly out of reach. Originally rated X, but somewhat toned down to accommodate an R rating, Bad Timing: A Sensual Obsession is an interesting exploration of the nature of sexual passion and jealousy. ~ Linda Rasmussen, All Movie Guide

Unique in the annals of animated films, Watership Down is a serious, even grim tale that many will find relentless and depressing and others will find poetic and moving. It doesn't pull any punches. Death -- violent, disturbing death -- is ever present, portrayed in a manner that is astonishingly honest for a cartoon. As a result, it is that rare animated film that really aims for a mature audience, despite its superficial funny animal trappings. It has a brilliant opening, most likely created by UPA veteran John Hubley, which in a primitive and simplistic style relates a creation myth as told by rabbits. The style changes thereafter, with beautiful watercolor backgrounds and a more natural approach to character animation. Unfortunately, the animation suffers somewhat from this point, becoming a bit sloppy, although it continues to portray the characters' movements as realistically as possible. The character designs themselves are rather too similar, with the result that it is sometimes difficult to tell the various rabbits apart. The story is also sometimes told in too-broad strokes, leaving those unfamiliar with the novel confused as to exactly what has happened and, more importantly, why. However, these flaws are redeemed by some unforgettable sequences, including a chilling segment detailing the destruction of the rabbits' warren and a devastatingly sad end sequence in which the Black Rabbit of Death gently takes one of the heroes away with it. Voiced by a fine cast, with stellar work from John Hurt and Richard Briers, Watership Down is an imperfect film with some of the most powerful moments ever created for the genre. ~ Craig Butler, All Movie Guide

The second episode of NBC's Saturday Night is dominated by music. Host Paul Simon is joined by musical guests Randy Newman, Phoebe Snow, and Art Garfunkel, who, together and separately, perform a total of 11 songs. Notable non-musical content includes a short film by Albert Brooks and a humorous segment featuring Simon playing basketball against Connie Hawkins. ~ Skyler Miller, All Movie Guide

Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide