Jennifer Ashley Movies

This remake of François Truffaut's 1977 comedy misses out on Truffaut's subtext that delves into the nature of love and instead simply recounts the sexual and romantic exploits of David, a sculptor who is an incurable womanizer (Burt Reynolds). In order to come to grips with his obsession for women, David goes to see a psychiatrist, Marianna (Julie Andrews), and sure enough, she later joins him on the couch. His tale is told by Marianna, as flashbacks reveal their relationship and other loves of David's life, most notably Louise (Kim Basinger), a married woman hooked on intimacy in odd, if not dangerous, places. In all these relationships, David is as much attracted to the women as they are to him. Unfortunately, with flat dialogue and uninspired comedy, David fares better than the film as a whole. ~ Eleanor Mannikka, Rovi

TV director James Burrows made his feature debut with this unusual film that's a situation comedy-style twist on both The Odd Couple (1968) and Cruising (1980). The murder of a male model in a gay, beachfront enclave of L.A. warrants an undercover investigation, so police officer Benson (Ryan O'Neal), a straight, macho, law-and-order type, is assigned to partner with file clerk Kerwin (John Hurt), a mild-mannered homosexual. Benson and Kerwin are to pose as a gay couple who have just moved to the area. At first, Benson's slovenly ways drive the fussy Kerwin to distraction, while Kerwin's sexual orientation and prissy manners are a source of constant frustration for straight-arrow Benson. However, the two eventually become friendly roommates, if not exactly friends, and Benson even begins to see the world through Kerwin's eyes. Although he carries a badge, the fussy Kerwin is essentially a civilian, but as he and Benson close in on the murderer, Kerwin reveals himself to be a far more capable cop than Benson assumes him to be. Partners was written by Francis Veber, author of La Cage aux Folles (1978) and The Man with One Red Shoe (1985). ~ Karl Williams, Rovi

"Names have been changed to protect the innocent" in this infamous fictionalization of the tragic mass suicide of 914 followers of Jim Jones' "People's Temple" in Guyana in the fall of 1978. Rev. James Johnson (Stuart Whitman) is a charismatic but deeply paranoid man of the cloth who moves his flock from Northern California to a settlement in Guyana, where he intends to create an interracial socialist utopia. Addicted to prescription drugs and convinced he is surrounded by enemies, Johnson rules his colony, "Johnsontown," with an iron fist, torturing anyone who violates his rule, seducing both women and men from his congregation, confiscating money and property from his followers, and forcing them to work long hours in the fields for meager rations. Lee O'Brien (Gene Barry), a California congressman who represents the district Johnson and his followers once called home, has received complaints from friends and relatives of the Johnsontown settlers, convinced something is wrong. O'Brien and a team of reporters fly to Guyana to find out the truth about what is happening; Johnson is convinced O'Brien has seen too much, and armed gunmen ambush his party before they can return to the United States (with a number of Johnsontown residents who wish to leave). After a failed attempt to arrange exile in the Soviet Union, Johnson convinced his followers to perform a "final revolutionary act" before authorities arrive. This oddball blend of fact and fiction also features Joseph Cotten and John Ireland as Johnson's lawyers, Yvonne de Carlo as Johnsontown's press officer, and Bradford Dillman as the doctor who mixes the punch for Johnson's final gathering. ~ Mark Deming, Rovi

Essentially a gory knock-off of Jaws, this watery horror outing follows the exploits of two adventuresome shark hunters vying for the love of several bathing beauties. ~ Sandra Brennan, Rovi

"He sold his soul for rock-n-roll," read the tagline for Brian De Palma's satirical Phantom of the Opera for the '70s rock scene. After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned -- but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want. ~ Lucia Bozzola, Rovi

A psychopathic killer administers a series of death sentences to various pornographic models. ~ Kristie Hassen, Rovi

Beau Bridges plays an uptight insurance clerk. Ron Leibman plays Bridges' laid-back pal, who talks Beau into skipping work in order to drive Leibman to the airport. This little trip across town turns into an idyllic trek up the California coast. While Leibman wheels and deals in his efforts to con the Establishment, Bridges loosens up with several nubile females, totally forgetting his proper fiancee Janet Margolin. While it has all the earmarks of a typical "youth trip" film of the 1970s, Your Three Minutes Are Up scores with its believable characterizations and its perceptive view of California's mixed-up social values. ~ Hal Erickson, Rovi