Iris Ashley Movies

The Loves of Mme. DuBarry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The DuBarry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame DuBarry, mistress of Louis XV (Owen Nares). Refusing to gloss over DuBarry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which DuBarry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame DuBarry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes. ~ Hal Erickson, All Movie Guide

Amazing Quest was the original British release title of the 1937 comedy Romance and Riches (aka Riches and Romance). Making a rare return trip to England, Cary Grant plays the heir to a huge fortune. Alas, Grant is miserable, because he's never worked for his money. Determined to prove his worth, Grant makes a wager than he can earn his keep for a full year without ever touching the family millions. He loses his bet when he must draw upon his money to wed poverty-stricken Mary Brian, the better to save her from an unhappy marriage of convenience. Still, his experiences among the working classes have left an indelible impression; turning his back on his "equals," Grant invites all of his newly acquired lowborn friends to his wedding reception. Like His Girl Friday, Penny Serenade, and Charade, Amazing Quest is one on the ever-growing list of Cary Grant films that have lapsed into public domain, and thus are more readily available than when first released. Amazing Quest was based on a novel by E. Phillips Oppenheim. ~ Hal Erickson, All Movie Guide

His Hollywood career a thing of the past, director Herbert Brenon returned to his native England in 1934, where he continued making films until his retirement in 1940. Brenon's first project upon his arrival in London was the feature-length documentary Royal Cavalcade. Covering a 25-year period, the film is an encapsulation of the comings and goings of the British empire since the 1910 coronation of King George V. The highlights, drawn from the newsreel files of several English and European archives, include Captain Scott's arrival at the South Pole (and the tragic aftermath), the First World War, the Roaring 20s, and the Depression. Of special interest to show-biz buffs is the footage of the first Royal Command Performance at the Palace in 1911, featuring such matchless performers as Anna Pavlova and George Robey. ~ Hal Erickson, All Movie Guide

Haughty Hollywood movie star Dorothy Kay (Constance Cummings) doesn't know it, but she has an exact double, impoverished British lass Betty Smith (also Constance Cummings). As part of a scheme to wreak vengeance on snooty hotel clerk Otis Doves (Gus McNaughton), newspaper heir Toby Tyrrell (Frank Lawton) talks Betty into posing as Dorothy. The ruse works beautifully, until the inevitable happens and the real Dorothy shows up. Constance Cummings had already proven her skill with dual roles in Harold Lloyd's Movie Crazy (1932), but she's just wasting her talents in this tired quota quickie. Heads We Go was released in the U.S. as The Charming Deceiver. ~ Hal Erickson, All Movie Guide

In this comedy, a struggling artist who wants to die puts out a contract on himself, but then receives a large inheritance and doesn't want to die anymore. ~ Steve Huey, All Movie Guide