Jack Gardner Movies

In this drama, a waitress leaves her husband after getting sick of being alone while her husband, a commercial pilot, plies his trade. To be near her, he quits his job and joins the state police air service. Unfortunately, he becomes mixed up in an interdepartmental rivalry between road-bound and airborne cops. Later it is the aerial cops that capture a ring of notorious jewel thieves. This causes his wife to respect him and his job and they are happily reunited. ~ Sandra Brennan, All Movie Guide

In his starring film for Universal Pictures, W.C. Fields plays circus manager and all-around flim flam man Larson E. Whipsnade. When he's not trying to fleece the customers or elude the sheriff, Whipsnade busys himself trying to break up the romance between his daughter Vicky (Constance Moore) and carnival ventriloquist Edgar Bergen (playing himself). He also carries on a running feud with Bergen's nattily attired dummy Charlie McCarthy ("I'll slash you into venetian blinds!"). Bergen's other dummy is Mortimer Snerd, who occasionally comments upon the action in his own thickheaded fashion. Anxious to arrange a marriage between Vicki and the wealthy Roger Bel-Goodie III (James Bush), Whipsnade disposes of Bergen and his dummies by sending them aloft in a hot-air baloon. Attending a party at the Bel-Goodie mansion, Whipsnade makes a pest of himself by constantly referring to snakes, a subject that invariably causes Mrs. Bel-Goodie (Mary Forbes) to swoon. He also engages in a zany ping-pong tournament with socialite Ronnie (Ivan Lebedeff). But it is Vicki, and not Whipsnade, who breaks up the engagement by telling off her pompous fiance. At that very instant, Bergen, having escaped from the balloon, arrives to claim Vicki and to help Whipsnade escape the sheriff once more. A partial remake of the W.C. Fields silent Two Flaming Youths, You Can't Cheat an Honest Man was scripted by Fields under the pseudonym "Charles Bogle." As published in the 1973 compendium W.C. Fields by Himself, the original screenplay was to have had dramatic overtones, including the death of Fields' trapeze-artist wife and a climactic soul-baring scene wherein Fields expresses his genuine love for his daughter. All this was jettisoned when it was decided to capitalize on the Fields-Charlie McCarthy "feud" then blazing on radio's Chase and Sanborn Show. While nowhere near as funny as Fields' subsequent Universal feature The Bank Dick, You Can't Cheat an Honest Man still contains a generous supply of laughs. Our favorite line: "Somebody's taken the cork out of my lunch." ~ Hal Erickson, All Movie Guide

In this crime drama, a grizzled cabbie is scammed out of his life savings by a fake finance company. He tries to no avail to get police assistance. Finally he becomes a wanted criminal and escapes to California where he meets the girl who will become his wife. She helps him go straight by helping him set up a garage. When she gets pregnant, she talks him into to confessing his crimes to the police. He agrees, but before he goes, he decides to commit one last crime to ensure that his wife and child will not starve while he serves his prison sentence. He then steals a million dollars only to learn that the money is worthless. He is subsequently killed in a police shoot-out. ~ Sandra Brennan, All Movie Guide

Laugh it Off was one of two Johnny Downs vehicles released within the same week in December of 1939 (the other was Bad Boy). Downs plays Stephen Hannis, a Broadway bandleader who aspires to become a lawyer. He gets his big break when he champions the cause of a group of elderly ex-chorus dancers who've been booted out of their retirement home. The thorn in the hero's side is gangster Phil Ferranti (Horace McMahon), who wants to take over operation of the home for his own nefarious purposes. Among the venerable damsels appearing in Laugh it Off are Marjorie Rambeau, Cecil Cunningham and Hedda Hopper, the latter already well established as a Hollywood columnist. For romantic purposes, Johnny Downs is teamed up with a somewhat younger showgirl, played by Constance Moore. ~ Hal Erickson, All Movie Guide

Too old to play the cute MGM urchin any longer, 16-year-old Jackie Cooper signed with Monogram for a group of above-average programmers. Gangster's Boy was the second of this series, all of which followed a predestined pattern of shame and redemption. Young Cooper is a high-school honor student who is revealed to be the son of an ex-gangster (Robert Warwick). Shunned by former friends, Cooper nonetheless stands by his dad, defending him to a hostile community. Father and son eventually prevail over provincial bigotry, though Cooper seems happier about the whole thing than the ever-sullen Warwick (an actor better suited to the role of a business executive or Shakespearean ham). Sentimental to the nth degree, Gangster's Boy was a success, prompting a third Cooper Monogram "special" with a similar plotline, Streets of New York (39). ~ Hal Erickson, All Movie Guide

Contrary to popular belief, the Nelson Eddy-Jeanette MacDonald Technicolor confection Sweethearts is not based on the 1913 Victor Herbert operetta of the same name (though most of Herbert's songs remain intact), but a Dorothy Parker-Alan Campbell brainstorm about a popular Broadway singing duo, starring in a long-running production of Sweethearts. The early portions of the film take place during a purported presentation of the Herbert piece, with Eddy and MacDonald singing their hearts out and Ray Bolger providing comic relief. We then segue into a long sequence wherein producer Frank Morgan, celebrating Sweethearts's six-year run, insists that Eddy and MacDonald attend a lavish party, where the weary performers are called upon to continue singing throughout the evening. Hoping for a few moments alone after escaping the party, Eddy and MacDonald are besieged at their apartment by friends, co-workers, hangers-on and sponging relatives. Seeking peace and quiet, the couple agrees to leave Sweethearts for the comparative calm of Hollywood. But their entourage, fearing that they'll lose their meal ticket if Eddy and MacDonald leave New York, arrange to inaugurate two profitable road companies of Sweethearts by contriving to split up the loving couple. Cleverly sidestepping the sugary sweet sentimentality that one might expect from an MGM musical of the era, the delightful Sweethearts is hampered only by its overlength. ~ Hal Erickson, All Movie Guide

This harmless Universal musical comedy is worth having as one of the few filmed records of legendary Broadway comedian Jimmy Savo (his previous starrer, Once in a Blue Moon, is among the rarest of collector's item). The story proper is carried by Robert Wilcox and Nan Grey, cast as a pair of mismatched lovers who share a common interest in horse racing. Hero and heroine get mixed up in a shady get-rich-quick scheme, which threatens to turns disastrous but which ends up solving everyone's problems. Harry Davenport adds a touch of gentle pathos as a blind horseplayer. Jimmy Savo's pantomime turns and musical numbers were not up to his usual standard (at least that's what the critics said), but they play rather well when seen today, even though Savo's patented streak of healthy vulgarity had to be soft-pedalled for the screen. ~ Hal Erickson, All Movie Guide

If Charles Quigley never became Columbia's answer to Clark Gable (which seemed to be the studio's intention), it wasn't for lack of trying. In Speed to Spare, Quigley plays champion racecar driver Tommy Morton, eternal rival to less-ethical speed king Skids Brannigan (Eddie Nugent). What no one knows is that Tommy and Skids are actually brothers, separated at birth. Driven by a filial devotion that he can't explain, Tommy tries to dissuade Skids from recklessness, only to be "repaid" when Skids tries to steal away Tommy's sweetheart Eileen (Dorothy Wilson). It takes a near-fatal crack-up for Skids to straighten up and drive right -- and to patch things up with Tommy, whom he now recognizes as his own brother. Much of the racecar action in Speed to Spare is filmed against a process screen. ~ Hal Erickson, All Movie Guide

Gat Brady (John Litel) is a wealthy gangster, though he's never killed anyone, an he is devoted to his teenaged daughter Annabel (Mary Maguire). When he's arrested for tax evasion on the eve of a European trip, he has Annabel's governess Flo Allen (Ann Sheridan) continue on the trip with the girl anyway. Red Carroll (Ben Welden), who hates Gat, kidnaps Annabel, but is caught and sent to the same prison as Gat. A fight with Red results in Gat being sent to the maximum-security prison on Alcatraz Island but, still bent on revenge, Red later arranges to have himself sent there, too. ~ Bill Warren, All Movie Guide

Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, All Movie Guide

"She" is secretary Claudette Colbert and "Her Boss" is Melvyn Douglas. Once married, Colbert discovers that Douglas expects her to work as usual. She must also contend with his wealthy, snooty family, whose most hateful member is his spoiled brat of a daughter (Edith Fellows) by a previous marriage. Rebelling against her repressive existence, Colbert eventually puts her in-laws in their place and arouses the ardor of the "strictly business" Douglas. While consistently amusing throughout, the highlight of She Married Her Boss is a first-reel bit of pantomimic whimsy involving Claudette Colbert and a roomful of department store mannequins. ~ Hal Erickson, All Movie Guide

This well-cast light comedy was based on the stage play by George S. Kaufman and Marc Connelly. Three clerks for the Kincaid Piano Company -- Leonard Beebe (Edward Everett Horton), Chester Mullin Z. Wall Covington), and Tom Baker (Arthur Hoyt) are in competition for a promotion to factory manager. The boss, John Kincaid (Theodore Roberts), relies on the judgment of his wife (Louise Dresser) when it comes to important decisions, and she favors Baker. But when the Kincaids visit the Beebes, Leonard's wife Elsie (Helen Jerome Eddy) proves to be every bit as dynamic a woman as Mrs. Kincaid. Beebe and Baker are invited to a banquet, and Beebe is expected to give a speech. After intently rehearsing one that is already prepared, Beebe arrives at the banquet only to see Baker give the exact same speech. Beebe is struck dumb, so Elsie takes over with some rousing words, claiming that her husband is feeling ill and winning Beebe the job. Their ruse is discovered, however, and Beebe is demoted. Once again Elsie comes to the rescue, and with Mrs. Kincaid's help, Beebe is reinstated. ~ Janiss Garza, All Movie Guide