Ava Gardner Movies
Ava Gardner began her career first as a model, then as a contract player at MGM, where her gawky, unsophisticated demeanor was totally made over by the studio into an image of inaccessible glamour. Gardner toiled in tiny bit roles, finally getting a worthwhile one on loan-out to Universal in The Killers (1946). MGM was never very comfortable with the bad-girl persona she displayed so well in this film, and, thus, most of her starring appearances at her home studio were relatively sympathetic roles in The Hucksters (1947) and Show Boat (1951). Her cinema reputation as The World's Most Beautiful Animal (in the words of a '50s publicity campaign) was once again manifested in loan-out movies like Pandora and the Flying Dutchman (1951) and The Snows of Kilimanjaro (1952).MGM eventually came to terms with the elements that made Gardner popular, notably in the gutsy Mogambo (1953), in which she made an excellent partner to the equally earthy Clark Gable. Director George Cukor was much taken by Gardner and cast the actress in her best and most complex MGM role in Bhowani Junction (1956), in which she was torn not only by love but also clashing East Indian cultural values. Gardner was equally well served in The Barefoot Contessa (1954), which, in many ways, was a replay of her own rags-to-riches personal story. The actress was cast in some of her best parts during the '60s, notably in Seven Days in May and Night of the Iguana (both 1964), but the pace of her jet-setting lifestyle and increasing personal problems began to show. With roles and public appearances steadily decreasing, she died on January 25, 1990. She was married and divorced three times -- to Mickey Rooney, Frank Sinatra, and Artie Shaw. ~ Hal Erickson, All Movie Guide
- 1944
MGM's notion of a "B" picture would be an "A" production at any other studio, and Blonde Fever is no exception. Philip Dorn heads the cast as restauranteur Peter Donay, happily married to the pleasant but plain Delilah (Mary Astor). Approaching "that certain age", Donay's head is turned by curvaceous waitress Sally Murfin (Gloria Grahame, in her first important film role). At first only mildly amused by the flirtatious Donay, Sally begins turning on the charms herself when she finds out that he's won a $40000 lottery. It takes six reels, but Donay finally realizes how much he loves and needs his faithful wife, and how little Sally truly cares about him. Blonde Fever is based on a play by Ferenc Molnar, though it must have taken a lot of cutting to cram the original into 65 minutes' running time. PS: Hume Cronyn and Jessica Tandy, personal friends of director Richard Whorf, show up in unbilled cameos. ~ Hal Erickson, All Movie Guide
- Starring:
- Philip Dorn, Mary Astor, (more)
- 1944
Two Girls and a Sailor is another of those all-star, no-plot wartime musicals turned out by the bushel basket in the 1940s. Its lack of nuance does not lessen its entertainment value in the least. Gloria DeHaven and June Allyson play a couple of well-meaning sisters who stage their own USO shows in their apartment for the benefit of visiting servicemen. They'd like to expand their show, so GI Van Johnson, who happens to be a millionaire, buys an empty factory and has it converted into a canteen. A trivial love triangle develops, but who cares? Bring on the stars! In the case of Two Girls and a Sailor, the celebrity lineup includes Jimmy Durante, Lena Horne, Jose Iturbi, Xavier Cugat, Grace Allen (performing her immortal "Concerto for Index Finger"), Harry James, Helen Forrest, and, in an amusing uncredited cameo, Buster Keaton (Also: keep a sharp eye out for Ava Gardner) ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, June Allyson, (more)
- 1944
MGM's popular Dr. Kildare series spanned 1938-47. Lew Ayres played the title character, but parted in 1942. Though crusty and craggly Lionel Barrymore, portrayed Dr. Gillespie (one of {%Kildare's contemporaries at Blair General Hospital)) from the beginning of the series, he initially came second billed, and only received first billing in the six films that followed Ayres's departure, thus becoming the central character. 1944's Three Men and White marks the fourth such instance. As in prior entries, the premise of Three Men revolves around Gillespie solving medical mysteries and fixing romantic problems. Here, Gillespie is forced to decide between Keye Luke (as Dr. Lee Wong How) and Van Johnson (as Dr. Randall Adams) as his new assistant. To make the call, he assigns a medical case to each. Wong How must help a child overcome his allergy to sugar; Johnson must work a female patient through 'insurmountable' arthritis. ~ Nathan Southern, All Movie Guide
- Starring:
- Lionel Barrymore, Van Johnson, (more)
- 1944
In this eighth film in MGM's "Maisie" series, Ann Sothern is back as ever-stranded chorus girl Maisie Revier. As the story opens, Maisie has a steady non-showbiz job as a defense plant riveter (it's wartime, of course); still, she utilizes a two-week vacation to take a singing job in a Reno night spot. This small Nevada town being the Divorce Capital of America, Maisie finds herself involved in the crumbling marriage between a GI (Tom Drake) and his wealthy wife (Ava Gardner). Meanwhile, Maisie's own well-being is threatened by a conniving businessman who has her committed to an asylum when she threatens to squeal about his crooked business practices. Like most "Maisie" pictures, Maisie Goes to Reno suffers from a surfeit of plotting, but is redeemed by the insouciant Ann Sothern. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, John Hodiak, (more)
- 1943
Young Ideas is a deliberately "small" MGM feature designed as a trial balloon for up-and-coming director Jules Dassin. Hardly in the league of Dassin's later Naked City, Rififi or Never on Sunday, the film nonetheless satisfies within its own modest limits. Susan Peters and Elliot Reid play Susan and Jeff Evans, the grown-up children of widowed author-lecturer Jo Evans (Mary Astor). When mom falls in love with staid professor Michael Kingsley (Herbert Marshall), Susan and Jeff do their best to break up the romance. Susan is briefly distracted from her dubious mission when she herself falls for handsome drama prof Tom Farrell (Richard Carlson). Ava Gardner appears in an uncredited bit role; like director Dassin, she would do rather better for herself in later years. ~ Hal Erickson, All Movie Guide
- Starring:
- Susan Peters, Herbert Marshall, (more)
The racy, ribald Cole Porter musical Du Barry Was a Lady is here given a thorough dry-cleaning by prudish MGM. Richard "Red" Skelton takes over the role of Louis Blore (played on Broadway by Bert Lahr), while Lucille Ball steps into the shoes of the original play's Ethel Merman. The story proposes that Blore is a men's room attendant in a New York nightclub who has a yen for gorgeous showgirl May Daly (Lucille Ball). After drinking a potent mixture, Louis dreams that he is King Louis XV of France, and May is the magnificent Madame Du Barry. Also showing up in Louis' dream is Alex Howe (Gene Kelly), who in "real life" is the guy who ends up with May at fade out-time. It's hard to determine what's more fun to watch in Du Barry Was a Lady: the three stars, the antics of supporting player Zero Mostel, or the incredible sequence in which Tommy Dorsey & His Band -- including drummer Buddy Rich -- perform in 18th century garb and powdered wigs. Five of the original Cole Porter songs are retained for this Technicolor-ful film: "Katie Went to Haiti," "Do I Love You, Do I?," "Well, Did You Evah?," "Taliostro's Dance,", and, best of all, "Friendship." ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Lucille Ball, (more)
- 1943
Hitler's Madman is based on an all-too-real wartime atrocity. John Carradine portrays Heydrich, the vicious SS officer put in charge of Nazi-occupied Czechoslovakia. Heydrich is killed by the Czech underground, prompting the Nazis to plan a horrible retaliation. The Gestapo selects the Czech village of Lidice for annihilation: They kill all the male villagers, throw the women and children into concentration camps, and torch Lidice into nonexistence. The victims of Nazi tyranny become martyrs to the underground cause, ending the film on a note of triumph. Based on a narrative poem by Edna St. Vincent Millay, Hitler's Madman was produced by the "poverty row" PRC studio, but was sold to MGM and given a class-A presentation at choice theatres throughout the U.S. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Morison, John Carradine, (more)
- 1943
In most of his movie vehicles, bandleader Kay Kyser played a bandleader named Kay Kyser. In Swing Fever, however, Kyser is cast as aspiring songwriter Lowell Blackford. Though he isn't too successful at peddling his songs, Blackford does have one unique talent: The ability to hypnotize boxer Killer Kennedy (Nat Pendleton) into winning fights. Blackford is coerced into using his "whammy" on Kennedy by Ginger Gray (Marilyn Maxwell). On the night of the championship bout, Blackford finds out he's being used, but goes through with his hypnosis to save Ginger from gangsters. The whole thing ends rather incongruously with a patriotic floor show, a specialty of MGM films of the period. Several guest performers lift Swing Fever out of the ordinary, including Lena Horne and the Merrill Abbott Dancers. Also appearing is an uncredited Ava Gardner as a sarcastic receptionist. ~ Hal Erickson, All Movie Guide
- Starring:
- Marilyn Maxwell, William Gargan, (more)
Ghosts on the Loose (which features no ghosts whatsoever) is perhaps the best-known of Monogram's "East Side Kids" series. This time, Muggs (Leo Gorcey), Glimpy (Huntz Hall), and the rest of the kids offer to decorate the honeymoon cottage of Glimpy's sister, Betty (Ava Gardner), and her new husband, Jack (Rick Vallin). Unfortunately, the boys end up at the wrong house, a sinister mansion that serves as the headquarters for a Nazi spy ring headed by Emil (Bela Lugosi). The rest of the film is an extended chase -- first the Nazis chasing the boys, then the boys chasing the Nazis. Incidentally, this is the film in which Bela Lugosi allegedly sneezes out an obscenity. Ghosts on the Loose has been reissued under several titles, notably The East Side Kids Meet Bela Lugosi. ~ Hal Erickson, All Movie Guide
- Starring:
- Bela Lugosi, Ava Gardner, (more)
- 1943
Pilot No. 5 is an oddly liberal-minded film to come from conservative old MGM. Franchot Tone plays an army pilot stationed in Java who volunteers for a suicide mission. He is chosen from five possible Allied candidates, hence the title. We learn via flashback just why Tone holds his life at so low a price; among his less pleasant reminiscences are his brief association with a demagogic Southern governor, blatantly based on Huey Long. Pilot No. 5 served to introduce Gene Kelly in a supporting role--as a nasty, pugnacious young jerk. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Marsha Hunt, (more)
- 1942
When Lew Ayres' wartime conscientious-objector status caused MGM to drop the actor like a hot potato, Ayres' "Dr. Kildare" series became the sole responsibility of Lionel Barrymore as the crusty Dr. Leonard Gillespie. In the first Kildare-less entry, Calling Dr. Gillespie, the ageing medico has a new assistant, refugee Dutch surgeon Dr. John Hunter Gerniede (Philip Dorn). Both Gillespie and Gerniede tackle the case of schizophrenic homicidal maniac Roy Todwell (Phil Brown), who is quite a handful to say the least. The story comes to a more suspenseful conclusion than usual as Todwell stalks Gillespie in the dead of night. MGM star-to-be Ava Gardner has a tiny, uncredited bit role. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Philip Dorn, (more)
- 1942
Kid Glove Killer is an expanded remake of They're Always Caught (1938), a 2-reel entry in MGM's "Crime Does Not Pay" series. Van Heflin stars as criminologist Gordon McKay, at present investigating the murder of of reform mayor Daniels (Samuel S. Hinds). What the audience knows, but McKay doesn't, is that the the culprit is district attorney Gerald Ladimer (Lee Bowman), ostensibly a crusader against organized crime. Thickening the plot is the fact that McKay and Ladimer are rivals for the affections of McKay's pretty lab assistant Jane Mitchell (Marsha Hunt). The question: Will McKay be able to piece together the fragmentary clues in his forensic lab before Ladimer is able to strike again? An excellent example of MGM's "B" unit at the height of its powers, Kid Glove Killer served as the feature-film directorial debut of Fred Zinnemann, who obviously was destined for bigger things. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Heflin, Marsha Hunt, (more)
- 1942
Strange but true: Norma Shearer turned down the title role in Mrs. Miniver to star instead in the insignificant trifle We Were Dancing. Loosely based on two Noel Coward playlets originally presented as part of the omnibus production Tonight at 8:30, the story concerns the romance between socialite Vicki Wilomirsky (Norma Shearer) and Nicki Prax (Melvyn Douglas), an impoverished baron who supports himself as a "professional guest." Nicki steals Vicki away from her stuffy attorney fiance Hubert Tyler (Lee Bowman), but their subsequent marriage comes to an end when Vicki spots Nicki in the arms of his ex-lover Linda Wayne (Gail Patrick). Returning to Tyler, Vicki is on the verge of a second marriage, when Nicki once again waltzes into her life?.and on and on it goes, where it will stop, nobody knows. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Melvyn Douglas, (more)
- 1942
Just when it seemed that the MGM Our Gang series was going to continue wallowing in mediocrity, along came the one-reel gem Mighty Lak a Goat. In this consistently funny outing, the Gang members try to clean off their clothes after being splattered with mud. The "miracle" cleaning solution devised by Billy "Froggy" Laughlin works beautifully, but with one major drawback: The stuff stinks to high heaven! Oblivious to their putrid pungency, the kids manage to empty out a bus, a classroom, and a movie theater (even the actors on the screen can't stand the smell) before they sniff out the reason for their sudden unpopularity. Watch for Ava Gardner in a tiny role as a movie-house cashier. The last truly worthwhile Our Gang comedy, Mighty Lak a Goat was originally released on October 10, 1942. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Spanky" McFarland, Bobby Blake, (more)
- 1942
Another graduate of MGM's short-subject department, director David Miller proved he had what it took to helm a feature film for the studio in Sunday Punch. The harmless but diverting story concerns the rivalry, in and out of the ring, between prizefighters Ken Burke (William Lundigan) and Olaf Jensen (Dan Dailey Jr.). Both boxers are sweet on showgirl Judy Galestrum (Jean Rogers), and in fact it was for the love of Judy that shy, oafish Olaf quite his janitorial job to become a pugilist. When Olaf realizes that it's Ken whom Judy truly loves, he does the "right thing" by sending Ken off to dreamland during an important match, thereby encouraging the latter to give up boxing and return to his medical studies. The best aspect of Sunday Punch is the performance of Dan Dailey Jr., whose portrayal of a simpleminded Swede is convincing without ever lapsing into stereotype or condescention. ~ Hal Erickson, All Movie Guide
- Starring:
- William Lundigan, Jean Rogers, (more)
- 1942
This Time for Keeps is a followup to 1940's Keeping Company, with Ann Rutherford repeating her role from the earlier film. Rutherford is cast as newlywed Katherine White, at present undergoing a rocky "period of adjustment" with her husband Lee (Robert Sterling, replacing the original film's John Shelton). Having trouble landing a good job, Lee is persuaded to go to work for his father-in-law Harry Bryant (Frank Morgan in the first film, Guy Kibbee in the second). Unfortunately, Harry doesn't believe in allowing his employees to think for themselves, resulting in even more friction between Katherine and Lee. It's up to Harry's all-knowing wife (Irene Rich, another carryover from Keeping Company) to smooth everyone's ruffled feathers. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Rutherford, Robert Sterling, (more)
Better known as Reunion in France, this women's-magazine-style romantic melodrama was the first major production for director Jules Dassin -- who was promptly demoted back to the MGM "B" department when the picture tanked at the box office. Joan Crawford stars as Frenchwoman Michele de la Becque, who comes to believe that her fiancé, wealthy munitions manufacturer Robert Cortot (Philip Dorn) is a Nazi collaborator. When her suspicions are apparently corroborated, Michelle falls in love with Pat Talbot (John Wayne), a downed American aviator stranded in occupied Paris. Only then does Michelle discover that she's been all wrong about Cortot -- but what to do about Talbot, who has been marked for death by the Gestapo? Ava Gardner has a tiny role as a Parisian shopgirl. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, John Wayne, (more)
- 1942
This upbeat war-time tale chronicles the ordeal of ardently American munitions plant worker Joe Smith (Robert Young), whose access to the U.S. military's plan for a new bomb-sight leave him victim to an abduction from Nazi agents. Knowing that Joe (Young) has vital information, the German soldiers hold nothing back in their attempts to force it out of him, including vicious, unending rounds of torture. The captured patriot, however, reveals nothing, opting instead to visualize happy times from his past as a means to escape his agonizing ordeal. Luckily, Joe manages to escape, contact the FBI, and bring his Nazi captors to justice. Directed by Richard Thorpe, Joe Smith, America also features actors arsha Hunt and arryl Hickman as Joe's beloved family.
~ Tracie Cooper, All Movie Guide
- Starring:
- Robert Young, Marsha Hunt, (more)
- 1941
MGM was doing so well in 1941 that it could afford the occasional "prestige" film with little box-office appeal. Based on the novel by J.P. Marquand, H.M. Pulham, Esq., stars Robert Young as a successful but stuffy Boston businessman. The glimmer of sadness in Young's eyes indicates that his ascension to the top was not without its cost. In flashbacks, we see how Young considered changing the track his life was on in order to marry Hedy Lamarr. After marrying his wife, however, the man never strays. The film utilizes the Strange Interlude approach of interior monologues heard on the soundtrack, and anticipates Citizen Kane (which hadn't yet been released when Pulham was filmed) by building its entire narrative on the flashback structure. H.M. Pulham, Esq. contains what may well be Robert Young's best performance, though few filmgoers in 1941 were interested enough to see it. ~ Hal Erickson, All Movie Guide
- Starring:
- Hedy Lamarr, Robert Young, (more)
