Ava Gardner

This biographical documentary depicts the life and loves of Ava Gardner, a country girl who took Hollywood by storm. Interviews, film footage and commentary on her marriages to Mickey Rooney and Frank Sinatra are all part of this country girl/city girl story. ~ Tana Hobart, All Movie Guide

Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, All Movie Guide

Ava Gardner made her last theatrical film appearance in the German-Italian Regina. Gardner is cast as the Smothering Mom to end them all, determined to keep her middle-aged son Ray Sharkey tightly bound to her emotional umbilical cord. Gardner's husband Anthony Quinn bemoans her treatment of Sharkey, but is essentially powerless (we'd say impotent, but we're talking about Anthony Quinn here!) Regina wasn't released theatrically in the US, but has in recent years surfaced in an unrated (but very gamey) videocassette version. Need we add: this one is not for all tastes. ~ Hal Erickson, All Movie Guide

After Third World terrorists abduct the Commander-in-Chief, it's up to Secret Service head William Shatner to get him back in this thriller based on a novel by Charles Templeton. ~ Jason Ankeny, All Movie Guide

The first official co-production between the United States and the Soviet Union, The Blue Bird was the third screen adaptation of the children's story by Maurice Maeterlinck about a pair of children, Tyltyl (Todd Lookinland) and Mytyl (Patsy Kensit), who leave home to search for the Blue Bird of Happiness. After spending some time wandering through a fantasy world and encountering The Night (Jane Fonda), The Cat (Cicely Tyson), Luxury (Ava Gardner), Father Time (Robert Morley), and The Oak (Harry Andrews), they meet The Queen of Light (Elizabeth Taylor) and discover that true happiness can be found right at home, with your family. As the box-office failure of the first two versions of this story proves, putting this sort of children's fantasy on film is tricky business, and despite a top-notch cast of American and Soviet talent and the directorial expertise of veteran filmmaker George Cukor, The Blue Bird had a notoriously difficult production, with the American and Russian crews not always understanding each other's working methods, the Soviet camera crew not knowing how to light African-American actress Cicely Tyson, and Jane Fonda often trying to engage the Russian crew members in political discussions. ~ Mark Deming, All Movie Guide

This bizarre entry into the disaster film genre concerns a group of hapless passengers aboard a transcontinental luxury train who are infected with a viral plague by a group of terrorists. Burt Lancaster plays military man Mackenzie, who wants to send the train across a rickety bridge so all the passengers will die, with Mackenzie reasoning the tragedy will give the terrorist movement a bad name. Among the passengers on the train trying to build up antibodies are Jennifer Rispoli Chamberlain (Sophia Loren); Nicole (Ava Gardner), who is embroiled in an affair with a younger man named Robby Navarro (Martin Sheen); and Dr. Jonathan Chamberlain (Richard Harris), a physician who wants to save the passengers but ends up duking it out with the terrorists. ~ Paul Brenner, All Movie Guide

Yet another in the stable of spy movies which depict espionage as a dirty business. Here, we have Dirk Bogarde heading the "Western Intelligence Liaison" his specific task is to keep the head of a radical third-world organization from returning to his country. ~ Tana Hobart, All Movie Guide

Paul Newman plays the title role in John Huston's surreal, revisionist western as the infamous Texas hanging judge. Upon arriving in the tiny West Texas town of Vinegaroon, Roy Bean draws a moustache on a wanted poster of himself, marches into a saloon, and declares his presence. He is immediately robbed, beaten within an inch of his life, tied to a horse and dragged out into the prairie, then left to die. Rescued by a young Mexican girl, Maria Elena (Victoria Principal), Roy Bean heads back into town and murders everyone in the local saloon, declaring that he'll kill anyone of the same sort who turns up. He also sets himself up as the sole arbiter of law and order and renames the town Langtry, in honor of the legendary actress Lily Langtry (Ava Gardner). The community prospers as Judge Bean dispenses his own brand of frontier justice upon strangers passing by, robbing or killing anyone who tries to make their way through the town. But when Maria dies, Bean's old associates begin to turn on him, one at a time (in response to his constant harping on their wives, many of whom were former prostitutes) and Bean is forced to leave. Years later, Bean rides back into town, called back to the place to save his daughter from trouble - and finds that the community has been taken over by a shady character called Frank Gass (Roddy McDowall) - a circumstance that requires Bean to dispense his own unique brand of justice once again. Stacy Keach lends a neat comic turn to the film as Bad Bob, an albino gunslinger whose dining habits consist of chowing down on raw onion, drinking hot coffee from a pot, and demanding that an entire horse be cooked for his supper. John Milius (Red Dawn) scripted.
~ Paul Brenner, All Movie Guide

This romantic tragedy concerns the Archduke Rudolf (Omar Sharif) and his mistress, the Baroness Maria Vetsera (Catherine Deneuve), and their untimely demise at Mayerling, the sight of the Austrian royal family's hunting lodge. Rudolf verbally spars with his father Emperor Franz-Josef (James Mason) about wanting to implement progressive policies for his country. Ava Gardner plays his mother Empress Elizabeth. Rudolf also contends with the fallout from a loveless marriage with Princess Stephanie (Andrea Parisy). Respectful of the centuries-old Hapsburg family rule over Austria, Rudolf soon feels he is a man born at the wrong time in a country that will not realize the need for social reform. The Prince of Wales (James Robertson-Justice), later to become Britain's King Edward VII, provides the only comic relief with his dialogue. The deaths remain a mystery, but director Terence Young suggests the two lovers made a suicide pact when they decided they could not live in a world without love where the prospects for peace were dubious at best. ~ Dan Pavlides, All Movie Guide

Filmed on location in Mexico by John Huston, Night of the Iguana stars Richard Burton as Rev. Shannon, an alcoholic defrocked minister, who scratches out a living as a south-of-the-border tour guide. His latest customers are several American schoolteachers, and he guides their bus to a rundown hotel owned by flamboyant widow Maxine Faulk (Ava Gardner). Attempting to dally with Charlotte Goodall (Sue Lyon), one of the schoolteachers, Shannon is caught in the act by the group's "den mother" Judith Fellowes (Grayson Hall), who threatens to have him fired. While he and Maxine connive to keep Judith from calling his superiors, artist Hanna Jelkes (Deborah Kerr) arrives at the hotel with her ailing, elderly poet grandfather (Cyril Delevanti, in a part reportedly offered to poet Carl Sandburg). The midsection of the film charts the vacillating sexual tensions among the besotted Shannon, the earthy Maxine, and the repressed Hanna. The perversions and demons plaguing the principal characters, merely hinted at in the original stage production of by Tennessee Williams, are expanded by Huston, who co-adapted the screenplay with Anthony Veiller. The film won an Academy Award for Best Costume Design for Dorothy Jeakins. ~ Hal Erickson, All Movie Guide

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, All Movie Guide

The slow pacing of this fanciful tale about the life and one reputed love of the Spanish artist Francisco Goya makes for an uneven drama. Anthony Franciosa is the artist, and Ava Gardner plays his paramour, the Duchess of Alba. While the Prime Minister of Spain schemes to betray his country to Napoleon's forces and the Spanish Inquisition is winding to a close (overplayed here) Goya is trying to survive the pangs of love he feels for the aloof Duchess. In reality, the artist was seriously ill during this period -- in the last decade of the 18th century -- and actually went deaf. But reality is set aside for high romance, as the pair of star-crossed lovers take center stage over art and politics. ~ Eleanor Mannikka, All Movie Guide