Reginald Gardiner Movies

Having recently come off another Filmways-produced sitcom titled The Pruitts of Southhampton, Reginald Gardiner guests in this episode as Gaylord Martindale, a pompous guest at the Shady Rest. Noting that Martindale is constantly taking notes in a small book, Uncle Joe (Edgar Buchanan) jumps to the conclusion that the man is secretly the representative of a major hotel association which has created a "Master Plan" for prestigious reservations. As a result, the Bradleys knock themselves out trying to impress and coddle Martindale--with surprising results. ~ Hal Erickson, Rovi

As a member in good standing of Hooterville's Every-Other-Wednesday-Afternoon Discussion Club, Lisa (Eva Gabor) insists that what the community needs above all else is a symphony orchestra. Oliver (Eddie Albert) agrees in principle, but suggests that Lisa streamline her plans and organize a park band. The matter isn't settled until Lisa's old friend, the eminent symphony conductor Sir Geoffrey Wingate (Reginald Gardiner), shows up in Hooterville. ~ Hal Erickson, Rovi

In this comedy, a hapless Army sergeant's plans to marry are temporarily delayed after he accidentally ends up launched into space with a chimpanzee. Upon his return, he is a changed man and is ultimately sent to prison after he threatens to go public with the mix-up. Meanwhile, suave Sgt. Donovan, Deadhead's double, takes his place at the altar. To stop him, Deadhead breaks out of prison and becomes his old self again just as he arrives at the honeymoon suite. Naturally he wins his rightful bride and happiness ensues. ~ Sandra Brennan, Rovi

Uncle Joe (Edgar Buchanan) hopes to con world-famous sportsman Lord Faversham (Reginald Gardiner) into staying at the newly-christened "Shady Rest Hunting Lodge." To this end, Joe is willing to go to any lengths--even unto purchasing a buffalo. When this episode originally aired in November of 1964, TV Guide ran a two-page spread explaining that, due to the scarcity of buffaloes in Hollywood, the producers substituted a large Hereford bull, which was cunningly disguised with the help of professional taxidermist Art Bryant (who must have been delighted to work with a "live" subject for a change!) ~ Hal Erickson, Rovi

Screenwriter Nunnally Johnson adapted the novel by author Edward Streeter, whose work was also the basis of Father of the Bride (1950), into this domestic comedy. James Stewart and Maureen O'Hara star as Roger and Peggy Hobbs, a St. Louis couple with a large brood who desire a seaside vacation. Renting a cottage by the ocean is just the first step in a summer fraught with disasters, including a couch potato son, a shy daughter with newly installed braces, a pair of grown daughters who have married badly, and a local yachtsman with eyes for Peggy. Not to mention the ramshackle state of the shoreline abode, Roger and Peggy's new grandparent status, and incidents involving a sexy neighbor, a sailboat regatta and bird watching. ~ Karl Williams, Rovi

One of the true classics of suspense fiction, Rupert Croft-Cooke's short story Banquo's Chair had been adapted for radio and television innumerable times before it was given the Alfred Hitchcock touch in this unforgettable episode. John Williams plays Scotland Yard inspector Brent, who is determined to prove that John Bedford (Kenneth Haigh) is the murderer of one Miss Ferguson. Unfortunately, every effort to break Bedford down has failed, forcing Brent to take drastic measures. Hiring an actress (Hilda Plowright) who looks just like the late Miss Ferguson, the inspector stages a scene whereby the smug Bedford will be confronted by the "ghost" of his victim -- and will thus be so unnerved that he will confess on the spot. Needless to say, the scheme doesn't quite yield the results that Inspector Brent had expected. ~ Hal Erickson, Rovi

Every so often, the prestigious 1950s CBS anthology Playhouse 90 would digress from its "live" format and offer a sumptuously produced film presentation. One of these was the suspenseful 1958 offering No Time at All, a fascinating precursor to the Airport films of the 1970s. On a routine night flight from Miami to New York, an airliner loaded with passengers is suddenly plunged into darkness due to an electrical failure. Losing contact with the plane, the ground crew in New York worries that all on board may be lost--especially since the weather has turned ugly. In a brilliant dramatic device, the viewer never sees the plane in flight nor its passengers and crew: Instead, the play stays on solid land, concentrating on the reactions of the friends and families of those on board. This Playhouse 90 entry boasts perhaps the most impressive cast ever assembled for the series, among them dramatic actors Bill Lundigan, Jane Greer, Betsy Palmer, Sylvia Sidney and Keenan Wynn; comedians Buster Keaton, Chico Marx (with a Jewish accent), and Harry Einstein (aka "Parkyakarkus", and the father of contemporary comic actors Bob Einstein and Albert Brooks); and musical-comedy favorites Jack Haley (in a rare unsympathetic role) and Cliff Edwards (the voice of Jiminy Cricket in the 1940 cartoon feature Pinocchio). Also seen in the supporting cast is an up-and-coming young player named Charles Bronson, here cast as a sentimental boxer; and "Floyd the Barber" himself, Howard McNear--who, indirectly, is the hero of the piece. Long considered a "lost" film, No Time at All was made available on the home-video market in the early years of the 21st century, complete with the original commercials and a preview of the next week's Playhouse 90. ~ Hal Erickson, Rovi

This comedy is a remake of 1941's The Lady Eve, and tells the story of the vegetarian son of a prominent meat packer who is sailing back from an African safari when he meets and falls in love with a con-artist's lovely daughter. Posing as a military officer, the card-sharp and his boys have come to fleece a few wealthy passengers at poker. The daughter finds the milque-toast son irresistible and much to her father's dismay, they fall in love. Unfortunately their happiness is nearly destroyed when someone tells him the truth about her father. Fortunately, that is not the end of their affair. ~ Sandra Brennan, Rovi

Broadway producer Peter Denver (Van Heflin) takes in young actress Nanny Ordway (Peggy Ann Garner) while his wife (Gene Tierney) is out of town. When Nancy is found murdered in his penthouse apartment, the two prime suspects are Peter and the neglected husband (Reginald Gardiner) of temperamental Broadway star Ginger Rogers, who had also been dallying with the dead girl. Detective Bruce (George Raft) figures out the true identity of the killer, but the audience may be well ahead of him. Despite its resplendant color photography, Black Widow is a "film noir" at heart. ~ Hal Erickson, Rovi

In this romance, an industrial designer is bitterly disappointed when he discovers that upon graduation his daughter decides to elope with her psychology professor rather than pursue a career. The professor's family is also not pleased by the union. Both families, who despise each other, try to get the newlyweds to annul their marriage. This quest unites the families and they become friends. When they finally catch up to the couple, both sides are appalled to discover that marital strife threatens to rip the couple apart. The families rally together and the marriage remains intact. ~ Sandra Brennan, Rovi

Betty Grable's Wabash Avenue is an agreeable remake of Grable's 1943 hit Coney Island. The locale is changed from New York to Chicago, but the plot remains basically the same. Once again, the star is cast as a honky-tonk singer, Ruby Summers, who is groomed for classier show-business endeavors by a handsome producer -- in this case, Andy Clark (Victor Mature). Saloon owner Uncle Mike (Phil Harris) doesn't want to lose Ruby (Grable) for both professional and personal reasons, but Clark is more persuasive, and, frankly, better-looking. Once she reaches the top in a Hammerstein show, Ruby's head is turned by Clark's suave, sophisticated partner English Eddie (Reginald Gardiner). Margaret Hamilton has a wonderful cameo as a Carrie Nation-style saloon basher, while old-time vaudevillian James Barton steals the show with his rendition of such standards as "Harrigan" and "Green River." ~ Hal Erickson, Rovi

In Halls of Montezuma, Richard Widmark stars as Lt. Carl Anderson, a former schoolteacher who serves as a no-nonsense Marine officer during WW II. Anderson leads his patrol to a Japanese-controlled island, where the enemy has set up an experimental rocket base. The patrol's mission is to capture prisoners for interrogation, which proves a near-insurmountable task given the fact that the Americans are heavily outnumbered. Among the grime-covered Marines are Walter (Jack) Palance, Robert Wagner, Karl Malden, Richard Boone, Skip Homeier and Neville Brand. Jack Webb is a chain-smoking war correspondent, while Reginald Gardiner shows up as an aristocratic--but very tough--British officer. ~ Hal Erickson, Rovi