Elizabeth Ashley Movies

Actress Mary Stuart Masterson makes her feature directorial debut with this drama detailing the manner in which three generations of men deal with the death of the family matriarch. Evicted from his New York City apartment, starving musician Guy Kimbrough (Jayce Bartok) makes his way back upstate for the first time in three years. Upon returning to his hometown, Guy does his best to deal with the recent death of his mother while desperately attempting to reconnect with his ex-girlfriend Stephanie (Miriam Shor) -- who has since moved on and found happiness with another man. Meanwhile, as Guy does his best to win Stephanie back, his shy brother, Beagle (Aaron Stanford), falls deeply in love with Friedreich's Ataxia-stricken high school student Georgia, and their father, Easy (Bruce Dern), attempts to rekindle his relationship with Georgia's grandmother Marg (Elizabeth Ashley). ~ Jason Buchanan, Rovi

A group of hard-partying teens falls prey to a family of cannibalistic killers in director S. Lee Taylor's throwback survival horror feature following in the tradition of The Hills Have Eyes and Wrong Turn. Still coming down from the buzz of a desert rave, seven teens make the mistake of their lives when they opt for a desert shortcut that's not on the map. As the night wears on and the clan of killers descends upon the unsuspecting teens, their only hope for survival is to turn the tables on their tormentors and show them that they aren't about to go down without a fight. ~ Jason Buchanan, Rovi

Gary Starke (Andy Garcia) was an orphan living on the streets at 13 who grew up to preside over a crew of street hustlers as the grand master of ticket scalpers. Charming, savvy, and honorable, Gary seems beloved by everyone until Linda (Andie MacDowell), the love of his life, dumps him. Tired of Gary's unreliability after eight years, Linda takes a scholarship to the Cordon Bleu in Paris to fulfill her dream of becoming a master chef. Gary, in a tailspin, is determined to win Linda back. However, his hated rival, Casino, chooses this moment of weakness to move in on Gary's position on the streets. Gary wants to fight, but Linda may never return to him if he continues scalping. A surprise announcement is made. Pope John Paul II will come to New York to perform Easter Mass at Yankee Stadium. It's Gary's big chance. With one last big score, he can quit scalping and win Linda back. Yet Casino (and the law) still stands in his way. Gary turns to his mentor, Benny (Richard Bradford), for guidance. With his help, Gary may find a different path around his desperation and win back the woman he loves. ~ Ron Wells, Rovi

After his 1995 breakthrough, Welcome to the Dollhouse, director Todd Solondz was courted by a number of studios to make a big-budget film with top stars. Instead, he chose to make this aggressively dark comedy-drama of perversions and twisted lives. Andy Kornbluth (Jon Lovitz) explodes with anger after rejection in a restaurant from Joy Jordan (Jane Adams), one of a trio of middle-class New Jersey sisters. Joy's sister Trish (Cynthia Stevenson), a housewife with three kids, is married to psychiatrist Bill (Dylan Baker), who counsels the lonely, overweight Allen (Philip Seymour Hoffman). Allen is obsessed with Joy's other sister, the successful poet Helen (Lara Flynn Boyle), all the while ignoring the attentions of his seemingly sweet yet overweight neighbor Kristina (Camryn Manheim). Bill has fantasies of turning an assault rifle on families in a park, masturbates to teen magazine photos, and develops an unhealthy interest in a classmate of his 11-year-old son, Billy (Rufus Read). After a telephone sales job, Joy moves on to substitute teach at an adult education class, where she falls prey to the advances of an insensitive cabdriver, Vlad (Jared Harris). Allen's series of obscene phone calls to Helen come to an end when she challenges him to come next door and carry out his sexual threats. Meanwhile, the sisters' parents, Lenny and Mona Jordan (Ben Gazzara and Louise Lasser), find their marriage collapsing after 40 years. Lenny has sparked the interest of divorcée Diane Freed (Elizabeth Ashley), but he actually would prefer to be alone. The path to happiness, it seems, is littered with dreams, despair, and abnormalities. Winner of the International Critics' prize at the 1998 Cannes Film Festival, Happiness met with much controversy both in pre-production and upon its release, as chronicled in producer Christine Vachon's book Shooting to Kill. ~ Bhob Stewart, Rovi

Based on a novel by Edith Wharton, The Buccaneers follows four wealthy young women -- Nan (Carla Gugino), Virginia St. George (Alison Eliott), Conchita Closson (Mira Sorvino), and Lizzy Elmsworth (Rya Kihlstedt) -- throughout their eventful journey from America to London. Though they set off intending to hunt down potential husbands for themselves, what they find has less to do with love and more to do with the repressive nature of turn-of-the-century English society. Shunned as "new money" by London's elite and courted by a slew of noblemen lacking any code of personal honor, the quartet is forced to examine society's focus on social status and personal wealth. Directed by Philip Saville, this film also features Mark Tandy and Greg Wise. ~ Tracie Cooper, Rovi

While researching a novel, Jessica (Angela Lansbury) pays a return visit to New Orleans. Before long, she is enmeshed in a murder investigation, this one stemming from the death of a local businessman. A tiny doll was left behind at the murder scene, indicating the presence of a strong voodoo influence--but what does the Supernatural have to do with the local turf war between rival supper-club owners which would have otherwise been the main motive for the killing? ~ Hal Erickson, Rovi

Love and Curses...And All That Jazz is a made-for-TV effort starring Gerald McRaney (who also directed) and his wife Delta Burke. The stars portray married MDs, who head to New Orleans to renew their vows (true Southerners both, they don't feel that their Northern wedding ceremony "took"). Upon arriving in Mardi Gras land, the couple becomes involved in a murder case tied in with a voodoo curse. If the film resembles the Thin Man movies of old, that was McRaney and Burke's avowed intention. Elizabeth Ashley also stars in this amiable vanity production. Filmed on location, Love and Curses...And All That Jazz premiered on September 21, 1991. ~ Hal Erickson, Rovi

This biographical drama, based on the late actress's autobiography, chronicles her attempts to rescue her drug addicted son while simultaneously trying to overcome her life-threatening cancer. ~ Sandra Brennan, Rovi

Alfre Woodard plays a Los Angeles DA who moves back to her home town of New Orleans. She does this so that her teenaged son (Keith Williams) can be nearer to his estranged dad (Mario van Peebles). No sooner has Woodard arrived in "The Big Easy" than she is swept up in a local sex scandal. While the main plot is resolved, several secondary story lines are left unresolved, suggesting that Blue Bayou was the pilot film for an unsold series. The film was written by LA Law's Terry Louise Fisher and directed by Cagney and Lacey's Karen Arthur. ~ Hal Erickson, Rovi

After Hunter (Fred Dryer) delivers the baby of runaway teenager Cheryl Donovan (Allison Smith), the grateful girl names her infant daughter after the detective. Shortly afterward, Cheryl turns up murdered--and of course Hunter feels honor-bound to investigate personally. It turns out that the dead girl had reneged on her deal with a crooked baby-breeding ring which sells off newborn infants for illegal adoptions...and that "Baby Hunter" is now an extremely high-priced and much sought-after commodity! ~ Hal Erickson, Rovi

This slick and stylish episode is something of a variation of the classic film noir DOA, with overtones of Raymond Chandler. Travelling to Hollywood in the company of elderly writer Walter Murray (Mike Connors), with whom she is slated to collaborate on a movie script, Jessica (Angela Lansbury) makes a brief stop at a seedy motel-diner. Later that evening, Walter is found dead in his motel room, leaving behind a tape recording detailing the events leading up to his demise. In a series of stunningly photographed black-and-white flashbacks, Jessica learns that on the previous evening, Walter had been reunited with a woman (Elizabeth Ashley) whom he hadn't seen in 19 years--not since he killed her abusive husband! ~ Hal Erickson, Rovi