Victor Garber

Academy Award winner Sean Penn takes the title role in Gus Van Sant's biopic tracing the last eight years in the life of Harvey Milk, the ill-fated politician and gay activist whose life changed history, and whose courage still inspires people. When Milk was elected to the San Francisco Board of Supervisors in 1977, he made history for being the first openly gay man in American history to be voted into public office. But the rights of homosexuals weren't Milk's primary concern, as tellingly evidenced by the wide array of political coalitions he formed over the course of his tragically brief career. He fought for everyone from union workers to senior citizens, a true hero of human rights who possessed nothing but compassion for his fellow man. The story begins in New York City, where a 40-year-old Milk ponders what steps he can take to make his life more meaningful.

Eventually, Milk makes the decision to relocate to the West Coast, where he and his lover, Scott Smith (James Franco), found a small business in the heart of a working-class neighborhood. Empowered by his love for the Castro neighborhood and the success of his business, Castro Camera, Milk somewhat unexpectedly begins to emerge as an outspoken agent for change. With a growing support system that includes both Scott and a like-minded young activist named Cleve Jones (Emile Hirsch), the charismatic Milk decides to take a fateful leap into politics, eventually developing a reputation as a leader who isn't afraid to follow up his words with actions. In short order, he is elected supervisor for the newly zoned District 5, though this seeming triumph is in fact the catalyst for a tragedy that starts to unfold as Milk does his best to forge a political partnership with Dan White (Josh Brolin), another newly elected supervisor. Over time it becomes apparent that Milk and White's political agendas are directly at odds, a revelation that puts their personal destinies on a catastrophic collision course. ~ Jason Buchanan, All Movie Guide

Despite its late start in January of 2005 after a hiatus of eight months, the fourth season of Alias more than made up for lost time with a plethora of trials, tribulations, jaw-dropping revelations, big-time betrayals, and near-death experiences for the series' secret-agent heroine, Sydney Bristow (Jennifer Garner). Reeling from the disillusionment and embarrassment of her demotion, Sydney quits the CIA flat; however, it turns out that this is part of a master plan hatched by new CIA director Hayden Chase (Angela Bassett) to arrange Sydney's membership in Authorized Personnel Only (APO), a top-top secret black-ops organization. Sydney's co-workers at APO include several longtime associates: her father, Jack (Victor Garber); her partner and sometime lover, Michael Vaughn (Michael Vartan); her steadfast previous partner Dixon (Carl Lumbly) -- and, much to our heroine's surprise, her duplicitous ex-chief, Sloane (Ron Rifkin), who has proven time and again that he can't be trusted. For her first APO assignment, Sydney is sent to Rio, where she has a fateful encounter with her latest adversary, Tamasaki (Rick Yune), a self-styled 21st century samurai. Previously a recurring character, Sydney's half-sister, Nadia Santos (Mía Maestro), becomes a full regular this season, the better to throw a monkey wrench into Sydney's volatile relationship with her father, Jack -- and to share with Jack a startling secret about Sydney's supposedly dead, supposedly traitorous mother. At the same time, Vaughn has a great deal of difficulty overcoming the treachery of his former wife, Lauren, and an equal amount of difficulty assimilating new and disturbing information about his own father. Major developments this season include a huge revival of interest in the Rambaldi code, which when broken may spell the doom of humankind; the surprising temporary recruitment of another of Sydney's longtime enemies, Julian Sark (David Anders), for a special APO mission; a grim prognostication that Sydney and Nadia are destined to duke it out to the death; and the resurrection of a long-presumed-dead central character, who will reveal anew to Sydney that she can never completely rely upon anyone or believe in anything, not even the evidence of her own eyes. Though the season ends with the good news that Sydney and Vaughn are engaged, any hopes for lasting happiness are dashed by still another shocking revelation -- and a spectacular car crash. ~ Hal Erickson, All Movie Guide

As season three of the ABC espionage series gets under way, secret agent Sydney Bristow (Jennifer Garner) has still not entirely adjusted to the startling revelation that she has somehow lost track of two years in her life -- and that her partner and erstwhile lover Michael Vaughn (Michael Vartan) is now married to Lauren Reed (Melissa George). Also, she is informed that her double-agent father, Jack (Victor Garber), who thought Sydney was dead, has been jailed -- in solitary confinement -- for a year, and her duplicitous boss, Sloane (Ron Rifkin), has disavowed his evil ways and "gone straight." But just as in previous seasons, what seems true on the surface is a different story as Sydney digs deeper into the mystery of her missing years. Placed back on active duty, Sydney tortuously tries to put the pieces back together, with Vaughn at her side and Lauren agonizing over the likelihood that her marriage is doomed. Various links to Sydney's past include her old nemesis Julian Sark (David Anders), who has hatched a scheme to cripple the nation's satellite system; and freelance thief Simon Walker (Justin Theroux), whose team is involved in stealing a dirty weapon. There are also unexpected encounters with Sydney's old friend Will Tippin (Bradley Cooper), newly dragged from the bowels of the Witness Protection Program, and the redoubtable Allison Doren (Merrin Dungey), the evil doppelganger of Sydney's murdered roommate, Francie. Throughout, there is a concerted effort to prevent Sydney's memory from coming back -- an effort engineered not only by her enemies, but by those who know that she is harboring a terrible secret that will destroy her once she knows all. In the mid-season episode "Full Disclosure," Sydney finally receives the whole shocking story about those lost two years, and her complicity in the murder of a Russian diplomat. Thereafter, we're back to the basics, with Sydney and Vaughn collaborating on a variety of top-secret missions, several tied in with the ubiquitous Rambaldi code, which when broken will lead to a super-weapon capable of wiping out all of humankind. And in the time remaining in season three, the scorned Lauren is at the center of a startling betrayal -- and, ultimately, Sydney is slapped with a bitter disillusionment that makes all past disillusionments in her life pale in comparison. ~ Hal Erickson, All Movie Guide

American independent filmmaker Paul F. Ryan makes his feature debut with the psychological drama Home Room. The students of Valley High School try to get on with their lives in the aftermath of a traumatic school shooting in which nine students were killed. Even though the perpetrator is dead, the townspeople still want to find some answers. Detective Martin Van Zandt (Victor Garber) decides to interrogate high school student Alicia Browning (Busy Philipps), who was present during the attack. Because of her cynical attitude and dark fashion choices, she is viewed as a possible threat. Principal Robbins (James Pickens Jr.) sentences her to regular hospital visits with the pretty and popular Deanna Cartwright (Erika Christensen), who was seriously injured in the attack. Alicia and Deanna overcome their initial differences and develop a nurturing friendship with psychological help from Dr. Hollander (Holland Taylor). ~ Andrea LeVasseur, All Movie Guide

Cunningly presaged by the cliffhanger at the end of season one, the first episode of Alias' second season confirmed what heroine Sydney A. Bristow (Jennifer Garner) -- college student by day, counterespionage agent the rest of the time -- had feared most: that "The Man," the evil leader of a vast criminal cartel, was no man at all, but instead Sydney's supposedly dead mother, former KGB agent Irina Derevko (played by new series regular Lena Olin). Though Irina would eventually claim to have reformed and insisted that she was looking out for Sydney's best interests, her actions -- which included innumerable double-crosses, sellouts, and betrayals -- would seem to indicate otherwise. Even so, nothing that was ever "indicated" on Alias was ever quite what it appeared on the surface. Meanwhile, both of the spy organizations for which Sydney worked, the CIA and the more sinister SD-6, were dedicated to destroying the cartel formerly run by Irina and now in the hands of her mercurial lieutenant, Sark (played by another new series regular, David Anders). The two rival agencies also continued their search for the missing Rambaldi fragments, which when assembled would become a terrifying weapon of mass destruction, as well as "The Bible," the operations manual used by Irina's old criminal empire.

Still embittered by the knowledge that she had been used all her life by SD-6, Syd persisted in covertly working against the organization by throwing in with the CIA, under the supervision of agent Michael C. Vaughn (Michael Vartan), who by the time season two rolled around, was making no secret of his love for Syd. Two other SD-6 operatives, computer genius Marshall Flinkman (Kevin Weisman) and agent Marcus Dixon (Carl Lumbly), likewise crossed over to the CIA, with tragic results for at least one of them. Syd was given even more reason to despise the espionage business when she learned that, as a child, she had been a guinea pig for a program designed to indoctrinate spies at an early age -- a program developed by her own father, Jack Bristow (Victor Garber). There was another "father figure" in Syd's life in the form of her SD-6 boss, Arvin Sloane (Ron Rifkin), who despite his cruel cunning and ruthlessness was genuinely fond of both Bristows. Sloane would launch a second career as a solo villain when, disillusioned by the SD-6, he bolted the organization and set about to harness the awesome power of the Rambaldi device for his own purposes. His replacement at SD-6 was the no-nonsense Geiger (Rutger Hauer), who, shall we say, harbored no great love for either Syd or Jack. In addition to Rutger Hauer, season two of Alias would feature guest-star turns by Faye Dunaway as the duplicitous head of SD-6 counterintelligence; Richard Lewis as a CIA counterintelligence analyst investigating Vaughn; and Christian Slater as a scientist who was kidnapped by the renegade Sloane -- and whose past life experiences bore striking resemblances to those of the Bristow family.

Elsewhere, it was business as usual for crusading journalist Will Tippin (Bradley Cooper), who doggedly continued his crusade to expose and destroy SD-6 and all the other agencies in the Alliance of Twelve. The basic through line of Alias took off on a radical and wholly unanticipated new direction with its January 26, 2003, episode "Phase One." In this truly shocking entry, Syd's roommate, Francie (Merrin Dungey), was murdered and replaced by an exact double, thereby further blurring the series' distinction between its heroes and its villains. Also in that episode, the CIA put an end to SD-6, thus freeing Sydney from her double-agent balancing act and allowing her and Vaughn to finally express their feelings for each other. But even those developments paled in comparison with Alias' second-season cliffhanger finale, in which after being rendered unconscious in a fight with the "bad" Francie, Syd awoke to discover that two whole years had passed -- and her erstwhile lover Michael Vaughn was now beyond her reach! ~ Hal Erickson, All Movie Guide

Playwright Neil Simon got his first big break in the early '50s as a staff writer on Sid Caesar's fabled television series Your Show of Shows, and this comedy (adapted by Simon from his play) takes a fictionalized look at the backstage chaos that went into producing one of the landmarks of television's golden age. Max Prince (Nathan Lane) is the star of The Max Prince Show, a popular comedy-variety series with ratings that have begun to slip; Prince's show is still a major hit on the East Coast, but network executive Cal Weebs (Colin Fox) insists that it's too sophisticated for the Midwest, and urges Prince to dumb down his act. Prince has also become the whipping boy of newspaper columnist Walter Winchell (Frank Proctor), and between the tensions of producing a hour of top-quality comedy each week and being pestered about his ratings, Prince is beginning to unravel. His relationship with his wife Faye (Sherry Miller) and their children is falling apart, and stress is eating him alive. Prince's brother Harry (Richard Portnow) is Max's assistant, and his last line of defense against both the network and his writing staff, which spend its days coming up with business for the show while hurling humorous invective at each other and anyone else within earshot. (The actors playing Max's writers include Mark Linn-Baker, Victor Garber, Dan Castellaneta, Saul Rubinek, Peri Gilpin, and Zach Grenier.) Laughter on the 23rd Floor received its world premiere at the 2001 Palm Springs Film Festival and was scheduled for showings several months later on the Showtime premium cable network (who co-produced the feature). The film was directed by Richard Benjamin, who previously teamed with Mark Linn-Baker for another comedy inspired by the career of Sid Caesar, My Favorite Year. ~ Mark Deming, All Movie Guide

A woman coming to terms with her husband's death discovers his killer has run afoul of a violent crime in this detective drama. Joanne Kilbourn (Wendy Crewson) is a former police detective who left the force to teach criminology after the unsolved murder of her husband, Ian (Edward Jaunz). The investigation into Ian's death gets taken off the back burner when a suspect is arrested, Kevin Tarpley (Christopher Bolton); while Kevin claims to be innocent, he knows enough about the case to have raised the suspicions of police. Just when Joanne thinks her husband's killer may finally be brought to justice, Kevin is killed by a gunman as he's brought to the police station. After a strange visit by Kevin's wife Maureen (Kari Matchett), Joanne begins looking into Kevin's life and death, and discovers not all of her late husband's friends are willing to help her with her private investigation. Criminal Instincts: A Colder Kind of Death also stars Victor Garber, Teri Garr, and Robin Dunne. ~ Mark Deming, All Movie Guide

Reese Witherspoon stars in this romantic comedy, the feature film debut of award-winning Australian director Robert Luketic. As a ravishing Miss Hawaiian Tropic, sorority president, and calendar girl, Elle Woods (Witherspoon) is a big hit on the campus of her sun-drenched Los Angeles college. She's also got the perfect boyfriend in Warner Huntington III (Matthew Davis), a wealthy East Coast blue blood. Fearing that his snooty friends and family will never accept the bubble-headed Elle, however, Warner dumps her before heading off to graduate law school at Harvard University. Determined to win back her man, Elle enrolls in the same imposing institution, quickly becoming an object of scorn and ridicule, especially to Warner's old prep school flame (Selma Blair). Despite her penchant for malls, makeup, and tanning, Elle is no dummy and is soon showing elite Ivy League snobs a thing or two about class, self-confidence, and courtroom victory. ~ Karl Williams, All Movie Guide

The made-for-TV Deadly Appearances was originally telecast over Canada's CTV on April 23, 2000, as part of the off-and-on cop series Criminal Instincts. Based on the first of Gail Bowen's Joanne Kilbourn mystery novels, the film stars Wendy Crewson as Kilbourn, a former police detective who dabbles in crimesolving whenever one of her friends or family members is involved. On this occasion, Joanne tries to determine if her longtime chum, philandering political candidate Andy Boychuk (Robert Hays) was the murderer of a young woman. Although the original novel included a subplot about a homosexual love triangle, the film dispensed with this complication. Deadly Appearances made its first TV appearance in the United States on June 5, 2001, courtesy of the Lifetime cable network. ~ Hal Erickson, All Movie Guide

Love and Murder is based on Murder at the Mendel, the first of the "Joanne Kilbourn" mysteries written by Gail Bowen. Traumatized by the murder of her husband, former police detective Joanne Kilbourn (Wendy Crewson) resigns from the force to look after her children--and when money gets tight, she launches a whole new career as a college lecturer. Inevitably, Joanne is drawn back into detective work when her childhood friend Sally Love (Caroline Goodall) is accused of murdering her ex-husband, in a manner reminiscent of the mysterious death of Sally's father twenty years earlier. Also figuring into the case is a sinister obstetrician. Counting upon the assistance of her former partner Inspector Philip Millard (Victor Garber), Joanne sets about assembling clues and interviewing suspects in hopes of saving Sally--and purging a few privates demons of her own. Originally telecast April 16, 2000, on Canadian TV as part of the off-and-on "Criminal Instincts" series, Love and Murder has since been added to the regular TV-movie rotation of America's Lifetime cable network. ~ Hal Erickson, All Movie Guide

This made-for-TV adaptation of the hit Broadway musical (which was, in turn, based on the popular comic strip by Harold Gray) stars Alicia Morton as Annie, who lives in an orphanage run by the ill-tempered Miss Hannigan (Kathy Bates). Like the rest of the children, Annie doesn't like the orphanage and hates Miss Hannigan, so she's excited when famous and eccentric billionaire Daddy Warbucks (Victor Garber) picks Annie as the lucky orphan who gets to spend Christmas at his mansion. Warbucks is charmed by Annie's spunk and good spirits and is eager to adopt her, but Annie is convinced that one day her real parents will come back to claim her. Eager to make her happy, Warbucks offers a sizable cash reward to whomever can find Annie's mother and father; Miss Hannigan, seeing the possibility of an easy payday, concocts a scheme by which her brother Rooster (Alan Cumming) and his floozy girlfriend Lily (Kristin Chenoweth) will pose as Annie's long-lost folks. Andrea McArdle, who originated the role of Annie on Broadway, has a supporting role as the Star-to-Be. The musical was previously filmed in 1982, with John Huston in the director's chair. ~ Mark Deming, All Movie Guide

Seen on ABC's Wonderful World of Disney, this $12-million production is the only musical Rodgers and Hammerstein wrote for television. The CBS-TV original, with 21-year-old Julie Andrews in the title role and Edie Adams as the Fairy Godmother, played on live television March 31, 1957 to TV's largest audience ever to that date (107-million viewers). That historic production, captured on kinescope, can still be seen today on library monitors at the Museum of Television & Radio in New York and Los Angeles. Hammerstein died in 1960 and did not get to see 18-year-old Lesley Ann Warren as Cinderella in the February 22, 1965 restaged production, repeated annually on CBS until 1977 and later made available on videotape from CBS/Fox Video and Facets Multimedia. Added to the 1965 show was "Loneliness of Evening", a song actually written for South Pacific but cut before the Broadway opening.

Running a half-hour longer, this third interpretation premiered November 2, 1997. Filmed over a 28-day period, it stars Brandy Norwood as Cinderella and Whitney Houston as the Fairy Godmother, with Bernadette Peters as the Stepmother, Whoopi Goldberg as the Queen (wearing $60 million worth of borrowed Harry Winston jewelry), Paolo Montalban as the Prince, and Jason Alexander as the Prince's steward, Lionel. Scripter Robert L. Freedman provided a rewrite of the original Oscar Hammerstein book, and three other Richard Rodgers songs were added to the existing score: "There's Music in You" (from the 1953 movie musical Main Street to Broadway), "The Sweetest Sounds" (a Brandy/Montalban duet), and "Falling in Love with Love". Originally set in motion as a follow-up to the highly successful TV Gypsy (1993) with Bette Midler, this 1997 multicultural version (sometimes referred to as the "rainbow Cinderella") was years in the making, since it was initiated in 1994 when Houston joined executive producers Craig Zadan and Neil Meron (the team responsible for the TV Gypsy). ~ Bhob Stewart, All Movie Guide