Victor Garber Movies

The saga of Po continues in this sequel that finds the newly anointed Dragon Warrior (voice of Jack Black) teaming with The Furious Five to safeguard the Valley of Peace. But when a new adversary launches a treacherous bid to seize control of China and obliterate the martial arts, Po must look back to his enigmatic origins in order to unleash his true potential, and defeat his most powerful opponent to date. Dustin Hoffman, Gary Oldman, Jean-Claude Van Damme, and Michelle Yeoh provide addition voices for this sequel directed by Jennifer Yuh Nelson from a screenplay by Jonathan Aibel and Glenn Berger. ~ Jason Buchanan, Rovi

This documentary takes a look at the infrastructure and population of the Americas prior to the arrival of Christopher Columbus. ~ Tracie Cooper, Rovi

The creators of Superman: Doomsday, Batman: Gotham Knight, and Wonder Woman re-team to tell the origins of the Green Lantern in this animated DC Comics feature. When Hal Jordan (voice of Christopher Meloni) is recruited to join the Green Lantern corps, he is placed under the direct supervision of senior Lantern Sinestro. But the Green Lantern corps has come under attack by a powerful foe. When Hal discovers that Sinestro is actually part of a vast conspiracy that aims to dismantle the entire organization, he must use his newfound powers to restore order and combat the treason that threatens to tarnish the Green Lantern legacy. ~ Jason Buchanan, Rovi

This documentary examines the life and work of Augustus Saint-Gaudens, one of the most talented American sculptors of the 19th century. The program shows off some his most famous works, including numerous civil war tributes, and explains how his creations have had a lasting effect on American art into the 21stcentury. ~ Perry Seibert, Rovi

Originally titled American Crime, the Fox network legal/procedural series Justice focused on the California law firm of Trott, Nicholson, Tuller & Graves (also known as "TNT&G"), a "dream team" specializing in high-profile cases guaranteed to draw maximum media attention. Victor Garber starred as TNT&G's head man, Ron Trott, a "celebrity lawyer" in every sense of the word, who when not found in the courtroom was doing the rounds of all the best and highest-rated TV talk shows. The "N" of TNT&G was Tom Nicholson (Kerr Smith), described by Trott as "the American face of not guilty," who charmed judges and juries alike with his man-of-the-people demeanor, and whose polite, self-effacing exterior masked a win-at-all-costs aggressiveness that was second only to his senior partner. The final "T" of the firm was ambitious young female attorney Alden Tuller (Rebecca Mader), a genius at research and cross-examination. The "G" of TNT&G was former prosecutor Luther Graves (Eamonn Walker), well-connected in both political and special-interest circles, whose specialty was scrutinizing each case from both sides so as to anticipate the opposition's every move. Most of the episodes were inspired by real-life court cases, and each featured a meticulous, high-tech reenactment of the alleged crime, assembled by Trott and his colleagues to figure out all the angles. And each episode ended with a flashback to what really happened before TNT&G decided to defend their client, allowing the viewers at home to decide whether or not justice had been served. Produced for Jerry Bruckheimer Productions by former litigator Jonathan Shapiro, Justice was described by one critic as "CSI at warp speed." ~ Hal Erickson, Rovi

Despite its late start in January of 2005 after a hiatus of eight months, the fourth season of Alias more than made up for lost time with a plethora of trials, tribulations, jaw-dropping revelations, big-time betrayals, and near-death experiences for the series' secret-agent heroine, Sydney Bristow (Jennifer Garner). Reeling from the disillusionment and embarrassment of her demotion, Sydney quits the CIA flat; however, it turns out that this is part of a master plan hatched by new CIA director Hayden Chase (Angela Bassett) to arrange Sydney's membership in Authorized Personnel Only (APO), a top-top secret black-ops organization. Sydney's co-workers at APO include several longtime associates: her father, Jack (Victor Garber); her partner and sometime lover, Michael Vaughn (Michael Vartan); her steadfast previous partner Dixon (Carl Lumbly) -- and, much to our heroine's surprise, her duplicitous ex-chief, Sloane (Ron Rifkin), who has proven time and again that he can't be trusted. For her first APO assignment, Sydney is sent to Rio, where she has a fateful encounter with her latest adversary, Tamasaki (Rick Yune), a self-styled 21st century samurai. Previously a recurring character, Sydney's half-sister, Nadia Santos (Mía Maestro), becomes a full regular this season, the better to throw a monkey wrench into Sydney's volatile relationship with her father, Jack -- and to share with Jack a startling secret about Sydney's supposedly dead, supposedly traitorous mother. At the same time, Vaughn has a great deal of difficulty overcoming the treachery of his former wife, Lauren, and an equal amount of difficulty assimilating new and disturbing information about his own father. Major developments this season include a huge revival of interest in the Rambaldi code, which when broken may spell the doom of humankind; the surprising temporary recruitment of another of Sydney's longtime enemies, Julian Sark (David Anders), for a special APO mission; a grim prognostication that Sydney and Nadia are destined to duke it out to the death; and the resurrection of a long-presumed-dead central character, who will reveal anew to Sydney that she can never completely rely upon anyone or believe in anything, not even the evidence of her own eyes. Though the season ends with the good news that Sydney and Vaughn are engaged, any hopes for lasting happiness are dashed by still another shocking revelation -- and a spectacular car crash. ~ Hal Erickson, Rovi

A hit Broadway musical in 1957 and an equally successful Hollywood film in 1962, Meredith Willson's The Music Man was again brought before the cameras in this lavish made-for-TV adaptation. Standing in for the original's Robert Preston is Matthew Broderick as "Professor" Harold Hill, a glib traveling salesman who descends upon the town of River City, IA, in the weeks just prior to the Fourth of July celebration of 1912. Persuading the populace that the youth of River City is in great danger of being corrupted by the presence of a new pool table, Hill convinces them that their only hope for salvation is the organization of a boy's band, with himself as a leader. Naturally, this will require the parents to shell out good money for band instruments and uniforms, and in exchange, Hill promises to teach the kids how to make music by utilizing his revolutionary "Think System." There's only one problem: Harold Hill is an out-and-out con artist, who doesn't know one note from another. Even so, he manages to win over everybody in town except local librarian/music teacher Marian Paroo (Kristin Chenoweth) and thick-eared Mayor Shinn (Victor Garber). Ultimately, however, Marian joins Hill's camp -- mainly because he has brought her sullen brother, Winthrop (Cameron Monaghan), out of his shell -- but as July Fourth approaches, Hill faces exposure and arrest thanks to a vengeful anvil salesman named Charlie Cowell (Patrick McKenna). A meticulously faithful rendition of the Broadway original, The Music Man happily includes all of the show's wonderful songs, among them "Ya Got Trouble," "Seventy-Six Trombones," "The Sadder-But-Wiser Girl," "Lida Rose," "Marian the Librarian," "Pickalittle," "Til There Was You," and "My White Knight" (which was not used in the 1962 movie adaptation). Though some critics found Matthew Broderick a bit too lightweight and Jeff Bleckner's direction a tad gimmicky, no one could fault the full-bodied vocal renditions, nor the consistently inventive choreography of Kathleen Marshall. Produced by the same team responsible for the 2003 movie smash Chicago, The Music Man debuted February 16, 2003, as an "expanded" episode of ABC's Wonderful World of Disney anthology. ~ Hal Erickson, Rovi

Cunningly presaged by the cliffhanger at the end of season one, the first episode of Alias' second season confirmed what heroine Sydney A. Bristow (Jennifer Garner) -- college student by day, counterespionage agent the rest of the time -- had feared most: that "The Man," the evil leader of a vast criminal cartel, was no man at all, but instead Sydney's supposedly dead mother, former KGB agent Irina Derevko (played by new series regular Lena Olin). Though Irina would eventually claim to have reformed and insisted that she was looking out for Sydney's best interests, her actions -- which included innumerable double-crosses, sellouts, and betrayals -- would seem to indicate otherwise. Even so, nothing that was ever "indicated" on Alias was ever quite what it appeared on the surface. Meanwhile, both of the spy organizations for which Sydney worked, the CIA and the more sinister SD-6, were dedicated to destroying the cartel formerly run by Irina and now in the hands of her mercurial lieutenant, Sark (played by another new series regular, David Anders). The two rival agencies also continued their search for the missing Rambaldi fragments, which when assembled would become a terrifying weapon of mass destruction, as well as "The Bible," the operations manual used by Irina's old criminal empire.

Still embittered by the knowledge that she had been used all her life by SD-6, Syd persisted in covertly working against the organization by throwing in with the CIA, under the supervision of agent Michael C. Vaughn (Michael Vartan), who by the time season two rolled around, was making no secret of his love for Syd. Two other SD-6 operatives, computer genius Marshall Flinkman (Kevin Weisman) and agent Marcus Dixon (Carl Lumbly), likewise crossed over to the CIA, with tragic results for at least one of them. Syd was given even more reason to despise the espionage business when she learned that, as a child, she had been a guinea pig for a program designed to indoctrinate spies at an early age -- a program developed by her own father, Jack Bristow (Victor Garber). There was another "father figure" in Syd's life in the form of her SD-6 boss, Arvin Sloane (Ron Rifkin), who despite his cruel cunning and ruthlessness was genuinely fond of both Bristows. Sloane would launch a second career as a solo villain when, disillusioned by the SD-6, he bolted the organization and set about to harness the awesome power of the Rambaldi device for his own purposes. His replacement at SD-6 was the no-nonsense Geiger (Rutger Hauer), who, shall we say, harbored no great love for either Syd or Jack. In addition to Rutger Hauer, season two of Alias would feature guest-star turns by Faye Dunaway as the duplicitous head of SD-6 counterintelligence; Richard Lewis as a CIA counterintelligence analyst investigating Vaughn; and Christian Slater as a scientist who was kidnapped by the renegade Sloane -- and whose past life experiences bore striking resemblances to those of the Bristow family.

Elsewhere, it was business as usual for crusading journalist Will Tippin (Bradley Cooper), who doggedly continued his crusade to expose and destroy SD-6 and all the other agencies in the Alliance of Twelve. The basic through line of Alias took off on a radical and wholly unanticipated new direction with its January 26, 2003, episode "Phase One." In this truly shocking entry, Syd's roommate, Francie (Merrin Dungey), was murdered and replaced by an exact double, thereby further blurring the series' distinction between its heroes and its villains. Also in that episode, the CIA put an end to SD-6, thus freeing Sydney from her double-agent balancing act and allowing her and Vaughn to finally express their feelings for each other. But even those developments paled in comparison with Alias' second-season cliffhanger finale, in which after being rendered unconscious in a fight with the "bad" Francie, Syd awoke to discover that two whole years had passed -- and her erstwhile lover Michael Vaughn was now beyond her reach! ~ Hal Erickson, Rovi

As a child, Lucy Cullins asked Santa Claus to bring her father home from Vietnam. But when her dad returned in a pine box, the embittered Lucy decided that Christmas -- and every other holiday for that matter -- was a humbug. Now all grown-up (and played by Whoopi Goldberg), Lucy is the hard-as-nails producer for the Shop-A-Lot Channel, a home-shopping cable service. While auditioning actors to play Santa Claus for a hokey Yuletide informercial series, Lucy hires a twinkly eyed old gentleman named Nick (Nigel Hawthorne), who, unbeknownst to everyone but the audience, is the genuine, bonafide "Ho Ho Ho" man himself. Facing mandatory retirement at age 200, Nick must find someone to take his place as Santa Claus for the next two centuries. The person he chooses in none other than Lucy Cullins -- and if she doesn't accept the job, the North Pole will melt, wreaking havoc upon everyone in the world, whether they're "naughty" or "nice." Originally conceived as a vehicle for a black man, Call Me Claus was reshaped as a showcase for Whoopi Goldberg when the actress signed on as co-executive producer. Also in the production lineup was country & western singer Garth Brooks, who penned a handful of new songs for the occasion. Call Me Claus debuted over the TNT cable network on December 2, 2001. ~ Hal Erickson, Rovi

A woman coming to terms with her husband's death discovers his killer has run afoul of a violent crime in this detective drama. Joanne Kilbourn (Wendy Crewson) is a former police detective who left the force to teach criminology after the unsolved murder of her husband, Ian (Edward Jaunz). The investigation into Ian's death gets taken off the back burner when a suspect is arrested, Kevin Tarpley (Christopher Bolton); while Kevin claims to be innocent, he knows enough about the case to have raised the suspicions of police. Just when Joanne thinks her husband's killer may finally be brought to justice, Kevin is killed by a gunman as he's brought to the police station. After a strange visit by Kevin's wife Maureen (Kari Matchett), Joanne begins looking into Kevin's life and death, and discovers not all of her late husband's friends are willing to help her with her private investigation. Criminal Instincts: A Colder Kind of Death also stars Victor Garber, Teri Garr, and Robin Dunne. ~ Mark Deming, Rovi

In 1930s Hamilton, Ontario, after her husband's corpse is discovered in the woods without its head or limbs, beautiful would-be socialite Evelyn Dick (Kathleen Robertson) is arrested by Canadian police for the murder. Her ever-changing jailhouse testimony leads Inspector Woods (Callum Keith Rennie) in various directions as the devoted detective tries to piece together a coherent chain of events and motives. But once Dick's manipulative mother (Brenda Fricker) is implicated in the scheme, Dick's story changes again, this time with twist that leads to a tragic denouement. Her future in grave danger -- her sentence could be death by hanging -- Dick hires attorney J.J. Robinette (Victor Garber) for one last attempt at freedom. ~ Buzz McClain, Rovi

Reese Witherspoon stars in this romantic comedy, the feature film debut of award-winning Australian director Robert Luketic. As a ravishing Miss Hawaiian Tropic, sorority president, and calendar girl, Elle Woods (Witherspoon) is a big hit on the campus of her sun-drenched Los Angeles college. She's also got the perfect boyfriend in Warner Huntington III (Matthew Davis), a wealthy East Coast blue blood. Fearing that his snooty friends and family will never accept the bubble-headed Elle, however, Warner dumps her before heading off to graduate law school at Harvard University. Determined to win back her man, Elle enrolls in the same imposing institution, quickly becoming an object of scorn and ridicule, especially to Warner's old prep school flame (Selma Blair). Despite her penchant for malls, makeup, and tanning, Elle is no dummy and is soon showing elite Ivy League snobs a thing or two about class, self-confidence, and courtroom victory. ~ Karl Williams, Rovi