David Gant Movies

Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. ~ Jeremy Beday, All Movie Guide

Her memory stripped and her thoughts filled with only unthinkably nightmares, a woman wandering the streets of Prague places her trust in a man who also has no memory in this dark thriller from first-time writer/director Dan Turner. Anna (Georgina French) is a woman consumed by pain, and desperately searching for an escape from her misery. Once day, while drifting through the streets of Prague, Anna comes into contact with fellow amnesiatic Morgan (John Hopkins). While neither Anna nor Morgan can make sense of their past, they each feel bonded together my some mysterious force beyond their comprehension. Little does this clueless pair realize just how right they really are, because somewhere in the underground shadows of the city lurks a force that guides their every move. There's no use trying to resist the power that propels them towards their ultimate fate, and as the experiment gets underway every moment grows more agonizing than the last. ~ Jason Buchanan, All Movie Guide

It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director. ~ Hal Erickson, All Movie Guide

Jeremy Irons portrays Nowak, one of four Polish laborers, living in England. In exchange for a place to stay, Irons and his buddies -- none of whom have British work permits -- agree to renovate their landlord's flat within a limited time-frame. Despite their hectic schedule, the boys agree never to work on Sunday: this is the day that they communicate with their loved ones in Poland. On one such Sunday, however, the Soviets declare martial law in Poland, cutting off all telephone and telegraph service to the outside world. Nowak, the only one of the four who speaks English, learns of the turmoil in Poland before his friends do; he decides to keep the news secret, rather than jeopardize their living arrangements. When the flow of money from home ceases, Nowak takes to stealing to finance the renovation project. He pushes his friends mercilessly to make sure the project is completed on time, secretly burning their letters so that they remain in the dark about the Soviet incursion upon their native soil. When they do find out, they physically vent their anger upon Nowak, perceiving him to be as much an enemy and oppressor as the Soviets. This is clearly the allegorical point that director Jerzy Skolimowski is hoping to make in Moonlighting; wisely, he avoids conveying his message in fluent tract, relating his story with generous doses of humor and irony. ~ Hal Erickson, All Movie Guide

British music-video maven Nigel Dick directs Seeing Double, featuring the U.K. pop band S Club. The story involves mad scientist Victor (David Gant) creating clones for each member of the band in his laboratory at Eagle Peak. After seeing the clones perform on TV, manager Alistair (Joseph Adams) is kidnapped and the real band is sent to jail. They manage to escape and fly to L.A., where bandmembers Jon, Rachel, and Hannah replace their clones, who help out Brad, Tina, and Jo. Everyone ends up back at Eagle Peak, Victor is eventually arrested, and the clones perform a show while the real band goes on holiday. ~ Andrea LeVasseur, All Movie Guide

A man locked away in a mental health hospital on suspicions that he murdered his girlfriend vows to reveal the infernal truth behind the young woman's agonizing death in British horror specialist Adam Mason's satanic shocker. Nick (Andrew Howard) and Sammy (Polly Brown) were just two horny with time to kill and a pocket full of drugs. Upon discovering an abandoned asylum, the pair ventures inside and finds a bizarre contraption that appears to be a cross between an electric chair and a sadistic fetish device. It seems that this chair has the power to transform chemical bliss into unimaginable despair, and when Sammy is assaulted and brutally slain by an unknown force Nick becomes the number one suspect in her murder. Years later, after being held in a high security mental hospital, Nick is released into the care of his psychiatrist Dr. Willard (David Gant). Dr. Gant suspects that there is more to this murder than the authorities realize, and in order to prove it he organizes a special field trip to the decrepit asylum where Sammy was slain. Accompanying Nick and Dr. Willard on their excursion are a group of Dr. Willard's most prestigious students. But Nick has been diagnosed as clinically insane, and years of psychiatric treatment have irreversibly altered his perception of reality. Now, as the brutal, blood-soaked truth emerges from the darkness intent on destroying everything in it's path, Nick will have to overcome demons of both the psychological and supernatural varieties if he holds out any hope of ending the slaughter and proving his sanity. ~ Jason Buchanan, All Movie Guide

This wartime drama concerns a Catholic priest who finds his beliefs tested by his desire to defeat fascism and his love for a woman. Don Paolo (Anthony LaPaglia) is a priest in a small Italian village during World War II. While he espouses pacifism and non-violence, his words fall on increasingly less receptive ears as the anti-fascist Partisans, led by Capt. Zito (Dan Hedaya), become a greater force in the community. When an American solider parachutes into the village to encourage the Partisans to keep up their fight until Allied troops can liberate Italy, Zito's men step up their activities, leading fascist troops to capture, torture, and execute Zito's right hand man, Aldo (Jorge Sanz). After Aldo's death, one of Don Paolo's associates, Don Sebastiano (David Neal), decides that he can no longer stand idly by and watch his people be butchered; he joins the underground forces and helps ambush a group of Nazi soldiers, which leads to his death. After Don Sebastiano's passing, Don Paolo finally agrees to help Zito's forces by delivering a schedule of bridge bombings to American operatives in a neighboring town, though his nerve begins to fail him en route. Amidst the village's political turmoil, Don Paolo has become acquainted with Adriana (Embeth Davidtz), a beautiful woman working with the Partisans; he has developed a romantic attraction to her which she obviously shares, and as he struggles to keep his emotions in check and stay true to his vows, he is forced to call upon her for help in order to complete his mission for Zito. Based on a short story by Anthony DiFranco, The Garden of Redemption was intended to be the first in a series of films based on stories about World War II, produced for cable television. ~ Mark Deming, All Movie Guide

Martin Sherman adapted Alice Thomas Ellis' novel for this comedy about a suburban Englishwoman who's about to settle on marriage with her mother-dominated next door neighbor until everyone's comfortable life is disrupted by a visit from her exotic and flamboyant friend Lili (Jeanne Moreau, in a scene-stealing performance). ~ Nicole Gagne, All Movie Guide

Like The Bear, director Jean-Jacques Annaud's acclaimed animal picture released 15 years prior, Two Brothers offers a family-friendly epic as told through the eyes of its four-legged protagonists, who, in this case, are sibling tiger cubs Koumal and Sangha. Though a life in the jungles of French colonial Indochina circa the 1920s seemed certain, the cubs are separated shortly after their birth when the notorious hunter Aidan McRory (Guy Pearce) kills their father. Koumal is whisked away to a circus, where he is cruelly beaten into submission and forced to perform tricks to earn his keep. Sangha fares better at first -- he lands in the posh estate of a French government official who wants the big cat to serve as a companion for his lonely son, though a series of unforeseen circumstances ultimately finds Sangha in the hands of a man determined to turn him into an aggressive prizefighter. Understandably, neither tiger is happy with his arrangements, and both escape captivity in hopes of returning to the jungle. Unfortunately for them, the prospect of two loose tigers is hardly comforting for the locals, who quickly demand that McRory kill the cubs before they threaten the safety of the village. Once McRory finds the tigers in their natural habitat, however, he faces a crisis of conscience he hadn't thought possible. Two Brothers also features Jean-Claude Dreyfus and Freddie Highmore. ~ Tracie Cooper, All Movie Guide