Gail Ganley Movies

Marjorie Morgenstern (Natalie Wood) is an 18-year-old, middle-class, Jewish girl from New York who wants nothing more than to be an actress, despite the hopes and wishes of her parents (Everett Sloane and Claire Trevor) that she graduate from college, marry, and settle down to have a family. At the urging of her more worldly friend Marsha Zelenko (Carolyn Jones), she takes a job at an upstate camp, and, one night when sneaking onto the grounds of a neighboring resort, meets and falls wildly in love with the entertainment director, Noel Airman (Gene Kelly). A Lothario with a gift of song as well as dance, Airman romances Marjorie and tries to teach her something of theater, suggesting that she change her name to Marjorie Morningstar, which she does. He intends to enjoy her company for the summer, until her aging uncle Samson (Ed Wynn), who is also working at the resort, tells him of the family's concerns for the girl. Noel and Marjorie end up linked romantically, despite their best efforts to stay away from each other. Marjorie gives up a potential romance with a slightly older, successful doctor (Martin Balsam) and resists the honest entreaties of Airman's assistant, Wally Wronken (Martin Milner), and tries to get Airman to straighten up and fly right; she can't get her own acting career off the ground, but she owns Airman's heart. Instead of biding his time at writing a musical that he's been working at for four years, and spending his summers working in the Catskills, Noel tries to work in the advertising world -- he also finds himself just as troubled by the stable family life and religious life that Marjorie comes from as he is attracted to her personally. He is also bitterly disturbed by the fact that his one-time assistant Wally Wronken is now a successful Broadway playwright, the darling of critics and audiences, with backers eager to sign checks to produce his work. Unable to pursue a life in business, or remain faithful to Marjorie, he reaches a crisis point from which only she can rescue him -- together they try to build a life and he tries to finish his long-gestating masterpiece, which proves a disaster when it gets to Broadway. Noel abandons Marjorie, and when she goes to find him, Wally warns her off, explaining that Noel has to return to a place where he can feel successful, like the Catskills resort where they met, where he can be the big fish in the tiny pond. Her marriage over and her girlish ideals behind her, she sees Noel back in his element, wowing young acting students with his skills, and finally turns to the one man who has loved her for precisely who she is all along, Wally. ~ Bruce Eder, Rovi

One of Roger Corman's finest science-fiction endeavors of the 1950s, Not of This Earth is an excellent film by any standards. Paul Birch stars as Johnson, a taciturn gentleman in a dark business suit who hires nurse Nadine (Beverly Garland) to care for him. Curious that Johnson needs constant blood transfusions, Dr. Rochelle (William Roerick), Nadine's boss, discovers to his horror that Johnson has no blood of his own! Before he can make this information public, Rochelle is telepathically enslaved by the emotionless Johnson. It soon develops that Johnson is a space alien, sent from his home planet to see if the blood of earthlings can be used by his dying race -- the first step in their ultimate takeover of the world. The scenes involving hyperkinetic vacuum salesman Piper (Dick Miller) are the film's highlights, simultaneously hilarious and horrifying. Originally released on a double bill with Attack of the Crab Monsters, Not of This Earth was indifferently remade twice, in 1988 and 1996. ~ Hal Erickson, Rovi

Coming off of a hit New York gig, successful rock & roll crooner Arnie Haines (Alan Dale) realizes he and his bandmates are weary from the grind of two years of steady gigs. They tell their manager (DJ Alan Freed, playing himself) they're taking a break and return to the small town where they started, Mellonville (state unspecified, but it looks like central Pennsylvania). Upon arriving, however, Haines finds himself denounced by the mayor (Pierre Watkin) as a bad influence on the teenagers and banned from any public performances. That would suit him fine -- he and the boys wanted the summer off -- but their local teenage fans can't abide the repressive atmosphere, and then nationally syndicated columnist Arlene MacLaine (Fay Baker), visiting Mellonville, attacks Haines and rock & roll in her column, threatening the whole music business. Arlene's comely daughter, Francine (Patricia Hardy), urges Arnie to fight back and convince her mother that rock & roll is harmless fun. Toward that end, with help from the sympathetic mayor (George Cisar) of the next town, Arnie and Freed organize an all-star show that includes Little Richard, the Treniers, and Bill Haley & His Comets. Everything goes according to plan until one petty, jealous girl (Jana Lund) nearly starts a riot when Arnie rejects her advances. Then it's up to Francine and her acting troupe friends to help Arnie and Alan Freed make one last pitch for rock & roll. Though Don't Knock the Rock has more plot and characters than most movies of this type, and it did reflect an actual serious controversy that was growing at the time (and not just in the South), it is really just lighthearted fun. Its real appeal lay in the singing and dancing, not only by some top rock & roll talent of the day (Bill Haley is great, Little Richard and his band are amazing, and the Treniers are dazzling), but also by the dancers portraying ordinary teenagers having fun. Photographer Ben Kline gets all of his camera angles spot on, so that the movie, though no classic, is a visual and musical delight a half century later. And just to show where the film's heart really lies, producer Sam Katzman and director Fred Sears (who were old enough to be "squares") replace "The End" at the final frame with a more nonchalant (and topical) "Dig You Later." ~ Bruce Eder, Rovi