Robin Gammell Movies

Kids Don't Tell stars Michael Ontkean as a free-lance documentary filmmaker. Concerned over the increasing sexual abuse of children, Ontkean hopes to make a film on the subject, with the cooperation of the local police and social services. For reasons unknown, Ontkean's wife JoBeth Williams becomes surly and distant as he continues work on his film. It turns out that JoBeth is far more intimately familiar with the subject of sexual abuse than she's ever let on (hence the film's title). Made for television, Kids Don't Tell handles its subject matter with an admirable absence of sensationalism, thanks to the low-key script by Peter Silverman and Maurice Hurley. ~ Hal Erickson, Rovi

Divided into four separate independent films originally made as a television pilot, Nightmares begins with "Terror in Topanga," a story about a young woman who goes out one night to buy a pack of cigarettes, knowing full well that the infamous "canyon killer" is on the loose -- and sure enough, a subtly menacing store clerk (Anthony James) begins to loom large in the woman's journey. The second story, "Bishop of Battle" is a sequence with animation that details the saga of a video games champion who comes up against a supernatural opponent. The next vignette, "The Benediction" is about a priest who gives up on his faith and takes off down the highway, only to be confronted with a demonic minivan and good reasons for remaining a believer. The last story, "Night of the Rat" has the rodent that ate Manhattan looming large over the home of a young couple, but never fear, the husband is blasé enough to handle anything, or so he thinks. As might be expected, the low-budget production and facetious scripting of a few of these sequences work against the intended scary effect of the stories. ~ Eleanor Mannikka, Rovi

Happy Endings was the pilot for a TV series conceived by Chris Beaumont and produced by Beaumont and several of his Fame collaborators. The film is based on Beaumont's own teenaged years, a time during which his writer father Charles (Twilight Zone) Beaumont died of "premature senility" at the age of 37. Lee Montgomery plays the Chris Beaumont counterpart, an 18-year-old college dropout who spends several days in court to gain custody of his three younger siblings. Representing the adults in Montgomery's world are Oliver Clark as a friend of the family, and Robin Gammell as a doubting uncle. Halfway down the cast list of Happy Endings appear the names of two celebrities-in-the-making: Laura Dern and John Hancock. ~ Hal Erickson, Rovi

Considering how seldom she appeared on TV in the 1980s, Donna Reed could have picked a better vehicle than Deadly Lessons. Ms. Reed is cast as the headmistress of an exclusive all-girl's prep school. Like the title suggests, the school is being terrorized by a mysterious murderer. Only by discerning the killer's modus operandi can the Good Guys (or Good Girls) unmask the miscreant. Halfway down the cast list is Nancy Cartwright, better known as the voice of Bart Simpson. Deadly Lessons premiered March 7, 1983. ~ Hal Erickson, Rovi

Director Jules Dassin, once shunned by Hollywood for being accused of "un-American activities," had already worked for nearly thirty years in Europe before making this Canadian drama about an elderly painter and a sixteen-year-old teen. Richard Burton delivers as a convincingly up-tight artist abandoned by his muse for the last ten years. After he meets Sarah (Tatum O'Neal on the wan from her 1973 Oscar as "Best Supporting Actress"), the muse begins to stir once more. The two disparate souls meet at a soft-core film (Sarah's friends dared her into seeing the flic), and an uneasy, non-sexual relationship starts. But even though the artist discovers that his muse is not totally defunct, that is a difficult trade-off for dealing with Sarah's romantic inclinations. ~ Eleanor Mannikka, Rovi

Apparently weary of playing victim-of-the-week, Elizabeth Montgomery goes the Joan Crawford route playing a fabulously wealthy and stupendously bored matron who is about to be divorced by her wealthy husband. Hubby conveniently expires while dallying with his mistress. The upshot is that Ms. Montgomery is made executive vice president of the boat-building business that she'd helped her husband establish. Moral: Marry well, ladies, and you too can become a CEO. Basically a very slight TV movie, Jennifer: A Woman's Story is bloated way beyond its worth into a Ross Hunter-type sudser; the British TV series upon which it was based, The Foundation, was more austere, and frankly more enjoyable. ~ Hal Erickson, Rovi

The fourth Airport film may be the silliest of them all, as George Kennedy returns, this time co-piloting with Alain Delon. The plane is on its way to the Moscow Olympics, has a bomb on board, and gets fired upon with missiles that necessitate flying upside-down. A look at the cast list resembles a bad episode of Fantasy Island, but it's always fun to see shameless touches like casting Mercedes McCambridge (Johnny Guitar) as the coach of the Soviet team. If you don't understand the significance of that choice, you may find this film more tedious than laughable, but fans of bad movies will have a field day, as Jimmie Walker, Charo, and -- oddly enough -- Bibi Andersson rub shoulders with high-altitude disaster. ~ Robert Firsching, Rovi

A woman is torn between betraying her benefactor and keeping her pledge to the man she loves in this romantic drama. Nancy (Kathleen Quinlan) and Michael (Stephen Collins) are two college students who have fallen in love and want to get married. However, Michael's widowed mother, Marion (Beatrice Straight), is opposed to the match; she wants Michael to take over the family business, and she's convinced that Nancy would be a bad influence. Later, Nancy and Michael get into a terrible auto accident -- he falls into a deep coma and she suffers severe facial disfigurement. Neither Nancy or her family have the money for plastic surgery; Marion agrees to pay for Nancy's facial reconstruction, but only under the condition that she change her name and never see Michael again. Nancy has little choice but to agree, and she changes her name to Marie; however, years later "Marie" meets Michael, and their love begins anew. The Promise was based on a story by best-selling author Danielle Steele. ~ Mark Deming, Rovi

When five MD colleagues go camping up in the northern woods they encounter a crazed killer, turning their vacation into a nightmare. This one definitely borrowed heavily from the successful film Deliverance. ~ Rovi

The British/Canadian Full Circle is better known by its American title, The Haunting of Julia. The eponymous Julia, played by Mia Farrow, is driven to near-madness by the death of her daughter. Things don't get much better when Julia and her husband move into a forbidding old mansion. The events leading up to her daughter's horrible death threaten to repeat themselves, thereby explaining the film's original title. Based on a Peter Straub story, Full Circle covers familiar ground, but fans of Gothic horror will be generously served. ~ Hal Erickson, Rovi

Like his WR: Mysteries of the Organism, Dusan Makavejev's controversial 1974 feature Sweet Movie is firmly rooted in the principles of psychoanalyst Wilhelm Reich. In cinematic terms, this means bombarding the audience with an onset of imagery so visceral, disgusting and repellent that it "awakens" the viewer in a Brechtian manner by "short-circuiting" the audience's reactions. Sweet Movie interweaves two narratives. One begins with a trip to the "Miss World Virginity Contest," whose winner, Miss Monde 1984 (Carole Laure) is auctioned off to Mr. Kapital (Animal House's John Vernon), a Texas oil billionaire with an odd perversion. Instead of deflowering her on her wedding night, he sterilizes the terrified girl's body with rubbing alcohol and showers her in urine with his massive gold-plated penis, while an audience watches bemusedly through his bedroom window. She later escapes from her bridegroom, in a suitcase, and winds up at a wild Viennese commune whose participants indulge in public defecation and a food orgy that wraps with a massive display of gurgling, yakking, and vomiting. At the tale's conclusion, Miss Monde shoots a television commercial that involves writhing nude in a giant vat of chocolate, with which she is completely drenched from head to toe, as the cameras roll. The second story involves a woman, Anna Planeta (Anna Prucnal) piloting a candy-filled boat down a river, with a massive papier-mache head of Lenin on the prow and a lover in-tow who is a refugee from the Battleship Potemkin. She eventually does a seductive striptease and seduces a pack of children, then makes love to her paramour in a vat of sugar and stabs him through the heart. Throughout the film, Makavejev includes shock cuts to Nazi autopsy footage and medical experimentation footage, some of which involves physical abuse of infants under the guise of "baby gymnastics." Although it has its admirers, Sweet Movie is something of an acquired taste. And that's putting it kindly. ~ Nathan Southern, Rovi