Tim Gamble Movies

Based on Catherine Marshall's novel of the same name, Christy: A Change of Seasons is the first episode of the two-part TV miniseries Christy: Return to Cutter Gap. Set in 1913, the story concentrates on feisty young schoolteacher Christy Huddleston (Lauren Lee Smith) -- a character based on author Marshall's own mother -- who attempts to bring literacy and enlightenment to the isolated North Carolina mountain community of Cutter Gap. A raging typhoid epidemic has heightened the superstitious nature of the local townsfolk, and ultimately causes Christy to suffer a crisis of faith when the disease claims one of her best friends. Also, the heroine finds herself torn between two lovers: Wild, irreverent, Scottish-born doctor Neil McNeil (Stewart Finley-McLaren) and the more sedate but still troubled Rev. David Grantland (James Waterston. Christy: A Change of Seasons first aired over the PAX Network on May 13, 2001, under the title Christy: Choices of the Heart, Part I. ~ Hal Erickson, Rovi

Based on the best-selling books by Catherine Marshall, the original TV series Christy focused on 19-year-old Christy Huddleston, an idealistic schoolteacher who left a life of wealth and comfort behind to accept a job in the backward mountain community of Cutter, NC, in 1912. First telecast as a two-part, four-hour PAX Network miniseries on May 13 and May 14, 2001, Christy: Return to Cutter Gap picks up where the weekly series left off. Lauren Lee Smith replaces Kellie Martin as Christy, while Stewart Finlay-McLennan repeats his series role as the community's agnostic, Scottish-born doctor Neil McNeill. In part one of Return to Cutter Gap, titled "A Change of Seasons," the year is 1913, and Cutter Gap is in the throes of a deadly typhoid epidemic. The superstitious mountaineers believe that the illness has been brought on by such "outsiders" as Christy Huddleston and the community's new minister, Rev. David Grantland (James Waterston). Dr. McNeill realizes that the real cause of the epidemic is Cutter Gap's brackish water and squalid living conditions, but he is unable to convince the locals of his findings. Meanwhile, Christy suffers a crisis of faith when one of her closest friends dies of the fever, and on another front, she finds herself romantically torn between McNeill and Grantland. Part two, "A New Beginning," takes place three months later. This time, the community is literally torn apart by a raging storm. As the rest of the citizens head to the highest point in Cutter Gap, Christy and Dr. McNeill are stranded in a tiny hunter's shack. Shocked when McNeill declares his love for her, Christy rushes into the deluge, contracting a deadly fever. Also complicating matters is the presence of attractive aviatrix Harriet Quimby (Claudette Mink), who has apparently set her cap for McNeill. The story concludes with a wedding -- but which man does Christy choose for her life partner? Filmed in British Columbia, Christy: Return to Cutter Gap was originally telecast under the title Christy: Choices of the Heart). ~ Hal Erickson, Rovi

Howard Franklin wrote and directed this film noir character study based on the famed New York Daily News photographer Weegee. Joe Pesci plays a character named Bernstein, a freelance photographer for the New York City tabloids of the 1940s. His life is dedicated to his work; with a police radio under the dashboard of his car and a darkroom in his trunk, he quickly and efficiently races to the scene of crimes, accidents and murders to snap photographs of gangsters, politicians, cops, and prostitutes, which he promptly delivers to the newspapers. His knack for arriving at a crime scene before the police earns him the nickname the Great Bernzini. The trouble begins for Bernstein when he agrees to look up a gangster for Kay (Barbara Hershey), the sexy owner of a fancy Manhattan nightclub. After making inquiries, Bernstein traces the man Kay is looking for, but he turns up dead. When he informs the police, he becomes a suspect in the murder; it also turns out that the FBI is interested the case. Bernstein then uncovers an elaborate conspiracy concerning gas rationing, the mob, and the government. ~ Paul Brenner, Rovi

Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, Rovi

The Saroyanesque Grandview USA focuses on a sleepy Midwestern town and its younger denizens. Bored out of his gourd, recent high-school graduate Tim (C. Thomas Howell), befriends the much-older Michelle (Jamie Lee Curtis), who runs the local demolition derby. Michelle's top driver is "Slam" (Patrick Swayze), who though a star on the track is a washout when it comes to affairs of the heart. As the three characters grow closer, each does a lot of growing up. When it sticks to business, Grandview USA can be quite charming; it falters only in a couple of rock-video and fantasy sequences, reportedly tacked on at the insistence of the distributors. The highly appropriate supporting cast ranges from such TV regulars as Troy Donahue and William Windom to such stars-to-be as Jennifer Jason Leigh and John Cusack. ~ Hal Erickson, Rovi