Jane Asher Movies

Writer-director Vincente Aranda adapted his sweeping historical saga Tirante el Blanco (AKA The White Knight, 2006) from the bestselling European novel by Joanot Martorell. Casper Zafer (La Femme Musketeer) plays the titular soldier, Tirante. Ordered by the Emperor of Byzantium to free Constantinople from the autocratic rule of the Turks, Tirante and his men - who exude the strength and great fighting spirit of the Almogavars - succeed triumphantly - virtually sweeping the Turks aside, and ignoring the fact that the number of warriors in the opposition far exceeds their own count. In the process, Tirante also succeeds in deflowering the illustrious virgin Carmesina, heiress to the empire. The only lingering problem is that Tirante doesn't hail from noble stock. ~ Nathan Southern, All Movie Guide

This British gay drama explores the reaction of a British housewife who suddenly discovers that her husband Keith is having an affair with another man. Anna is devastated by the discovery. After her initial hysterical reaction, Anna begins to do some research about homosexuals and their practices. Still angry, she confronts Keith at home. She winds up telling him to quit messing around and throws a dildo at him. Time passes and Anna quickly finds herself becoming conscious of AIDS and therefore, more compassionate. ~ Sandra Brennan, All Movie Guide

WWII was remembered from a distinctly feminist point of view in the long-running British drama series Wish Me Luck. Jane Asher was cast as Faith Ashley, London-based coordinator for a team of female resistance fighters, who journeyed behind enemy lines to confound the Nazis. Ashley's chief operatives (and virtually the only ones to survive all 23 episodes) were Liz Grainger (Kate Buffery) and Matty Firman (Suzanna Hamilton). Created by Jill Hyem and Lavinia Warner, whose earlier credits included the internationally syndicated POW-camp series Tenko, Wish Me Luck was telecast in England from 1988 to 1990. ~ Hal Erickson, All Movie Guide

Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. On the opposite end of the spectrum stands Adam, who is disillusioned with his father's drive to succeed at all costs (the father does receive a few awards) and who longs to go back to his roots -- in Warsaw. The story jumps from one scene to the next with some fantasy segments and not always enough connecting narrative. Otherwise, this is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation. ~ Eleanor Mannikka, All Movie Guide

In this standard story about a father searching for his missing teenage daughter long after others have given up, there are a few subplots, such as a woman looking for her own missing son, but attention focuses on the father's search. When he does find his daughter safe and sound -- working in a car rental office -- he cannot believe she just ran away and does not want to come home. After their initial encounter, the question of why she left in the first place is raised for the first time. Given that this film doggedly moves in a steady pace from one scene to the next, excitement is also a missing entity here. ~ Eleanor Mannikka, All Movie Guide

John Moulder-Brown plays a teen-aged London bathhouse attendant who forms a business alliance with female attendant Jane Asher. The object is to obtain better tips from their clients, but soon the impressionable Moulder-Brown falls in love with the older Asher. Brushed off by the girl in favor of a handsome swimming instructor, Moulder-Brown makes several halfhearted attempts at revenge. When the boy and girl finally do get together sexually, the event is motivated by lust and has tragic results. Deep End observes how adolescent obsession can mushroom into disaster if one doesn't have the emotional equipment to cope. ~ Hal Erickson, All Movie Guide

This feature is a filmed stage production of the tragedy by William Shakespeare. Laurence Harvey stars as Leontes, the jealous king who eventually repents his wrongdoings. Moira Redmond is Queen Hermione who is victimized by the indiscretions of her monarch husband. Jane Asher is the village peasant girl Perdita and Diana Churchill plays Paulina. The role of Autocylus is played admirably by Jim Dale, who also provided the music for this production. The performance comes from a television show produced at the Intertel Wembley studios. Along with Romeo and Juliet, 1968 was a good year for the immortal bard, whose timeless plays were being received by a younger, receptive audience through shrewd production and prudent casting with an eye towards capturing a more youthful audience. ~ Dan Pavlides, All Movie Guide

When a beautiful model is found shot in her apartment, a famous television star is felt to be the murderer in a failed extortion plot. Although the investigation turns up a surprise ending, by the time most viewers get there they could not care less who did it. Singularly uninspired murder drama. ~ Tana Hobart, All Movie Guide

Inspector Birkett (Ian Hendry) and his faithful assistant Saunders (Ronald Fraser) are assigned to investigate the murder of a fashion model. they arrive at the scene of the crime, scouring the dead girl's apartment for clues. On the surface, it appears robbery is the motive, and the detectives find a concealed pistol, a ball point pen, and the girls diary. Her last entry is about a luncheon date, the last place the woman was seen alive. The sleuths must sift through a series of bogus clues and interview unwilling potential suspects before uncovering a ring of drug dealers. The duo systematically eliminate the innocent in their effort to bring the murderer to justice. ~ Dan Pavlides, All Movie Guide

A young Susannah York had her first lead role in this drama about a teenage girl on the cusp of womanhood. When her mother falls ill during a vacation in the French wine country, 16-year-old Joss Grey (York) is left to her own devices as she and her three younger siblings are left in the reluctant care of Madame Zisi (Danielle Darrieux), the proprietor of the hotel where they were staying. Eliot (Kenneth More), Zisi's strapping boyfriend, offers to show the youngsters some of the sights in the countryside, and Joss finds herself developing a strong infatuation with the older man. However, when she realizes that Eliot and Zisi are lovers, she becomes despondent and ends up getting drunk on wine with Paul (David Saire), a boy who works in the kitchen at Zisi's hotel. When Joss learns that Eliot is actually a jewel thief wanted by the law, she informs the police of his whereabouts. However, that same night, Paul's efforts to seduce Joss degenerate into a violent attempt at rape, but when Eliot hears her screams for help, he comes to Joss' rescue. Having spared her virtue and perhaps her life, Joss confesses to Eliot that she has turned him in to the police, and urges him to flee for his own safety. One of Joss' sisters is played by Jane Asher, a distinguished actress who was most famous in the United States not for her abilities as a performer, but for spending several years as Paul McCartney's girlfriend. ~ Mark Deming, All Movie Guide

A rocket crash-lands in England after a flight of more than 57 hours into deep space. The design of Professor Bernard Quatermass (Brian Donlevy), a forceful, misanthropic American scientist, the Q-1 had three astronauts aboard when it left Earth, but only one of them, engineer Victor Caroon (Richard Wordsworth), is on board upon landing, and he is in a near-comatose state. Even more baffling, the spacesuits of the other two men are still aboard the wrecked ship and are still interlocked, as though they were in them when whatever transpired. Quatermass's investigation is complicated by the presence of Inspector Lomax (Jack Warner) of Scotland Yard, who is treating the disappearance of the two men as a potential murder case, and by Caroon's wife Judith (Margia Dean), who blames the scientist for what has happened to her husband. An on-board camera, although damaged, shows an encounter with some form of energy that invaded the ship and attacked the crew, seemingly killing the other two astronauts and rendering Caroon unconscious. Caroon's condition keeps worsening -- Quatermass's medical expert, Dr. Gordon Briscoe (David King-Wood), is alarmed by the man's impossible heart- and pulse-rate, his degenerating skin and apparent changes in his bone and facial structure. Judith Caroon tries to spirit her husband out of the hospital where he's being cared for, not knowing that something horrific is happening to him. Quatermass and Briscoe soon realize that Caroon is little more than the shell of a man, masking an invading alien life form that can literally draw the life out of any living thing that it touches. The manhunt turns into a fight for survival as the creature continues to kill and mutate, threatening to release spores into the air and spread itself by the millions throughout the Earth. ~ Bruce Eder, All Movie Guide

Released in Britain as Crash of Silence, Mandy is a straightforward story about a handicapped child's efforts to adapt to a normal world. Born deaf, Mandy is mute for most of her childhood. Her desperate parents enroll her in special education classes. It's a slow, uphill climb, but by film's end Mandy is talking and playing happily with non-impaired children. A well-intentioned effort, Mandy unfortunately falls prey to corniness, save for the thoroughly convincing performance by child actress Mandy Miller (who was not deaf). ~ Hal Erickson, All Movie Guide