Warren Ashe Movies

This twelfth entry in Columbia's "Boston Blackie" series is essentially a remake of 1942's Alias Boston Blackie. In the original, a falsely accused convict (Larry Parks) escapes while Blackie (Chester Morris) is putting on a magic show for a men's prison, prompting Blackie to stop the escapee before he can kill the man who framed him. In the remake, Blackie stages yet another magic act, this time at a woman's prison. Sure enough, a female inmate (Constance Dowling) escapes, determined to wreak vengeance on the man who done her wrong. Implicated in the escape, Blackie manages to clear himself and to extract a recorded confession from the actual killer. In both the original and the remake, Chester Morris is given ample opportunity to show off his considerable skills as a magician. ~ Hal Erickson, Rovi

The year is 1942: Mr. Winkle (Edward G. Robinson), a mild-mannered bank clerk, decides to quit his job and open a fix-it shop in his garage. Winkle's wife Amy (Ruth Warrick) disapproves of this, and orders her husband to move into his little shop. Tired of being browbeaten, Winkle is delighted when his draft notice shows up. Fitted for a uniform, Winkle has the wind taken out of his sails in basic training, but soon finds that army life agrees with him; when given a chance to go home when the draft age is lowered to 38, he refuses to do so. Transferred to the South Pacific, Winkle instinctively performs a conspicuous act of bravery. He returns home a much-decorated hero, but he's too shy to partake in the ceremonies in his honor, opting instead to return to his shop, and to his now-loving wife Amy. A tailor-made Edward G. Robinson vehicle, Mr. Winkle Goes to War was adapted by Waldo Salt, George Corey and Louis Solomon from a novel by Theodore Pratt. Watch for Robert Mitchum, Hugh Beaumont and Miss Jeff Donnell in unbilled bits. ~ Hal Erickson, Rovi

The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, Rovi

In this musical, a gang of college students decide to play a little trick by creating the perfect student. The fictional gal has everything a university would ever want. The trouble begins when the campus psych professor becomes determined to meet this girl. If the gang cannot bring her forward, they will be expelled. They hire a New York actress to portray the imaginary girl and all is well at the end. Songs include: "It Seems I've Heard That Song Before," "You're So Good to Me" "If It's Love," "Man," "Gotcha Too Ta Mee," "You Got to Study, Buddy." All the songs were penned by Sammy Cahn and Jule Styne who went on to become one of Hollywood's top song-writing teams. ~ Sandra Brennan, Rovi

Ann Miller goes through her usual twinkle-toed paces in the quickie Columbia musical What's Buzzin', Cousin? The pencil-thin plotline involves attorney Jimmie Ross (John Hubbard), who moonlights as a singer with the Freddie Martin Orchestra. Using his legal and showbiz know-how, Jimmie revitalizes a broken-down hotel owned by Ann Crawford (Ann Miller) and her family. Musical highlights include Freddie Martin's swing rendition of Liszt's second Hungarian Rhapsody, and Ann Miller's terpsichorial interpretation of the bond-rally standard "18.75." Were it not for the presence of Miller and Martin, What's Buzzin' Cousin? would be utterly forgettable. ~ Hal Erickson, Rovi

After gathering dust for nearly a year, the independently produced The Deerslayer attained a national release through Republic. A bottom-budget adaptation of the James Fenimore Cooper classic, the film stars Bruce Kellogg as Deerslayer, an intrepid Indian scout-hunter in the 18th century Hudson Valley. He spends most of the film escaping from hostile Indians and helping white settlers protect themselves against the savage hordes. Most of the film is amateurishly shot, with the actors fighting a losing battle against an uninspired, illogical script (in one scene, an Indian brave receives a wound in a portion of the body that was out of the range of gunfire!) In later years, Deerslayer would gain reissue value by virtue of supporting actors Larry Parks and Yvonne De Carlo, who'd gone on to achieve full-fledged stardom. ~ Hal Erickson, Rovi

The first of Columbia's "B" wartime melodramas for their Summer 1942 schedule was the largely speculative Submarine Raider. Set in the early stages of the war, the film makes several suppositions concerning the events surrounding the Pearl Harbor attack which don't entirely hold up when seen today. According to the screenplay, a Japanese aircraft carrier en route to Hawaii takes time out to shell an American yacht, killing all the passengers except for heroine Sue Curry (Marguerite Chapman). Fortunately she is rescued by a passing submarine, wherein she falls in love with sub commander Chris Warren (John Howard). Apprised by Sue of covert Japanese naval movements, Warren tries to alert Pearl Harbor of the impending sneak attack. Failing to do so, he spends the remainder of the picture trying to sink that enemy aircraft carrier introduced in Reel One (both sub and carrier are "played" by unconvincing scale models, bobbing up in down in Columbia's studio tank). Nino Pipitone, in real life a Philippine horse trainer, plays the black-hearted Japanese commander. ~ Hal Erickson, Rovi

A "B" picture with "A" aspirations, Bombay Clipper mostly takes place on a flight from India to San Francisco. Someone has absconded with $4,000,000 worth of diamonds, and that someone may very well be a passenger on the Bombay Clipper. International news correspondent Jim (William Gargan) hopes to solve the mystery for two reasons-to get a big scoop for his paper, and to repair his tattered marriage to long-suffering Frankie (Irene Hervey). Less than five minutes before the end, the jewel thief is revealed, whereupon the culprit tries to take over the plane and dispose of the other passengers. Fat chance! Obviously made on a tight budget, Bombay Clipper is nonetheless beautifully and meticulously photographed by Stanley Cortez, who on the strength of this and other Universal projects was signed by Orson Welles to lens the classic Magnificent Ambersons. ~ Hal Erickson, Rovi

It's Dorothy Lamour again, sarong and all, in the South Seas wish-dream Beyond the Blue Horizon. Lamour plays Tama, a daughter of the jungle who heads to the US to claim an inheritance. For publicity purposes, press agent Squidge (Jack Haley) tries to team Tama with his client, circus lion tamer Jakra (Richard Denning). As it turns out, Jakra is compelled to return to the South Seas with Tama to obtain positive proof that she is indeed sole heir to her family's fortune. The climax finds Jakra putting his animal-taming skills to practical use when a rogue elephant goes on a rampage. One suspects that audiences in 1942 didn't believe this one either. ~ Hal Erickson, Rovi

In this espionage caper, a government spy must keep enemy agents from spying upon a defense plant. His work is made easier by his newest invention, a word scrambler which makes it difficult for the enemy agent. The good guy spy then hires a crack team to assist him; among them is the pretty young plant worker he inadvertently got fired. ~ Sandra Brennan, Rovi

In this low-budget thriller (which developed something of a cult following among film buffs in the '60s and '70s), Peter Lorre plays Janos Szabo, an immigrant from Hungary who is a skilled craftsman. After he's caught in a fire, his face is horribly scarred; his terrifying appearance makes it impossible for him to get a job. With nowhere else to turn, Janos begins working for the criminal underworld, where he eventually raises enough money to purchase an expensive mask whose expressionless features are only a slight improvement over his distorted visage, but at least allow him to go out in public. However, Janos begins having second thoughts about his life of crime, especially after he falls in love with Helen (Evelyn Keyes), a kind-hearted blind woman. Director Robert Florey supposedly shot this film and Meet Boston Blackie in a mere 24 days. Florey and Lorre would team up again for another offbeat film buff favorite, The Beast with Five Fingers. ~ Mark Deming, Rovi

The girl is stenographer Dot Duncan (Lucille Ball); the guy is her boss, stuffy young shipping magnate Stephen Herrick (Edmond O'Brien); and the gob is a brash sailor known as Coffee Cup (George Murphy). Not surprisingly, the plot involves the efforts by the self-effacing Stephen and the self-confident Coffee Cup to woo and win the lovely Dot. And that's about all the "story" there is; the rest of the picture is jam-packed with round-robin comic misunderstandings and wild slapstick setpieces. A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent-screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the "handkerchief" bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger). Not as big a moneymaker as Harold's starring features of the 1920s, the RKO film nonetheless turned a tidy profit for the studio. ~ Hal Erickson, Rovi