Warren Ashe

This twelfth entry in Columbia's "Boston Blackie" series is essentially a remake of 1942's Alias Boston Blackie. In the original, a falsely accused convict (Larry Parks) escapes while Blackie (Chester Morris) is putting on a magic show for a men's prison, prompting Blackie to stop the escapee before he can kill the man who framed him. In the remake, Blackie stages yet another magic act, this time at a woman's prison. Sure enough, a female inmate (Constance Dowling) escapes, determined to wreak vengeance on the man who done her wrong. Implicated in the escape, Blackie manages to clear himself and to extract a recorded confession from the actual killer. In both the original and the remake, Chester Morris is given ample opportunity to show off his considerable skills as a magician. ~ Hal Erickson, All Movie Guide

The year is 1942: Mr. Winkle (Edward G. Robinson), a mild-mannered bank clerk, decides to quit his job and open a fix-it shop in his garage. Winkle's wife Amy (Ruth Warrick) disapproves of this, and orders her husband to move into his little shop. Tired of being browbeaten, Winkle is delighted when his draft notice shows up. Fitted for a uniform, Winkle has the wind taken out of his sails in basic training, but soon finds that army life agrees with him; when given a chance to go home when the draft age is lowered to 38, he refuses to do so. Transferred to the South Pacific, Winkle instinctively performs a conspicuous act of bravery. He returns home a much-decorated hero, but he's too shy to partake in the ceremonies in his honor, opting instead to return to his shop, and to his now-loving wife Amy. A tailor-made Edward G. Robinson vehicle, Mr. Winkle Goes to War was adapted by Waldo Salt, George Corey and Louis Solomon from a novel by Theodore Pratt. Watch for Robert Mitchum, Hugh Beaumont and Miss Jeff Donnell in unbilled bits. ~ Hal Erickson, All Movie Guide

Thanks to its Jerome Kern/Ira Gershwin/Yip Harburg score and the luminescence of stars Rita Hayworth and Gene Kelly, Cover Girl has taken on a legendary status in recent years. In truth, the film has a banal and predictable premise: a chorus girl (Hayworth) is given a chance for stardom by a wealthy magazine editor (Otto Kruger), who years earlier had been in love with the girl's mother. Offered an opportunity to be a highly-paid cover girl, our heroine would faithfully remain with her tacky nightclub act if only the club manager (Kelly), whom she pines for, would ask her. He loves her too, but doesn't want to stand in her way, so he fakes an argument to send her packing. You don't need a crystal ball to known that the girl and her guy will be reunited for the finale. Phil Silvers, everybody's best friend, and Eve Arden, Kruger's acid-tongued assistant, provide comic relief. The story sags badly at times, but the fans went home happy thanks to the powerhouse musical numbers, including Long Ago and Far Away and Kelly's famous "alter-ego" dance. The film skyrocketed both Hayworth and Kelly to superstardom, and didn't do Silvers any harm, either. Cover Girl is an extraordinarily lavish Technicolor production from the usually parsimonious Columbia Pictures. ~ Hal Erickson, All Movie Guide

A radio sound-effects man finds his honeymoon plans interrupted by the pesky presence of a corpse in his honeymoon suite. This comedy follows the way in which he and his bride deal with the puzzling mystery. ~ Sandra Brennan, All Movie Guide

Edward G. Robinson portrays a hard-driving, hard-nosed perfectionist who causes dissension aboard the WWII destroyer he helped build before re-enlisting in the Navy. Coming aboard as a senior crewman and trying to emulate the perfection of his hero John Paul Jones, he drives himself as hard as he drives the younger generation of sailors he commands, even going so far as recounting the last battle of the Bon Homme Richard to the increasingly disgruntled crew. But it is not his words that earn him their respect. During a major battle Robinson proves himself a true hero. The harsh training also pays off and the young sailors successfully defeat the enemy. Afterward they realize that Robinson was right to be tough on them and never question him again. Meanwhile, the captain who stood by Robinson through the thick of it even winds up involved with the old salt's daughter. ~ Tana Hobart, All Movie Guide

In this musical, a gang of college students decide to play a little trick by creating the perfect student. The fictional gal has everything a university would ever want. The trouble begins when the campus psych professor becomes determined to meet this girl. If the gang cannot bring her forward, they will be expelled. They hire a New York actress to portray the imaginary girl and all is well at the end. Songs include: "It Seems I've Heard That Song Before," "You're So Good to Me" "If It's Love," "Man," "Gotcha Too Ta Mee," "You Got to Study, Buddy." All the songs were penned by Sammy Cahn and Jule Styne who went on to become one of Hollywood's top song-writing teams. ~ Sandra Brennan, All Movie Guide

20th Century-Fox's 1943 filmization of Richard Tregaskis' best-selling book Guadalcanal Diary does full justice to the spare, lean prose of Tregaskis' eyewitness account. The incidents in the "diary" are tied together by an off-screen narrator into a cohesive storyline. The principal characters in this wartime chronicle are marine sergeant Lloyd Nolan, chaplain Preston S. Foster, Mexican enlistee Anthony Quinn, and a Dodgers-lovin' Brooklynite, played by William Bendix. ~ Hal Erickson, All Movie Guide

It's Dorothy Lamour again, sarong and all, in the South Seas wish-dream Beyond the Blue Horizon. Lamour plays Tama, a daughter of the jungle who heads to the US to claim an inheritance. For publicity purposes, press agent Squidge (Jack Haley) tries to team Tama with his client, circus lion tamer Jakra (Richard Denning). As it turns out, Jakra is compelled to return to the South Seas with Tama to obtain positive proof that she is indeed sole heir to her family's fortune. The climax finds Jakra putting his animal-taming skills to practical use when a rogue elephant goes on a rampage. One suspects that audiences in 1942 didn't believe this one either. ~ Hal Erickson, All Movie Guide

The Lady Bodyguard of the title is pretty but somewhat physically frail A. C. Baker (Anne Shirley). An advertising representative for an insurance company, A. C. gets into trouble when she okays several $1000 life-insurance policies as a publicity stunt. One of the recipients is Terry Moore (Eddie Albert), who, thanks to a typographical error, finds that he's been insured for one million dollars. Desperately, A. C. tries to talk Terry into cancelling the policy, but his avaricious beneficiaries don't want this to happen. There are laughs and thrills aplenty as a sleep-benumbed Terry pilots an airplane carrying A. C. and all of those vultures who'd benefit mightily from his demise. ~ Hal Erickson, All Movie Guide

Long underappreciated by film buffs, The Lady Has Plans is a screwball comedy disguised as an espionage melodrama. The title character is not star Paulette Goddard, as one might assume, but Nazi agent Rita Lenox (Margaret Hayes), who sneaks into Lisbon with a secret message written on her bare back in invisible ink. Through a case of mistaken identity, perky Sidney Royce (Paulette Goddard), the assistant to globetrotting radio correspondent Kenneth Harper (Ray Milland) is presumed to be Rita Lenox. At the behest of British Intelligence chieftan Ronald Dean (Roland Young), who hopes to extract the vital information supposedly scribbled on Sidney's back, our nonplussed heroine is treated like royalty in a posh Lisbon hotel. Meanwhile, Rita, having summed up the situation, simultaneously poses as Sidney. Once he's figured out what's what, Harper manages to waylay Rita and intercept the message, but neither he nor Sidney are out of the woods yet-not if German spy chief Baron Von Kemp (Albert Dekker) has anything to say about it. ~ Hal Erickson, All Movie Guide

Very much a product of its times, Priorities on Parade was disliked by everyone but the public when it was first released in 1942. The story takes place in a wartime aircraft plant, where a group of entertainers secure jobs putting on shows for the workers during lunch and dinner breaks. The troupe's duties also include a bit of spot-welding and assembly-line work as well, leading to a variety of mildly comic complications. Naturally, all plot roads lead to a big, morale-boosting musical finale, highlighted by choreographer Jack Donahue's precision-dance routines, wherein the entertainers elect to turn down a Broadway show in favor of defense-plant work (this is a fantasy, isn't it?) The four protagonists are played by zany Jerry Colonna, handsome Johnnie Johnston, and gorgeous Ann Miller (in a blonde wig) and Betty Rhodes, while Vera Vague supplies her usual dizziness as a Rosie-the-Rivetter type. The Frank Loesser-Jules Styne-Herb Magidson score includes the hit tune "You're in Love With Somebody Else But I'm in Love With You". ~ Hal Erickson, All Movie Guide

Three of Hollywood's best child actors-Freddie Bartholomew, Jimmy Lydon and Billy Cook-join forces in Columbia's Naval Academy. The story opens as spoiled rich kid Steve Kendall (Bartholomew), Naval officer's son Tommy Blake (Jimmy Lydon) and reform-school graduate Dick Brewster (Cook) find themselves assigned to the same room at a spit-and-polish private naval school. The three plebes endure "hell" week, undergo extensive training and suffer the usual setbacks before they earn the classification of "Real Navy". Throughout their stay, the boys are shepherded by tough-but-compassionate superior officer Lt. Brackett (Warren Ashe). Naval Academy is so predictable that the viewer may be reciting the dialogue before the actors do. ~ Hal Erickson, All Movie Guide