Peter Gallagher Movies

Dan McCormack spins this yuppie nightmare about lost identity, lost love, and New York. Phil (David Aaron Baker) and Anna (Mary McCormack) are a young couple whose marriage is slowly going sour. Each suspects the other of having an illicit affair. Anna shares with her analyst, Dr. Grover (Stockard Channing), that she is seeing another man, while Phil confides in his wildly erratic buddy John (Campbell Scott), that while he suspects Anna is sleeping around, he is engaging in a little extra-marital infidelity himself. Though Dr. Grover is unnerved by how flippantly Anna is treating her dalliances, John suggests that Phil consult with Jordin (Peter Gallagher in an outrageous French accent), one of Gotham's finest private dicks. Soon Phil finds himself jumped by Mink (Ricky Aiello), one of Jordin's goons, and Anna is stalked by her unhinged brother Jeff (Rob Morrow) who is trying to prevent a rendezvous between her and her mysterious lover. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, All Movie Guide

This edition of The American Experience investigates the life and work of George Eastman, the man who brought cameras and photography into the lives of millions of Americans. Narrated by Judith Light, this video chronicles the fierce competition and often embarrassing failures Eastman had to overcome to get his invention into people's homes. Like so many of America's great entrepreneurs, Eastman was largely self-educated, making his technical achievements that much more remarkable. Like many others as well, when he attained great wealth, Eastman set to giving it away. This is the story of the man who invented something that is largely taken for granted. Those with an interest in everyday technology, or the history of American business, will find much of value here. ~ Rob Ferrier, All Movie Guide

In this emotional drama, a team of young dancers are competing for places in a prestigious dance troupe. The dancers have to deal with the ups and downs of trying to find their place in the world, even as their profession also places an enormous physical and psychological challenge before them. They train with the rigor of championship athletes, and like most aspiring athletes, they know that only a tiny number of them will achieve the goal they've set for themselves. Director Nicholas Hytner) cast young dancers and athletes as his aspiring terpsichoreans, including Ilia Kulik, an Olympic gold medalist in figure skating; the cast also includes Peter Gallagher as the leader of the dance troupe, Susan May Pratt, Amanda Schull, Eion Bailey, Debra Monk, and Sascha Radetsky. ~ Mark Deming, All Movie Guide

This drama is based on the true story of Thomas Martinez (William Baldwin), a poor and uneducated Army veteran living in Philadelphia in 1983. Frustrated by his inability to find a job, especially as his wife (Kelly Lynch) is expecting their first child, Thomas thinks he's found a sympathetic ear when he meets Bob Matthews (Peter Gallagher), the leader of a white supremacist group called "The Order." Urging Thomas to "take an oath of allegiance and protect your family," Bob initiates him into the Order, and Thomas soon rises to a position of importance in the organization (and becomes privy to one of their key fund-raising operations -- counterfeiting). However, Thomas discovers that the group's racist views are not just a matter of talk when the Order engineers the assassination of radio talk show host Alan Berg, and in time Thomas approaches the FBI, risking his life to act as an informant against the racist group. ~ Mark Deming, All Movie Guide

Aldous Huxley's 1932 science fiction novel was previously adapted to film (a 1980 TV movie starring Bud Cort) and radio (a 1956 CBS Radio Workshop two-parter with an opening intro by Huxley) and again to TV in this 1998 production. In a high-tech city of a future time, humans are genetically engineered, monogamy is frowned on, and the drug Soma is consumed to eliminate stress in a society where the citizens are niched into rigid classes (Alpha, Beta, Delta, Gamma). Scornful looks are directed at high-level Alphas Bernard Marx (Peter Gallagher) and Lenina Crowne (Rya Kihlstedt), a couple who have become interested in each other over and beyond the commonly accepted one-night stands. Bernard has climbed to the upper echelons at the Neo-Pavlovian Conditioning Center, while Lenina is employed in the educational conditioning field. When Bernard and Lenina visit an outlying Reservation, their copter crashes, and they are under attack by the locals when Shakespeare-quoting "savage" John Cooper (Tim Guinee) intervenes. When John takes Bernard and Lenina to the house where he lives with his alcoholic mother Linda (Sally Kirkland), Bernard is fascinated by John's retro way of life and his collection of literature. With automatic satellite tracking in play, a craft arrives in short order to return Bernard and Lenina to the city. For research purposes, Bernard takes the two back to civilization -- where John (aka "The Savage") becomes a media celeb, and Linda gets hooked on Soma. The Director of Hatcheries and Conditioning (Miguel Ferrer) considers Cooper a threat to society, but his superior, the Controller (Leonard Nimoy), who thinks the social order is secure, holds a progressive, thoughtful attitude regarding past, present, and future. Meanwhile, Lenina has a sexual attraction for John, who rejects her passionate advances because it "isn't love," and he soon becomes disenchanted with the unspiritual, hedonistic way of life he sees in this "brave new world." Premiered April 19, 1998 on NBC. ~ Bhob Stewart, All Movie Guide

This TV sitcom revolves around three divorced New Yorkers -- nutty Andy (Mitch Rouse), who manufactures artificial fruits and vegetables; charming nerd Phil (Peter Gallagher), who still yearns for his ex; and spiteful, misanthropic Phil (Brad Whitford), a business manager for athletes. These guys play a lot of golf and log long hours at the neighborhood restaurant, where they vacillate between cynicism and self-pity. Filmed in Los Angeles, this series premiered September 30, 1998 on ABC. ~ Bhob Stewart, All Movie Guide

"It makes Fatal Attraction seem like a walk in the park." Thus did ABC herald the three-hour TV movie Virtual Obsession when it first aired on February 26, 1998. Set in Salt Lake City sometime in the future, the story, based on a novel by Peter James, concerns a scientist named Joe Messenger (Peter Gallagher), who has created a super-computer in charge of all the city's power. In the course of his research, Joe has also developed a "post-biological" man in the form of Albert (Tom Nibley), the holographic A.I. manifestation of his computer. Enter Juliet Spring (Bridgette Wilson), a beautiful computer tech who becomes Joe's assistant. Incurably ill, Juliet hopes to keep herself alive by downloading her brain and personality into Joe's computer system. To expedite this, Juliet seductively steals Joe away from his long-suffering wife, Karen (Mimi Rogers). Ultimately, Joe breaks off with Juliet and returns to Karen, thereby incurring the terrible wrath of the now-computerized Juliet -- who is not only deadly, but virtually unstoppable. Almost as confusing to watch as it is to describe, Virtual Obsession has been rerun on cable TV under the title Host. ~ Hal Erickson, All Movie Guide

Jon Amiel directed this satire on mistaken-identity thrillers and the spy genre, scripted by Robert Farrar, Tim John, and Oliver Butcher from Farrar's unpublished novel, Watch That Man. In the female lead, Joanne Whalley returned to films after a three-year absence, choosing to do so with director Amiel. Farrar's Hitchcockian-style story focuses on naive Blockbuster Video clerk Wallace Ritchie (Bill Murray) who travels from Des Moines, Iowa, to London to celebrate his birthday with his wealthy younger brother, James (Peter Gallagher). When he turns up on the same night that James has plans to attend a high-profile client dinner party (that he hopes will bring him millions from a German investment firm), James needs to keep Wallace away during the evening, so he gives Wallace a ticket to the participatory Theater of Life. The theater game requires Wallace to assume a character and interact with actors portraying people in dramatic situations.

At the corner phone booth, the initial call should begin the evening of innocent fun. However, the phone instructions Wallace receives are actually intended for an assassin, part of a scheme to end the current UK regime and revive the Cold War. The real assassin gets the call from the Theater of Life. Blissfully unaware, Wallace walks without fear into a complex web of intrigue involving defense ministers, call girls, and Russian hitmen. For Wallace, all the world's a stage, and he's amazed at the skill of the actors, including beautiful enigmatic Lori (Joanne Whalley) -- while Wallace's pursuers are mystified by their adversary's fearlessness in the face of threats, torture and bullets. Farrar got the idea for this comedy from a chance remark at a party: "The inspiration came from a dinner party, when somebody told me about these strange live theater performances which were all the rage in England in the '80s. The idea was to telephone for instructions if you wanted to take part. My immediate reaction was, 'Wouldn't it be fabulous if somebody got the wrong number, and it all went hopelessly wrong?'" Filming took place in London's East End (Three Mills Studios), at a variety of London locations, and just outside London at the Elstree Film Studios. ~ Bhob Stewart, All Movie Guide

In this story of obsessive and enduring love, David Lewis (Peter Gallagher) spends most of his time swimming, dancing, and frolicking on the beach with the spirit of his dead wife Gillian (Michelle Pfeiffer). After Gillian's drowning death, David made their summer cottage on Nantucket Island into a permanent home. He lives there with his teenage daughter Rachel (Claire Danes), who is being neglected because her father spends so much time with her dead mother's ghost. On the second anniversary of Gillian's death, over Labor Day weekend, he invites Gillian's sister Esther Wheeler (Kathy Baker) and Esther's husband Paul (Bruce Altman) for the weekend. David's in-laws bring with them a beautiful woman named Kevin Danford (Wendy Crewson), hoping that David's attentions will turn to her. But David ignores her and proceeds with his ritualistic celebration of Gillian's birthday, including a formal dinner, karaoke, and building sand castles. After Paul makes a pass at Rachel's young girlfriend, Esther and Paul re-examine their bickering marriage and find it paltry compared to David's overwhelming eternal passion. Nothing can interfere with David's love for Gillian, but he comes to realize that he must be more attentive to his daughter as well. ~ Michael Betzold, All Movie Guide

The relationship between an unproven lawyer and the female convict he attempts to save from execution is detailed in this death-row drama. Sharon Stone plays against type as Cindy Liggett, convicted of murder at the age of 19, who has spent over a decade in prison awaiting execution. Having resigned herself to her eventual death, she cares little when her case falls into the hands of newly appointed clemency board attorney Rick Hayes (Rob Morrow). Hayes devotes himself to her case, however, and uncovers several inconsistencies regarding her earlier trial. Seeing a chance to save Liggett's life, Hayes fights for a stay of execution but finds himself facing opposition from powerful political figures and even Liggett herself. Largely ignored at the box office, the film suffered in comparison to Dead Man Walking (1995), the Academy Award-winning drama whose treatment of the death penalty theme may still have been fresh in the minds of audiences. ~ Judd Blaise, All Movie Guide

This latter-day romantic screwball comedy stars Sandra Bullock as a love-starved subway toll booth operator, Lucy. Lucy pines for regular customer Peter Callaghan (Peter Gallagher), but the self-absorbed attorney pays her no heed. One day, Peter is beaten by a gang of thugs and tossed onto the tracks. Lucy rescues him from death. While he is comatose in the hospital, a comment she makes at his bedside is misinterpreted, and she then allows his family members, who haven't seen Peter in awhile, to believe that she is his fiancée. Peter's parents, Ox (Peter Boyle) and Midge (Micole Mercurio), take a liking to Lucy. But Lucy takes a liking to Peter's brother Jack (Bill Pullman), though Jack is suspicious about her claim to be Peter's intended. ~ Michael Betzold, All Movie Guide

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children's toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger's office, the company president Waring Hudsucker (Charles Durning) is on his way down -- through the window of the forty-fourth floor boardroom! Hudsucker's death sets off a panic that Mussberger sees as an opportunity for taking over the company -- by installing a total incompetent in Hudsucker's place and devaluing the stock. When Barnes stumbles into Mussberger's office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president. ~ Paul Brenner, All Movie Guide

When a company-sponsored white-water rafting expedition turns into a nightmare, an advertising executive finds himself faced with a moral dilemma and an extremely guilty conscience. ~ Sandra Brennan, All Movie Guide