Denise Galik

John Hughes strip-mines familiar terrain -- in this case his own past successes -- in this comedy that Hughes produced and scripted, directed by Bryan Gordon. Frank Whaley stars as Jim Dodge, a 21-year-old con-man who goes from job to job but likes to put on a facade of success. As Career Opportunities begins, he has just been fired from another job and has been hired by the local Target store manager (played by an un-credited John Candy) as the night cleanup boy. After the manager locks Jim in the store overnight, he goes on a binge -- playing with the skates, eating candy, watching television, and blasting the stereos. But then Jim discovers that he is not the only person in the store. Also there is rich girl Josie McClellan (Jennifer Connelly) who is spending the night in the store to get her father worried about her. Although Jim knew Josie in high school, when Josie wouldn't even give him the time of day, here they click like two castanets and they romp around the store aisles to a pounding rock score. But just at the moment when Jim and Josie plan to run away together with the $52,000 Josie holds in her purse, two low-rent comic thieves -- Nestor Pyle (Dermot Mulroney) and Gil Kinney (Kieran Mulroney) -- break into the store and Jim and Josie decide to stick it out, saving the store from the bumbling crooks. ~ Paul Brenner, All Movie Guide

Lydia McCarthy (Julia Montgomery) hires Magnum (Tom Selleck) to locate a jewel thief, whom she identifies as her chauffeur. It soon develops that the "jewel" in question is Lydia's own son, who may have been kidnapped by his father--and once Magnum has these facts at his disposal, his next step is to flush out a rather vicious black-market adoption ring. Meanwhile, Higgins is having "kid problems" of his own with a rowdy group of underprivileged youngsters. ~ Hal Erickson, All Movie Guide

The story which began with the mini-series V comes to a stunning conclusion in this made-for-TV sci-fi adventure. A race of reptilian creatures from another planet arrive on Earth, disguised as humanoids and claiming to come in peace in a search for needed water and food. However, their true motives soon become evident when they take control of the world and begin eating humans for sustenance. A ragtag army of Earthlings form an underground resistance army, leading to a final apocalyptic showdown between the humans and their new rulers. V: The Final Battle reunites most of the original cast of V, including Marc Singer, Robert Englund, Jane Badler, Andrew Pine, and Faye Grant. Followed by a short-lived weekly series. ~ Mark Deming, All Movie Guide

TV director James Burrows made his feature debut with this unusual film that's a situation comedy-style twist on both The Odd Couple (1968) and Cruising (1980). The murder of a male model in a gay, beachfront enclave of L.A. warrants an undercover investigation, so police officer Benson (Ryan O'Neal), a straight, macho, law-and-order type, is assigned to partner with file clerk Kerwin (John Hurt), a mild-mannered homosexual. Benson and Kerwin are to pose as a gay couple who have just moved to the area. At first, Benson's slovenly ways drive the fussy Kerwin to distraction, while Kerwin's sexual orientation and prissy manners are a source of constant frustration for straight-arrow Benson. However, the two eventually become friendly roommates, if not exactly friends, and Benson even begins to see the world through Kerwin's eyes. Although he carries a badge, the fussy Kerwin is essentially a civilian, but as he and Benson close in on the murderer, Kerwin reveals himself to be a far more capable cop than Benson assumes him to be. Partners was written by Francis Veber, author of La Cage aux Folles (1978) and The Man with One Red Shoe (1985). ~ Karl Williams, All Movie Guide

This gory, scary low-budget shocker from the Roger Corman stable concerns the battle over a salmon cannery in a Pacific Northwest town. Genetically treated salmon escape the plant and are eaten by coelacanths, who mutate into humanoid monsters with giant craniums and sharp claws. The creatures begin attacking teen couples, killing the boys and mating with the girls (in some pretty graphic monster-rape scenes). Eventually, a bunch of them create total pandemonium at the annual salmon festival. Barbara Peeters directs with flair, Rob Bottin's effects are nauseatingly effective, and the cast is good, especially Vic Morrow as a racist fisherman and Doug McClure as the stalwart hero. An uncompromising shockfest with enough gratuitous blood and nudity to keep fans happy, the film features an Alien-inspired shock ending which still makes viewers jump today. ~ Robert Firsching, All Movie Guide

In this routine slasher film about the relationship between a deranged killer and his victim, Keegan (Jo Ann Harris) is a young woman who returns to her home town to look for her sister's killer. Other victims have been brutally murdered by a man in a black mask, and Keegan turns to the easy-going, investigating cop Roger Lane (Sam Groom) for information on the slayings. As the investigation continues, Roger and his friend Billy (Steve Railsback) play a horror-movie board game that seems to somehow be connected to the deaths, while Keegan meets with her mother (June Lockhart) and relives the past with old friends. In-house references to horror movies are also featured when Keegan and the two board-game buddies watch the 1932 shocker The Monster Walks at Billy's work place. The contrast between Keegan's normal life and the world of thrills in the movies is all the greater in the final scenes, when the killer -- who is fairly easily psyched out early on -- reveals his motives. ~ Eleanor Mannikka, All Movie Guide

Taking over the already profitable Hughes tool company from his deceased father, the teenaged Howard Hughes (Tommy Lee Jones) turns the operation into a billion-dollar business. Along the way, he dabbles in film production, romancing such Hollywood lovelies as Katharine Hepburn (Tovah Feldshuh) and Billie Dove (Lee Purcell). Fame becomes notoreity as Hughes embarks on such projects as the "bosom western" The Outlaw and the "Spruce Goose." He also defiantly stands up to the HUAC-only to become one of America's most virulent anti-Communists. In his twilight years, the fabulously wealthy but increasingly paranoid Hughes lives like a down-and-out hermit in his high-rise Las Vegas suite, communicating only with his trusted associate Noah Dietrich (Ed Flanders), and then not even with him. Adapted from the memoirs of Noah Dietrich, The Amazing Howard Hughes originally aired April 13 and 14, 1977. ~ Hal Erickson, All Movie Guide

An aspiring actor leaves his home in Brooklyn for adulthood in Manhattan in Paul Mazursky's loosely autobiographical comedy-drama. In 1953, would-be thesp Larry Lapinsky (Lenny Baker) flees his hysterically clinging mother (Shelley Winters) for a $25-a-month (!!) apartment in bohemian Greenwich Village. Between Method-like acting classes, a movie audition (where he meets a posturing actor played by Jeff Goldblum), and work at a juice bar, Larry hangs out with a circle of archetypal Village eccentrics, including suicidal Anita (Lois Smith), womanizing poet Robert (Christopher Walken), and flamboyantly un-closeted homosexual Bernstein (Antonio Fargas), as he negotiates the pitfalls of love and sex with liberated girlfriend Sarah (Ellen Greene). The fallout over the group's ill-fated love affairs, and the Lapinskys' inopportune surprise visits, finally lead Larry to make peace with his past as he contemplates his future in Hollywood. Mazursky looks back to the 1950s as in such other 1970s films as American Graffiti, Grease, and TV's Happy Days, but his Greenwich Village life is less a time of lost pre-'60s innocence than a precursor of things to come. Sex, Larry jokes, may be serious, but it is also an omnipresent fact of life rather than something to be feared or repressed; love is the real problem. Even as Larry's friends strike various poses, they are all out to do their own thing as best they can. Critical response to Mazursky's nostalgia trip was mixed when the film was released, but the performances, particularly Winters, were admired. ~ Lucia Bozzola, All Movie Guide