Peggy Ashcroft

In this WW II espionage drama, a British officer stands wrongfully accused of treason and must find those who framed him. Much to his surprise, a beautiful young woman suddenly appears and offers her assistance causing him to question her motives and alliances. The film was originally broadcast on PBS' Masterpiece Theatre. ~ Sandra Brennan, All Movie Guide

The third installment of novelist John Le Carre's George Smiley trilogy, A Perfect Spy focuses not on Smiley but on another secret agent, Magnus Pym (Peter Egan). Having impersonated so many different people during his career as a British spy, Pym eventually lost track of who he really was -- a confusion compounded by the fact that he knew nothing of his actual past. Ultimately feeling that he could trust no one -- not even his so-called friends -- Pym turned his back on the British and began trading secrets with the Enemy. Filmed on location in England, Europe, and the U.S., the seven-episode A Perfect Spy originally aired in the U.K. in 1988. ~ Hal Erickson, All Movie Guide

In this interesting mystery, famed novelist Agatha Christie has just decided to kill off her popular character, the Belgian detective Hercule Poirot in her latest novel Curtain. Just as she is about to do so, the detective comes to call. ~ Sandra Brennan, All Movie Guide

A Passage to India, director David Lean's final film (for which he also received editing credit), breaks no new ground cinematically, but remains an exquisitely assembled harkback to such earlier Lean epics as Doctor Zhivago and Ryan's Daughter. Based on the novel by E. M. Forster, the film is set in colonial India in 1924. Adela Quested (Judy Davis), a sheltered, well-educated British woman, arrives in the town of Chandrapore, where she hopes to experience "the real India". Here she meets and befriends Dr. Aziz (Victor Banerjee), who, despite longstanding racial and social taboos, moves with relative ease and freedom amongst highborn British circles. Feeling comfortable with Adela, Aziz invites her to accompany him on a visit to the Marabar caves. Adela has previously exhibited bizarre, almost mystical behavior during other ventures into the Indian wilderness: this time, she emerges from the caves showing signs of injury and ill usage. To Aziz' horror, he is accused by Adela of raping her. Typically, the British ruling class rallies to Adela's defense, virtually convicting Aziz before the trial ever begins. Though he is eventually acquitted due to lack of evidence (in fact, director Lean never shows us what really happened), Aziz is ruined in the eyes of both the British and his own people-as is Adela. Woven into these proceedings is a subplot involving Adela's elderly travelling companion Mrs. Moore (Peggy Ashcroft), who through a series of plot twists too complex to describe here becomes a heroine of the Indian Independence movement. A Passage to India was nominated for several Academy Awards, scoring wins in the categories of Best Supporting Actress (Peggy Ashcroft) and Best Original Score (Maurice Jarre). A theatrical version of A Passage to India, written by Santha Rama Rau, was previously adapted for television by the BBC in the mid-1970s. ~ Hal Erickson, All Movie Guide

Produced for British TV by the Merchant-Ivory-Jhabvala triumvirate, this India-based comedy was released theatrically in the US. Victor Banerjee, best known to American audiences for his star turn in David Lean's A Passage to India, plays a young rajah named George, while Aparna Sen portrays his sister Bonnie. Brother and sister are the proud possessors of a priceless collection of miniature paintings, which makes them the target of every critic, appraiser and huckster in the art world. George can't understand the "hullabaloo;" to him, art is a picture of a naked woman. Still, he finds himself in a tricky bargaining position as British gentlewoman Peggy Ashcroft (who also would appear in Passage to India) and wealthy American Clark Pine pull out their checkbooks and square off over the ownership of George and Bonnie's pictures. ~ Hal Erickson, All Movie Guide

The Pedestrian (Der Fussganger) was the second filmed directorial effort of German actor Maximillian Schell. Billed third under Gustav Rudolf Sellner and Ruth Hausmeister, Schell plays Andreas Giese, a Krupp-like industrialist whose past suddenly returns to haunt him. A newspaper article reveals that Giese was responsible for the wartime destruction of a Greek village and the wholesale slaughter of the villagers. Whether or not Giese feels remorse for his actions is ultimately beside the point: his family is torn apart and his son kills himself as a result of the accusation. Here as in other films, Schell exhibits his fondness for female European film stars of days gone by: Elizabeth Bergner, Lil (Metropolis) Dagover, Francoise Rosay and Peggy Ashcroft appear in key minor roles. The winner of several international awards and a "best foreign picture" Oscar nominee, The Pedestrian was also produced and written by Schell. ~ Hal Erickson, All Movie Guide

American actor Rod Steiger adopts a British accent to keep apace with his co-stars in Three into Two Won't Go. Steiger plays a prosperous salesman, married to Claire Bloom (Steiger's real-life wife at the time). While on a business trip, the salesman falls for a sexy 19-year-old hitchhiker (Judy Geeson). He thinks he's in control of his philanderous situation -- until the teenager insists upon moving in with him and his wife. Dame Peggy Ashcroft also stars as Claire Bloom's mother, whose neurotic interference only makes things messier. Three into Two Won't Go was based on a novel by Andrea Newman. ~ Hal Erickson, All Movie Guide

Subtitled A Film About London, this drama is a quintessential experimental counter-culture film of the late 1960s that centers on the questions raised by the Vietnam war. Renowned Shakespearean theater director Peter Brook serves as producer and director. It includes many members of the Royal Shakespeare Company, such as London actors Mark Jones, Robert Lloyd), and Pauline Munro, who essentially play themselves. They become obsessed with a photograph of a wounded Vietnamese child and begin discussing the war with their friends and fellow actors. They attend a series of lectures and teach-ins, discussing the issues of the day with a number of activists, including the American Black Panther leader Stokely Carmichael. The discussions are combined with newsreel footage in a bizarre collage of images. Moved to do something, the group of actors puts on a series of skits about the war. ~ Michael Betzold, All Movie Guide

The old reliable plot device known as premarital hanky-panky was the basis of the Esther McCracken stage play Quiet Wedding. The film version, scripted by Terence Rattigan and Anton de Grunewald, tones down some of the more censorable elements of the play, though not enough to completely mollify American censors. Margaret Lockwood stars as bride-to-be Janet Royd, who is driven crazy by the well-meaning interference of friends and family in the hours prior to her wedding. Sensing that she'll never have a moment alone with her fiance Dallas Chaytor (Derek Farr) even after they're married. Janet agrees to slip away with Dallas the night before the Big Event for a few hours of uninterrupted bliss. Nothing much really happens, at least not on screen, but the censors weren't able to blot out the gleam in the groom's eye-or the bride's, for that matter. ~ Hal Erickson, All Movie Guide

This classic British thriller was one of Alfred Hitchcock's first major international successes, and it introduced a number of the stylistic and thematic elements that became hallmarks of his later work. Richard Hannay (Robert Donat), a Canadian rancher on vacation in England, attends a music hall performance by "Mr. Memory" (Wylie Watson); in the midst of the show, shots ring out and Richard flees the theater. Moments later, a terrified woman (Lucie Mannheim) begs Richard to help her; back at his room, she tells him that she's a British spy whose life has been threatened by international agents waiting outside. Richard is certain that she's mad until she reappears at his door in the morning, near death with a knife in her back, a map in her hand, and muttering something about "39 Steps." Discovering that a group of thugs are indeed waiting outside, Richard slips away and takes the first train to the Scottish town on the dead woman's map. Richard learns that he's now wanted by the police for murder, and he must find a way to clear his name. He begins trying to do so with the help of a woman he meets en route, Pamela (Madeleine Carroll), who serves as his unwitting assistant, even after she tries to turn him in. The 39 Steps was later remade in 1959 and 1978 -- both without Hitchcock's participation. ~ Mark Deming, All Movie Guide

Filmed in the Yiddish language, The Wandering Jew features Jacob Ben-Ami as a young Jewish artist living in Germany in the early 1930s. As the Nazis gain in influence, the artist's life and livelihood are slowly eroded: his non-Jewish fiancee leaves him and his paintings are rejected by the Academy of Art. Growing to despise his heritage, the artist prepares to destroy his latest painting, a portrait of his father titled The Eternal Jew. Suddenly the figure in the portrait comes to life, and as the astonished artist listens in rapt attention, the figure relates the history of Jewish perseverance in the face of such horrors as the Spanish Inquisition and the Russian pogroms. Inspired, the artist vows to devote his life to the anti-Nazi cause. The Wandering Jew is a remarkable film for its era, so far and yet so near to the "Final Solution." In retrospect, the film's most poignant moments occur when the hero's father describes the comparatively benign treatment of Jews in the Soviet Union. The filmmakers weren't in possession of all the facts in 1933--nor was the rest of the world, for that matter. ~ Hal Erickson, All Movie Guide