Clu Gulager Movies

Roy Carter, the ex-convict previously played by Scott Marlowein the episode the "Hanging of Roy Carter", returns in this episode with Clu Gulager in the role. Enlisting the aid of Paladin (Richard Boone), Roy sets out to rescue former prison chaplain Robert April (formerly played by John Larch and now enacted by Larry Blake), who was instrumental in saving Roy from the gallows. April has been captured by an escaped convict, and now the two men are hidden somewhere in the mountains--which have been blanketed by a blizzard. ~ Hal Erickson, All Movie Guide

Escaped convict Rod Collins (Clu Gulager) heads for the home of his pen pal, the niece of Margaret Lowen (Katherine Squire). Fortunately for the police, Rod has left his pen pal's picture and letters back in his cell, enabling them to contact Margaret and ask her assistance in bringing the fugitive to justice. But once Rod shows up at Margaret's doorstep and insists upon meeting her niece, the situation takes an unexpected turn. ~ Hal Erickson, All Movie Guide

Don Siegel directed this intensely pessimistic re-make of Robert Siodmak's 1946 film noir masterpiece The Killers, based upon a story by Ernest Hemingway. As the story opens two professional looking men in business suits -- Charlie (Lee Marvin) and Lee (Clu Gulager) -- push their way into a school for the blind and terrorize a secretary until she reveals the whereabouts of Johnny North (John Cassavetes). When Charlie and Lee trace Johnny to an automobile repair class, Johnny just stands there as the two men gun him down. Afterwards, Charlie wonders why Johnny just stood there, accepting his death. He also starts to wonder about his hefty paycheck for the murder and rumors that Johnny was involved in a million-dollar heist. He decides to pay Johnny's old friend Earl Sylvester (Claude Akins) a visit at his auto shop in Florida. Earl recalls the summer day long ago when former race car driver Johnny caught the eye of the rich and beautiful Sheila Farr (Angie Dickinson). Johnny has been preparing for a race, but Sheila's attentions sidetrack him. The day of the big race, Earl notices that Sheila is visited by a group of rich gangsters, headed by Browning (Ronald Reagan, in a very surprising performance). During the race, Johnny is involved in a terrible crash, effectively ending his racing career. However, it seems Browning is arranging a mail heist and hires Johnny to drive the getaway car. ~ Paul Brenner, All Movie Guide

When wealthy landowner John Sullivan, Sr. Arch Johnson and his airplane pilot are reported missing in Brazil, Sullivan's three sons (Martin Milner, Linden Chiles, and Don Quine) begin to search for the missing men in the wilds of the Amazon jungle. They battle headhunters, jungle animals, and sinister revolutionary forces trying to topple the government. The film is a Universal pilot for a proposed television series that never materialized, and it is apparent why the series never took off after watching the forgettable feature. ~ Dan Pavlides, All Movie Guide

Successful racecar driver Capua (Paul Newman) falls in love with Elora (Joanne Woodward). The two marry and settle down with Elora's 13-year-old son Charley (Richard Thomas). The honeymoon is short-lived as Capua must spend his time away from home on the racing circuit. Soon the racer's luck begins to change as his main rival Luther Erding (Robert Wagner) begins to best him at every race. Capua has a one-track mind and realizes too late that his wife is being lapped by the rival racer not only on the track but in the bedroom as well. He comes home to find his wife in bed with Luther, and he promptly leaves. Young Charley hitchhikes across country in an attempt to bring the couple towards a reconciliation. Richard Thomas, who would later star in the television series "The Waltons," makes his film debut. Spectacular footage from Elkhart Lake, Wisconsin and Indianapolis is used, including a 17-car pile-up. Cameo appearances are made by racers Bobby Unsur and Tony Human. After doing all his own driving during filming, Paul Newman would develop a lifelong passion for auto racing beginning with this film. ~ Dan Pavlides, All Movie Guide

In a small desert town, Ed (Don Galloway) is kidnapped by D.W. Donnelly (Clu Gulager), an escapee from a local prison farm. Ed soon figures out that the real villain of the piece is not Donnelly, but instead corrupt Sheriff Poole (Steve Forrest), who with his vicious deputy Hoag (William Smith) is using the farm to cover up his own criminal exploits. Filmed on location at Temecula, California, this episode is highlighted by the spectacular demise of Ironside's celebrated, state-of-the-art police van! ~ Hal Erickson, All Movie Guide

San Francisco International is a multiplotted drama set at the titular air transport center. Several storylines intersect at various junctures: A $3,000,000 cargo plane robbery, a teenaged boy commandeering an aircraft, and a violent confrontation between a nasty businessman and a an airheaded hippie. Presiding over these major and minor crises is airport manager Pernell Roberts. When San Francisco International became the TV series San Francisco International Airport, Lloyd Bridges stepped into the Van Johnson role. The series, which ran from 1970 to 1971, was part of NBC's Four in One umbrella weekly. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, Inspector Erskine (Efrem Zimbalist Jr.) has managed to capture one of the three men involved in a daring $1,800,000 amusement park robbery. Though Erskine knows where to find the other two criminals, Curtis Breer (Bradford Dillman), the criminal genius who masterminded the heist, remains out of reach. But it looks like Breer's luck is running out: this time around, he has double-crossed one partner too many. ~ Hal Erickson, All Movie Guide

Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide

The beautiful black stallion given by Ben Cartwright as a birthday present to his son, Joe, is stolen. Searching for the horse, Joe comes across a family of drifters, and is soon embroiled in a potentially deadly rivalry between Bill Brenner (Clu Gulager) and his son, Tommy (Vincent Van Patten). Mitzi Hoag appears as Bill's wife, Alice. Written by Jack B. Sowards, Mort Zarcoff, and Juanita Bartlett, this episode is highlighted by a climactic "race for life" between a horse and a train; by the lush location photography, filmed in the Sierra Foothills near Sonora; and by the musical score of David Rose, which would later serve as the main theme music for the subsequent Michael Landon-starring series Little House on the Prairie. Alas, by the time "Stallion" was originally broadcast on November 14, 1972, NBC had already cancelled Bonanza, which had never recovered ratings-wise from the loss of Dan Blocker or its move from Sunday to Tuesday evening. ~ Hal Erickson, All Movie Guide

A group of new prisoners, including a political science professor, Jonathan Paige (Alan Alda), and a student, Allan Campbell (Kristoffer Tabori), arrive at a state prison, along with a new guard, Brian Courtland (Clu Gulager). Paige is a serving a year for manslaughter -- he accidentally killed a driver who had run down and injured his wife -- but his education doesn't prepare him for what he finds in prison. Nor does Courtland understand everything he sees in his new job, where he hopes to do some good. The warden (Dean Jagger) is spoken of as being on "short time," as though he were serving a sentence; the guard captain, Pagonis (G. Wood), is totally cynical about his work and his job; and one veteran guard, Brown (Roy Jenson), seems to be serving some of the prisoners -- and that small group of inmates have more to do with the running of the prison than does the administration. First among them is Hugo Slocum (Vic Morrow), a lifer who controls the flow of drugs and other contraband to the cons, wielding money and power without challenge until Paige gets assigned by the warden to the prison pharmacy, and -- thanks to his own sense of righteousness -- blocks Slocum's pipeline, a move that could get the professor killed. Meanwhile, Paige is trying to understand Lennox (Billy Dee Williams), the lifer he works with in the pharmacy, and discovers in him a true political visionary and leader, who lives the stuff that Paige has only ever lectured about. Lennox is black and proud, and a killer, and also (incidentally) smarter than Paige; he is also respected as a leader by the other blacks in the prison and feared just enough by the whites, including Slocum, to stay alive. Paige should only learn from him, but the professor is too set in his ways and too arrogant in his assumptions to do that. Complicating things further, Slocum has taken a decidedly physical liking to Paige's cellmate, Allan, a college student who is in on a marijuana charge and too naïve to recognize why the tough con is being so good to him until he rejects Slocum's advances. In retaliation, Allan is gang-raped on Slocum's orders, and later kills himself. Nor has Slocum forgotten about Paige or the pharmacy -- when Paige tries to reach out to another inmate, Sinclair (Edward Bell), who shows promise as a writer, Slocum destroys Sinclair's work and targets him, as well. Before he's killed, however, Sinclair reveals to Paige that, as Slocum's sometime bagman and former bookkeeper, he's recorded every transaction for the past eight years -- including every hit ordered by Slocum and how it was paid off, including the bribes to guards to look the other way -- and he passes the book with that record to the professor. It comes down to a do or die situation for Paige and Slocum, as each now has the power and the need to destroy the other to stay alive; the only question is whether Paige will figure out in time that he may have to back up his good intentions with lethal force. ~ Bruce Eder, All Movie Guide