Charlotte Gainsbourg

A grieving couple (Willem Dafoe and Charlotte Gainsbourg) are the subject of evil forces during a cabin getaway shortly after their son has died in this horror film from auteur Lars von Trier. ~ Jeremy Wheeler, All Movie Guide

James Ivory's adaptation of Peter Cameron's The City of Your Final Destination tells the story of how the family of a writer makes sense of their past decades after the author commits suicide. The plot begins when a graduate student approaches the writer's offspring about access to their father's papers so that a biography about the man can be written. ~ Perry Seibert, All Movie Guide

A family living in poverty leaves behind the world they know in hope of finding new opportunities in this historical drama from director Emanuele Crialese. The Mancusos are a family struggling to make ends meet in a small farming community in Sicily in 1913. Life has long been hard for the Mancuso Family, who have lived in the same village for generations, and one day they are visited by a man who claims to be from the United States. The man tells them of the wonder and plenty of life in America, an offers to make it possible for them to travel to the New World and find work there. The Mancusos cautiously accept the offer, but after a dangerous voyage aboard an ocean liner, the family arrives in New York to face a number of new challenges -- the humiliating examination at Ellis Island, and abandoning their old lives and ways as they struggle to assimilate in a massive city that is now their home. Starring Charlotte Gainsbourg, Francesco Casisa and Vincenzo Amato, The Golden Door (aka Nuovomondo) received its world premier at the 2006 Venice Film Festival. ~ Mark Deming, All Movie Guide

The charmed life of a successful young engineer is thrown into chaos following a decidedly uncomfortable dinner with his powerful boss and the man's socially scabrous wife in With a Friend Like Harry director Dominik Moll's twisted, semi-supernatural thriller. Upon relocating to an ultra-modern community in the south of France with the promise of a lucrative position at powerful Richard Pollock's (André Dussollier) hi-tech firm, Alain Getty (Laurent Lucas) and his wife, Benedicte (Charlotte Gainsbourg), find their life together going better than they ever imagined. Happy in his work and deeply in love with his beautiful wife, Alain relishes his newfound success before a fateful dinner with Richard and his venomously eccentric wife, Alice (Charlotte Rampling), casts a dark thunderhead over Alain's azure skies. Unable to sleep after the troubling and abbreviated dinner and driven to repair the kitchen sink during a sleepless fit of late-night productivity, Alain is shocked to discover that a lemming has become lodged in the drainage pipes. As Alain attempts to discover just how a rodent native to Scandinavia found its way to a tiny drain pipe in France, a sudden revelation regarding the grim fate of Richard's troubled wife finds the once rational engineer struggling to maintain his sanity, and his marriage, against a malevolent and seemingly supernatural force. ~ Jason Buchanan, All Movie Guide

Writer, director, and actor Yvan Attal takes another look at the ups and downs of love and monogamy in this biting romantic comedy. Vincent (Yvan Attal), Fred (Alain Cohen), and Georges (Alain Chabat) are three Parisian men in their early forties who are coming to the unfortunate realization that their love lives are not what they dreamed of in their youth. Vincent is married to Gabrielle (Charlotte Gainsbourg), and while there's still some spark left in their marriage, it usually appears only after an argument. Vincent is having a furtive affair with a beautiful woman (Angie David), while Gabrielle is tempted to do the same when a handsome man in a record shop (Johnny Depp) begins silently flirting with her. Fred is the bachelor of the group, and seems to have an endless parade of women passing through his bedroom, but no one misses the fact that he longs for the sort of long-term relationship that has so far evaded him. And Georges is reaching the end of his rope with his wife, Nathalie (Emmanuelle Seigner), an abrasive feminist who insists on making every aspect of their lives a political matter, but lacking the courage to break up with her, Georges deals with his feelings in the traditional manner -- he buys a new car. Happily Ever After was Attal's first project as writer and director after his international hit Ma Femme Est une Actrice. ~ Mark Deming, All Movie Guide

Victor Hugo's classic story of one man's struggle to redeem himself -- and another man's efforts to bring him down -- is brought to the screen again (there have been at least 18 previous screen adaptations) in this epic-scale television production with a distinguished international cast. Jean Valjean (Gerard Depardieu) is a man forced by circumstance into a life of crime when he steals bread to ease his hunger, ending up behind bars for 19 years. Upon his release, the destitute Valjean attempts to rob the home of a bishop, but the bishop takes pity on him, and Valjean turns over a new leaf, becoming an honest and upright businessman and civic leader. But Javert (John Malkovich), a former guard at the prison where Valjean served time, is now the Chief of Police, and he's determined not to let Valjean live down his criminal past. Les Miserables also features Jeanne Moreau, Virginie Ledoyen, Christian Clavier, and Asia Argento; the miniseries was produced in two versions, a French-language version for European television that ran eight hours, and a four-hour English-language adaptation that was broadcast in a pair of two-hour installments on January 7 and 8, 2001, on the Fox Family Channel. ~ Mark Deming, All Movie Guide

Charlotte Gainsbourg stars in this 1990s updating of George Cukor's Gaslight (1944). In an unnamed North American city, young Frenchwoman Catherine (Gainsbourg) stumbles into a police station and confesses to murdering her husband's ex-wife Stella. The cops remain unconvinced, as according to their records Stella was stabbed to death two years previously. The rest of the film is told in flashbacks. Soon after Catherine has left all she knew in Europe, she meets Nick (Charles Powell), a dashing film score composer. Not long afterwards, they marry, and she moves into his luxurious loft in an old apartment building. After learning about Nick's former wife's bloody demise, Catherine begins to notice weird things about the flat: a wine glass smudged with lipstick, crooked paintings, strands of another woman's hair, and a journal emblazoned with "SG." Her growing paranoia is only exaggerated by the odd assortment of people inhabiting the building, including a mysterious, ultra-fashionable German art broker, a wealthy math genius, and a wizened drunk who hobbles around with a cane. Soon Catherine finds herself fighting to maintain her sanity. The Intruder was screened at the 1999 Dinard Film Festival. ~ Jonathan Crow, All Movie Guide

This taut psychological chiller tells the twisted story of Anna, a woman living in Paris, whose dreams of her Venetian counterpart, a secretive young woman who lives in a fine palace with her brother and an enigmatic older man, become frighteningly real. Anna's world begins coming apart after she is picked up by the police for witnessing an awful crime she cannot remember seeing. When she realizes that her dream alter-ego is trying to kill her, only her lover Marc's calming and supportive influence can save her from madness. ~ Sandra Brennan, All Movie Guide

Director Franco Zeffirelli stresses emotional realism over gothic chills in this restrained adaptation of Charlotte Bronte's classic. The screenplay, by Zeffirelli and Hugh Whitmore, remains relatively faithful to the original story, beginning with a condensed look at the troubled childhood of young Jane (Anna Paquin) and her mistreatment by a cruel aunt (Fiona Shaw). The bulk of the film centers on Jane as an adult (Charlotte Gainsbourg), a prim governess who accepts a position at Thornfield Hall caring for the young Adele (Josephine Serre). There Jane also must deal with the estate's head, Edward Rochester (William Hurt), a mysteriously brooding yet oddly alluring older man. She finds herself drawn to Rochester, but their potential romance is threatened by Jane's fears and Rochester's internal torment. Rather than the spooky visuals of earlier adaptations, Zeffirelli and cinematographer David Watkins opt for a subdued gloominess, placing emphasis on Gainsbourg's and Hurt's wounded portrayals. Fans of the gothic will likely find Zeffirelli's interpretation anemic in comparison to the passionate 1944 version with Joan Fontaine and Orson Welles, though others may appreciate the more naturalistic and faithful approach. ~ Judd Blaise, All Movie Guide

Ian McEwan's disturbing novel is given a chilly shimmer in this film adaptation by Andrew Birkin. The film takes place in a concrete slab of a house situated on the outskirts of an English town. The father (Hanns Zischer) is a consumptive creep, while the mother (Sinead Cusack) is a sweet and understanding matriarch. When the father dies of a heart attack after his garden is paved over, it is too much for the mother to bear, and after a few weeks she wastes away and also dies. This leaves the children to fend for themselves. The eldest sister and brother, Julie (Charlotte Gainsbourg) and Jack (Andrew Robertson), have to care for the younger children, Sue (Alice Coultard) and Tom (Ned Birkin). Without parental supervision, the four children give themselves up to their secret longings. Jack hides in corners to masturbate, but Julie uses her sexual attraction to lure Jack into an incestuous relationship. Even the younger children have their problems: Sue is mostly mute and spends all her time obsessively writing in her journal, while Tom feels that deep inside himself he is a girl trapped in a boy's body. The children hide the mother's remains in the basement and live off her bank account. The neighbors don't suspect a thing --that is until sleazy Derek (Jochen Horst) begins to come around in his red convertible, trying to get a date with Julie. ~ Paul Brenner, All Movie Guide

In this frequently surrealistic romp, a satire on sex, politics, and the business of filmmaking, two young women get together after discovering sufficient provocations in their lives to deliberately set out to wreak havoc in the world around them. Joelle (Anouk Grinberg) has just been thrown out of a moving car by her abusive man-friend, when Camille (Charlotte Gainsbourg) encounters her. Joelle's bitter exclamation Merci la Vie, or "thank you, life" echoes something of Camille's feelings, and the two decide to go on a rampage, picking up and seducing numerous men and then doing things like destroying their cars. Eventually, they set their sights on a "higher" goal and decide to do in an entire town. Meanwhile, it becomes evident that a sinister medical researcher, Dr. Worms (Gérard Depardieu), has infected promiscuous Joelle with a sexually transmitted disease he invented for the sole purpose of becoming the man who finds its cure, which he hopes will make him beloved, famous and rich. At some point, an elaborate series of flashbacks enter the story, and in one sequence, Camille attempts to persuade her feuding parents to get back together long enough to conceive her. Reviewers noted that logic is not a strong point in this film, but they found its fast pace and bright performances vastly entertaining. ~ Clarke Fountain, All Movie Guide

In this film, Tolsoy's classic story Father Sergius is translated from 19th century Russia to 19th century Italy. As in the original story, Sergio (Julian Sands) is a nobleman and a military cadet who is posted in a position close to the (in this case Neapolitan) throne. He is about go through with an arranged marriage linking him with a higher-ranking noblewoman (Natassja Kinski) when he discovers that she has been the King's mistress. Disgusted, he renounces the world and becomes a churchman and a hermit. At his hermitage, he encounters a woman who considers any priest, especially an ascetic one, fair game. She attempts to seduce him and he nearly succumbs, narrowly avoiding that fate by chopping off a finger, in a scene harking back directly to the 1918 Russian silent classic Otets Sergey. Soon after that, he begins to acquire a reputation as a miracle worker. However, by now he has succumbed to his ever-present demon of sexual temptation in the form of a conniving young girl, and he knows he is not worthy of the adulation he is receiving. Devastated by his lapse, he leaves the hermitage and wanders around Italy as a homeless beggar. ~ Clarke Fountain, All Movie Guide