M.C. Gainey Movies
Notorious for his uncanny portrayals of jocks, rednecks, hellraisers, and good ol' boys, the rough-hewn American character actor M.C. Gainey built a career for himself as the prototypical onscreen lowlife. Gainey observed in an interview, "With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past 30 years...by and large I play cowboys, bikers, and convicts."Born in Jackson, MS, in 1947, Gainey debuted onscreen -- effectively portraying a young police officer -- in Herbert Ross' fascinating, ambitious, and stillborn musical film version of the Dennis Potter miniseries Pennies from Heaven (alongside Steve Martin, Bernadette Peters, and Christopher Walken). Some might call Gainey's evocation of a cop uncharacteristic, given his later turns, but at least two additional roles as a policeman followed during the '80s, in John Carpenter's Starman (1984) and Sondra Locke's ill-advised sentimental fantasy Ratboy (1986). Gainey landed a number of additional assignments through the end of that decade, but his career did not fully catch fire until the '90s, when he sustained several turns per year. Additional films during this period include 1993's Geronimo: An American Legend (as a miner), 1996's Citizen Ruth (as Harlan), 1997's Con Air (as the villain Swamp Thing), 1999's Happy, Texas (as Bob Allen), and 2003's Terminator 3: Rise of the Machines (as a bouncer). In the late '90s and early 2000s, Gainey delivered two particularly memorable and dark performances that gave him instant recognition among viewers. In the first picture -- Jonathan Mostow's Breakdown (1997) -- Gainey played Earl, one of the psychopathic redneck kidnappers who torments Kurt Russell. In the second, Alexander Payne's character comedy Sideways (2004), Gainey played the unnamed husband of waitress Cammi, who chases intruder Thomas Haden Church out of his house while fully naked.
Gainey found his broadest exposure to date, however, as Mr. Friendly/Tom -- seemingly the leader of the Others and as enigmatic as can be -- in the blockbuster ABC series Lost. ~ Nathan Southern, All Movie Guide
- 1983
The A-Team sneaks into a small and remote town, there to attend the funeral of a fellow Vietnam veteran. They soon discover that their friend was murdered by members of the vicious Watkins family, who also hold the townsfolk in a grip of terror. Thus the team's mission is twofold: To seek revenge for their pal's death, and to end the Watkins' reign of fear once and for all. This is the final episode of The A-Team's first season. ~ Hal Erickson, All Movie Guide
- 1982
Taking over the Boars' Nest, a team of armed robbers take everyone in the establishment hostage, then post a fake evacuation notice to clear the rest of town. The crooks' plan is to heist an armored truck, and they don't plan to leave any witnesses behind. If they want to save their collective hides, captives Jesse Duke (Denver Pyle) and Boss Hogg (Sorrell Booke) must forget their feud long enough to formulate a plan of escape. ~ Hal Erickson, All Movie Guide
Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, All Movie Guide
- Starring:
- Steve Martin, Bernadette Peters, (more)
