Freddie Earle Movies

Three older Jewish women deal with issues in their families and the long shadow of the Holocaust in this episodic drama. In the film's first segment, Rivka (Shulamit Adar) is on a bus tour of Poland with her husband and is accidentally left behind after a stop at a cemetery. She is furious with her husband, who didn't notice that she was missing; she's felt neglected by him for years, but she doesn't have the strength to leave him. The second story moves to Paris, where Regine (Liliane Rovere) receives startling news: her father, who supposedly died in a concentration camp during World War II, is actually alive in Lithuania. When she arrives in Lithuania, she's startled by the sight of her father, a very old man who doesn't quite recognize her, as well as his story: after the liberation of his camp, he made his way on foot and ended up behind the Iron Curtain, from where he was unable to return to Europe. In the final story, Vera (Esther Gorintin) and her neighbors travels from Moscow to Tel Aviv, hoping to visit a cousin who is now in a rest home. She eventually gets lost and is befriended by Rivka, from the first episode. Voyages is the directorial debut for Emmanuel Finkiel, who previously worked as an assistant director for Krzysztof Kieslowski and made a short film that won a César award in France. ~ Mark Deming, Rovi

With The Ritz, Terrence McNally's hit Broadway play of the same name is cinematized by director Richard Lester. Jack Weston plays Gaetano Proclo, a minor mob flunky who's been targeted for elimination by his brother-in-law, Carmine Vespucci (Jerry Stiller). Gaetano takes refuge in what he thinks is a Turkish bath. Actually, it's The Pits. That's the name, "The Pits" -- a gay bathhouse (this is the pre-AIDS era), where the exquisitely awful Googie Gomez (Rita Moreno) entertains the homosexual patrons with her ear-splitting renditions of such show tunes as "Everything's Coming Up Roses." Hoping to save his neck by pretending to be gay, Gaetano effusively praises Googie. Assuming that he is a big-time Broadway producer, she plays up to him. Everything would be hunky-dory, except that the bathhouse is owned by the very mob that has put a contract on Gaetano. What follows is an old-fashioned door-slamming farce, except that there are no doors to slam. The supporting cast includes Kaye Ballard, Treat Williams, George Coulouris, F. Murray Abraham, Dave King, and (as one of the patrons) a pre-Cheers John Ratzenberger. ~ Hal Erickson, Rovi