Yves Gabrielli

A brave and resourceful young woman keeps the spirit of the Three Musketeers alive in this historical adventure. Eloise (Sophie Marceau) is the daughter of the famed swordsman D'Artagnan (Philippe Noiret); while she has a remarkable gift with a blade herself, Eloise is devoting herself to her studies at a convent. However, when a slave escapes from the estate of the evil Duke of Crassac (Claude Rich) and seeks refuge in the convent, the Mother Superior (Pascale Roberts) is murdered in retaliation by the Duke's soldiers. In the midst of the attack, Eloise learns that the Duke and his men have even more dastardly plans in store; the murder of the Mother Superior is part on an ongoing scheme to throw the nation into disarray, making it easier for the Duke to overthrow the King and seize power. Joined by Quentin (Nils Tavernier), a poet, Eloise sets out to call her father and his old compatriots to action to stop the Duke; however, D'Artagan, who now lives a quiet life teaching fencing, isn't so sure he wants to wage a battle against the insurgent forces, no matter how awful they may be. La Fille de d'Artagnan (The Daughter of d'Artagnan) was released in the United States as Revenge of the Musketeers; leading lady Sophie Marceau does her own fencing on screen. ~ Mark Deming, All Movie Guide

In another typical Jean-Paul Belmondo vehicle, the French action hero plays a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord (Henry Silva) who is essentially inaccessible -- but not immortal. Stunts (performed by Belmondo) and chase scenes on land and water enliven the story, but the scenes with Belmondo's love interest are rather marginal themselves. ~ Eleanor Mannikka, All Movie Guide

After collaborating on a series of small-scale political films under the alias of the Dziga Vertov Group, pioneering French director Jean-Luc Godard and filmmaker and activist Jean-Pierre Gorin attempted to fuse their Maoist theories of revolutionary art with a more accessible structural framework in this leftist comedy drama. Susan (Jane Fonda) is an American journalist working as a French correspondent for a radio network; her husband, Jacques (Yves Montand), was once a major filmmaker during the French New Wave, but now supports himself directing television commercials as he tries to come to terms with his political responsibilities. Jacques tags along when Susan visits a sausage factory to interview the manager (Vittorio Caprioli); their visit unexpectedly coincides with a wildcat strike staged by the plant's employees, who hold the boss captive as they lash out against both their employers and their union in a bid for more money and greater dignity. Over the course of the day, many of the participants speak to the camera about their varying degrees of commitment to radical political and economic change, while we are also afforded an inside look at Susan and Jacques' splintered relationship. Shortly after Tout Va Bien was released, Jane Fonda made her famous (or infamous, depending on your perspective) visit to Hanoi, an action which led Godard and Gorin to create a companion film, Letter to Jane, in which they dissected a photo of Fonda in Vietnam for its multiple levels of political meaning. ~ Mark Deming, All Movie Guide