Eric Caravaca

A man of principle is led down a sinister path in the name of patriotism in this drama co-written by the legendary political filmmaker Costa Gravas. Colonel DuPlan is a powerful but elderly officer in the French military who is found murdered in his flat after appearing on a television talk show in which he roundly criticizes the current French administration. Lt. Galois (Cecile de France) is a police detective who is part of the team investigating DuPlan's murder, and when a package of letters from one of DuPlan's former underlings arrives at the police station, Galois is ordered to read them and see if they contain any useful information. Lt. Guy Rossi (Robinson Stevenin) served under DuPlan (Olivier Gourmet) as France was at war with Algeria; while Rossi questions the wisdom of effectiveness of the conflict, DuPlan is a gung-ho officer who believes France must lead by any means necessary. Through a combination of intimidation and flattery, DuPlan wins Rossi over to his side and turns him into a valued aide who will do nearly anything to serve his leaders -- including torturing prisoners, killing adversaries, and violating the laws of war. Also starring Charles Aznavour, Mon Colonel (aka The Colonel) was the first feature-length directorial credit for Laurent Herbiet. ~ Mark Deming, All Movie Guide

Patrice Chéreau, who directed the controversial Intimacy, returns with another story of a human relationship under difficult circumstances. Thomas (Bruno Todeschini) has been estranged from his brother Luc (Eric Caravaca) for several years, due in part to Thomas' difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, with Luc constantly at Thomas' side as he vainly struggles against the disease and confronts the indignity of treatment. As Thomas and Luc become closer, their new relationship begins to alienate their significant others, and Thomas' father (Fred Ulysse) cannot understand why his son doesn't fight against his illness with great vehemence. Director Chéreau's work on Son Frère earned him the Silver Bear at the 2003 Berlin International Film Festival. ~ Mark Deming, All Movie Guide

A boy from a broken home finds a friend in an insular, spiritual shopkeeper in this period drama from writer/director François Dupeyron. Set in 1960s Paris, Monsieur Ibrahim et les Fleurs du Coran revolves around Momo (Pierre Boulanger), a young man who lives alone with his father in the bustling Rue Bleu district. Still smarting over the separation from his wife and other son, Momo's dad neglects his son in ways both minor and major, to the point where the teen spends most of his time out of school alone and isolated. He finds an unlikely ally in Monsieur Ibrahim (Omar Sharif), a Muslim shopkeeper who spends most of his days behind the counter of his store reading the Koran. As time passes, Momo and Ibrahim begin to bring each other out of his respective shell, sharing a series of everyday adventures, culminating in Momo's indoctrination into Ibrahim's faith. Monsieur Ibrahim et les Fleurs du Coran played the Toronto and Venice film festivals; at the latter, Sharif was given a lifetime achievement award for this and the rest of his career's work. ~ Michael Hastings, All Movie Guide

A man who thinks he's found an easy ride through the Army during World War I has his world turned upside down when facial injuries render him unrecognizable in this wartime drama. In the summer of 1914, Adrien Fournier (Eric Caravaca) is an engineer conscripted into the French Army, where he is made a lieutenant and assigned to join a group of soldiers helping to design and build a bridge to move troops near the front lines. While scouting a suitable location for the bridge, Fournier and his fellows are caught in the middle of an attack, and a shell explodes in his face. Fournier survives the attack, but while his limbs and his body suffer only minimal damage, his face is torn to shreds -- only landing in the mud prevents him from bleeding to death (the dried muck seals off a number of key blood vessels severed by the blast). It is some time before Fournier can be moved to an Army hospital, and he cannot talk through his ruined mouth, communicating with notes scratched onto a small chalkboard. Fournier finds himself in a special hospital wing for officers who've suffered severe injuries (a relatively comfortable area a good bit different from the crowded and spartan wards for common foot soldiers), and as a dedicated surgeon (Andre Dussollier) struggles to rebuild Fournier's face with the primitive means available to him, the once-handsome engineer ponders an uncertain future. Commiserating with Fournier are Alain (Jean-Michel Portal), his best friend from college; Pierre (Gregori Derangere) and Henri (Denis Podalydes), a pair of fellow officers also suffering facial injuries; and Anais (Sabine Azema), a patient and warm-hearted nurse who brings hope to the hospital's most severely injured men. La Chambre Des Officiers was screened in competition at the 2001 Cannes Film Festival. ~ Mark Deming, All Movie Guide

In this bittersweet look back at the trials of growing up in the late 1970s and early 1980s, Emilie (Magali Woch), Ines (Ingrid Molinier), Stella (Julie-Marie Parmentier), and Marion (Camille Rousselet) become friends as they share the humiliations that are a part of adolescent life -- going to school, dealing with your parents, dealing with the emotional abuse of your peer group. La vie ne me fait pas peur spent several years in production; during a layoff in shooting, director Noemie Lvovsky shot a television film with the same characters entitled Petites, and later incorporated footage from the TV project into this film. ~ Mark Deming, All Movie Guide

Despondent, guilt-racked Martin sits in the middle of a country road waiting for someone to run him down, just as he accidentally struck and killed another years before. The incident has destroyed his life with his adopted family and ruined his marriage. Now he has nothing left to live for. The first car that comes is driven by his sister Claire. She manages to stop in time, but soon afterward both die. This compelling French mystery follows police as they try to piece together the tragic scenario by interviewing the residents of the coastal Normandy town where Claire and Martin lived. These people give both fictional and true accounts of Martin and Claire's lives. ~ Sandra Brennan, All Movie Guide