Eva Gabor Movies

Midnight Angel was the title of this Paramount actioner when it was first released in December of 1941. But by the time the film reached the hinterlands, America had entered WW2, and thus it was that Midnight Angel was rechristened Pacific Blackout, which remained its title to this very day. Falsely convicted of murder (in one of those movie trials that takes only a few minutes!), young Robert Draper (Robert Preston) escapes custody during a practice blackout drill. Under cover of darkness, Draper hopes to find the real killer, who turns out to be a member of a Nazi sabotage ring. Our hero is helped along by Mary (Martha O'Driscoll), one of the most refreshingly self-reliant heroines in B-picture history. Among the secondary players are a young Hungarian immigrant named Eva Gabor and a portly German refugee named John Banner. ~ Hal Erickson, All Movie Guide

Alexandre Dumas' famous fictional count gets revenge in this lively sequel to the original story. The Monte Cristo count begins by returning to Paris under an assumed name. There he helps the beleaguered poor who most suffered from the early 19th-century revolution. The cloaked count soon finds himself pursued by a cruel policeman. The count's brave wife throws the cop off her husband's scent by dressing up as the masked avenger herself and by proving that she too is most competent with a sword. Swashbuckling mayhem ensues. ~ Sandra Brennan, All Movie Guide

The people of a jungle village are suffering from a strange illness that is killing off the female population. The natives resort to kidnapping women from other regions -- including Jane (Vanessa Brown), the mate of Tarzan (Lex Barker). Never one to hold a grudge, Tarzan offers to deliver a serum that will wipe out the epidemic. Unfortunately, numerous unforeseen perils await Tarzan during his journey through the foliage. The "slave girl" of the title is played by Denise Darcel, whose role as a nurse is secondary but decorative. An 8 X 10 glossy of the underdressed Darcel, her wrists shackled, clinging desperately to Lex Barker's bare legs, turned out to be one of the biggest-selling "pin-ups" of the 1950s. Not bad for a post-Weissmuller Tarzan flick, Tarzan and the Slave Girl falters only during an extended comic sequence involving Cheta the chimp and a bottle of booze. ~ Hal Erickson, All Movie Guide

Paris Model is quickie producer Albert Zugsmith's answer to such multistoried films as Tales of Manhattan. Linking the four stories presented herein is a Paris-original gown, "Nude at Midnight." The gown is first purchased by "good bad girl" Gogo Montaine (Eva Gabor), who hopes to impress her date for the evening, the Maharajah of Kim-Kepore (Tom Conway, who happened to be Gabor's brother-in-law at the time, a fact that wasn't ignored in the film's publicity). Next, the gown is illegally copied in the U.S., leading to a major social gaffe involving secretary Betty Barnes (Paulette Goddard), her boss Edgar Blevins (Leif Erickson) and Blevins' wife Cora (Gloria Christian). Next, Marion Parmelee (Marilyn Maxwell) wears the gown to coerce her husband's boss (Cecil Kellaway) into giving hubby a promotion. And finally, Marta Jensen (Barbara Lawrence) dons the gown in hopes that her erstwhile beau Charlie Johnson (Robert Hutton) will pop the question. Tom Conway makes a return appearance in this final sequence, as does 1930s comedy favorite El Brendel and Hollywood restaurateur Prince Michael Romanoff. ~ Hal Erickson, All Movie Guide

Vincent Price turns on his usual terrifying charm in the role of a homicidal magician in The Mad Magician, a satisfying thriller that was originally shown in 3-D. The actor best known for the luster he brought to many horror films stars as Gallico the Great, an inventor of magic acts who yearns to be the star of his own show. On the night of his first performance, he is shut down by his cruel manager Ormond (Donald Randolph) -- who wants to use Gallico's ingenious buzzsaw act for the famed magician Rinaldi (John Emery). Added to the knowledge that the wealthy Ormond had already stolen his wife Claire (Eva Gabor), Gallico goes mad and decapitates his tormentor with the buzzsaw. After a great sequence in which Ormond's head takes a mistaken trip with Gallico's assistant Karen (Mary Murphy) and her detective boyfriend Bruce (Patrick O'Neal), Gallico disguises himself as Ormond and rents an apartment with a mystery author (Lenita Lane). He manages to dispose of the body in another amusing scene, but he must kill again when Claire confronts him in his Ormond disguise. The author identifies Ormond as her killer and Gallico appears to be off the hook -- until Rinaldi appears with designs on stealing Gallico's latest trick: a crematorium illusion. Naturally, the illusion becomes reality and Rinaldi is burned to a crisp. Disguising himself as Rinaldi and taking over the magician's successful show, Gallico continues to fool the law until Bruce matches fingerprints from Rinaldi (who is really Gallico) to those of Ormond. Meanwhile, the author, realizing that the Ormond who stayed in her house was really Gallico, gathers Karen and the detective for a fiery confrontation. ~ Patrick Legare, All Movie Guide

Loosely based on F. Scott Fitzgerald's Paradise Revisited, MGM's The Last Time I Saw Paris is a star-studded soap opera, luxuriously lensed by director Richard Brooks. In his last film as an MGM contractee, Van Johnson plays reporter Charles Wills, who while covering the VE Day celebrations in Paris, meets and falls in love with the gorgeous Helen Ellsworth (Elizabeth Taylor). Soon afterward, Charles and Helen are married. Charles supports his wife with a low-paying wire service job, devoting his evenings to writing a novel. After numerous rejections, Charles is more than willing to give up writing and live off the revenue of a Texas oil well in which he'd invested. As he squanders his newfound riches on creature comforts, he loses his literary ambitions and, slowly but surely, the love and devotion of his wife. His self-destructive behavior is halted only by a devastating tragedy. Donna Reed costars as Charles sister-in-law Marion, who carries a torch for him throughout the picture, and Eva Gabor contributes a supporting role. Since lapsing into public domain in 1982, The Last Time I Saw Paris has become a cable-TV and video-store fixture, though print quality varies sharply. ~ Hal Erickson, All Movie Guide

First filmed under the supervision of Orson Welles in 1942, Eric Ambler's espionage thriller Journey Into Fear was effectively adapted to an hour-long format fourteen years later by by the CBS dramatic anthology Climax. John Forsythe stars as Graham Johnson, an American engineer working on a secret project in Turkey. For reasons that he cannot quite fathom, Johnson has been targetted for death by a group of sinister foreign spies. The local Turkish police arrange for Johnson to be quietly shipped to safety on a tramp steamer, which is already bearing a number of other passengers--most of whom look like they'd cut Johnson's throat for the fun of it. Climax was originally telecast live from New York City. ~ Hal Erickson, All Movie Guide

Obviously inspired by such service comedies as Mister Roberts and Operation Mad Ball, Don't Go Near the Water is a tribute to those "unsung heroes" of WW2: the men and women of the Navy's Public Relations Department. Thousands of miles away from the shooting war, Lt. Max Siegel (Glenn Ford) and the rest of the PR staff spend their time issuing colorful reports of Naval heroism and sucking up to visiting US dignitaries on a tiny South Sea island. Siegel and company also battle the anal-rententive pettiness of such superior officers as Lt. Cmdr. Clinton T. Nash (Fred Clark) and such potential foes as abrasive war correspondent Gordon Ripwell (Keenan Wynn). The feminine angle is provided by Gia Scala as Melora, a European-educated local girl, Anne Francis as by-the-book nurse Lt. Alice Tomlen, and Eva Gabor as women's magazine writer Deborah Aldrich. Particularly amusing is Mickey Shaughnessy as foul-mouthed seaman Farragut Jones, whose periodic barrages of profanity are invariably drowned out by the sound of a ratchet-horn (this was, after all, 1957). Don't Go Near the Water was based on the comic novel by ex-PR man William Brinkley. ~ Hal Erickson, All Movie Guide

In comfortable dotage, baronet Humphery Tavistock (Laurence Harvey) recalls a lifetime of romantic entanglements to his wide-eyed son-in-law. Tavistock has come to the conclusion that women are a riddle wrapped in a mystery surrounded by an enigma, and his reminiscences bear this out. Among the baronet's many amours are a suffragette, a harem girl, the wife of a diplomat who "demands satisfaction", an American heiress, a bohemian artist and an army nurse. After all this, Tavistock finds lasting happiness with the first women he ever loved. The female cast of The Truth About Women features the illustrious likes of Julie Harris, Diane Cilento, Mai Zetterling and Eva Gabor, so it's little wonder that the hero has so many vivid memories to fall back on. ~ Hal Erickson, All Movie Guide

A man falls for an exotic "bad girl," unaware he's already met the nice girl lurking beneath the surface, in this romantic comedy. Samantha Blake (Joanne Woodward) works for a large department store in New York City as a sort of industrial spy; while ostensively a buyer, Blake's greatest responsibility is to find out what the hot new fashions are going to be, so her store can have cut-price knockoffs on the racks once they hit the boutiques. Samantha is flying to Paris with her co-workers Leena (Thelma Ritter) and Joe (George Tobias) when she meets Steve Sherman (Paul Newman), a no-nonsense reporter who has been assigned to cover the unveiling of the new designer lines. Samantha and Steve don't exactly hit it off, and after arriving in Paris, a depressed Samantha makes her way to a beauty salon after a few cocktails too many. Decked out in a new wig and dressed to the nines, Samantha bumps into Steve, who is convinced she's one of the city of lights' glamorous high-priced call girls. Samantha plays along, and Steve writes a story about her which proves to be a hit with his readers, but as she finds herself falling for Steve, she isn't sure how to tell him that she's really the mousy woman he met on his flight to Paris. A New Kind Of Love also features cameo appearances from Maurice Chevalier and Frank Sinatra, the latter of whom sings the title song. ~ Mark Deming, All Movie Guide

The third of producer Paul Henning's enormously successful "rustic" comedies of the 1960s, Green Acres made its CBS bow on September 15, 1965. Reversing the situation established on Henning's The Beverly Hillbillies, in which a group of yokels was transplanted to luxurious Beverly Hills, Green Acres stars Eddie Albert as prosperous Manhattan attorney Oliver Wendell Douglas, who to fulfill a lifelong dream forsook his sophisticated surroundings to become a farmer in the tiny rural community of Hooterville. Reluctantly going along for the ride was Oliver's sexy Hungarian wife, Lisa (Eva Gabor), who though she eventually resigned herself to farm life still insisted upon wearing expensive clothes and jewelry while milking cows and plowing the North 40. Alas, she never quite learned to cook, and her rock-hard hotcakes would soon become the source of many hearty laughs from the viewers. Unfortunately for Oliver, the farm he purchased was in deplorable condition, and the surrounding 160 acres weren't much better. Our hero had been suckered into this situation by bucolic con artist Mr. Haney (Pat Buttram), who continued to fleece the Douglases by selling them expensive -- and generally useless -- farm implements and creature comforts throughout the series' six-season run.

Mr. Haney was but one of the many eccentric characters who seemed to have been put on earth to make Oliver Douglas' life miserable. Others included county agent Hank Kimball (Alvy Moore), who never made a statement without immediately contradicting himself ("Good morning, Mr. Douglas. Well...it isn't really good because it's gonna rain...and it's after noon, so it's not really morning..." etc., etc., etc.); doltish handyman Ed Dawson (Tom Lester), who looked upon the Douglases as his surrogate parents and constantly prevailed upon them to bail him out of trouble (usually girl trouble); carpenters and twin siblings Alf and Ralph Malone (Sid Melton and Mary Grace Canfield), who never quite managed to finish construction on the Douglases' bedroom; and neighboring farmer Hank Ziffel (Hank Patterson) and his wife, Doris (played first by Barbara Pepper, then by Fran Ryan), owners of a TV-watching pig named Arnold, who regarded himself as a human being -- and who developed into the series' biggest "superstar"!

Inasmuch as Green Acres was the sister series to Paul Henning's Petticoat Junction -- also set in the mythical village of Hooterville -- there were a number of crossover episodes between the two programs. Also, Frank Cady appeared as storekeeper Sam Drucker on both shows, while one of Petticoat Junction's main characters, Uncle Joe Bradley (Edgar Buchanan), dropped in from time to time. One of the series' most endearing trademarks was its strain of surrealistic humor. This manifested itself in many ways, but none quite as memorable as the method in which the opening credit titles were presented. In several installments, a confused Lisa Douglas would comment upon "those little names" that appeared in front of her on the screen; and in at least one instance, the directorial credit showed up on a newly laid egg! Although it is not generally known, Green Acres was based on a radio series titled Granby's Green Acres, which like its TV counterpart was created by Jay Sommers and written by Dick Chevillat. All but one of the TV series' episodes was directed by Richard L. Bare, a past master at depicting comic frustration, as could be seen in his wonderful "Joe McDoakes" theatrical shorts of the 1940s and '50s. Green Acres might well have run forever had CBS not decided during the 1970-1971 season to purge itself of all its "rural" comedies; thus, the series came to an end on September 7, 1971, still as popular and hilarious as ever. ~ All Movie Guide

Bobbie Jo (Lori Saunders) wants to win a school spelling bee, and is pinning her hopes on the "good luck" ring in her possession. Alas, panic and confusion sets in when our heroine loses the precious ring. This crisis also affects Bobbie's mom Kate, who'd hoped that her daughter's win would settle the hash of her arch-rival Cora Watson (Elvia Allman), whose daughter Henrietta (Susan Walther) is also in the contest. (Trivia note: Elvia Allman would later become a Petticoat Junction semi-regular as another of Kate's rivals, Selma Plout--who, coincidentally, also had a daughter named Henrietta!) ~ Hal Erickson, All Movie Guide