John Furlong Movies

Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. ~ Lucia Bozzola, All Movie Guide

This well-wrought made-for-cable television western is faithfully adapted from a Louis L'Amour novel and centers on the budding relationship between brave but lonely widow (Katharine Ross) who runs a remote stagecoach way station and the handsome cowpoke (Sam Elliot) who comes to help her out. ~ Sandra Brennan, All Movie Guide

Paul (Paul Lockwood) is a strip club owner, with a sexually repressed wife, who has been fulfilling his needs at the local brothel. Main madam Claire (Lavelle Roby) hatches a plan to keep him busy with whiskey and sex while a pair of thugs (Duncan McLeod and Robert Rudelson) hide out in the men's room after closing time to try their luck at cracking the safe. Paul gets a little out of hand at the whorehouse, so he's knocked out and dragged back home to his disgusted wife, Kelly (Anne Chapman). Meanwhile, the club's main attraction quits and bartender Ray (Gordon Wescourt) calls up, prompting the frustrated, confused Kelly to try her hand at the striptease herself while her drunken husband sleeps it off. She's a hit, with Ray at least, who seduces her and takes her back to his swimming pool, leaving the safecrackers free to ply their trade. When Paul sobers up and finds that his wife is missing, he heads for the club, not realizing the danger that awaits him. ~ Fred Beldin, All Movie Guide

Director Robert Aldrich (The Longest Yard) re-unites with Burt Reynolds for this hard-edged neo-noir. Lieutenant Phil Gaines (Reynolds) is a cynical Los Angeles police detective amorously involved with an icewater-veined Parisian call girl, Nicole Britton (Catherine Deneuve). On the job, he begins to investigate the shady death of a teenage girl that appears to lead straight to Leo Sellers (Eddie Albert), an attorney with a frightening number of connections. The problem is, Nicole herself has a direct connection to the case - Leo is one of her clients. Meanwhile, Marty Hollinger (Ben Johnson), the victim's father, decides to undertake a grassroots investigation of his own - little realizing that his seemingly murdered daughter was in up to her neck with prostitution, porno movie acting, and dancing as a stripper, facts which suggest that she may have offed herself. ~ Paul Brenner, All Movie Guide

In this hit thriller, a prosecuting attorney-turned-defense lawyer falls in love with a rich, charming client who's been accused of murdering his wife and her maid with a hunting knife. When an unknown assailant gruesomely slays San Francisco newspaper heiress Paige Forrester (Maria Mayenzet), her husband and business partner, Jack Forrester (Jeff Bridges), turns to corporate attorney Teddy Barnes (Glenn Close) for counsel. Teddy, who quit her job with the district attorney's office four years earlier over an ethical dilemma, has reservations about returning to criminal work; nevertheless, she accepts the assignment, convinced of Jack's innocence and eager to face off in court against her old boss, DA Thomas Krasny (Peter Coyote), who's about run for attorney general. With the help of investigator Sam Ransom (Robert Loggia), the recently divorced Teddy builds a strong defense for her client, though the work -- and her incipient romance with Jack -- cause strain in her relationship with her children. When Jack's innocence and his romantic intentions come into question, Teddy feels her life slipping back into a moral quagmire until a series of courtroom denouements set the stage for even bigger surprises. Big-name screenwriter Joe Eszterhas' follow-up to Flashdance, Jagged Edge was directed by Richard Marquand, who had previously lensed Return of the Jedi. Parts of Jagged Edge were shot on-location in San Francisco, whose City Hall provides the film's courtroom exteriors. ~ Brian J. Dillard, All Movie Guide

While visiting Boston, Jessica (Angela Lansbury) runs into her former neighbor John Winslow (John Furlong)--who brusquely insists that he's never seen her before in her life. Quickly dialing up Winslow's wife Maude (Christine Belford), Jessica is informed that John died two weeks before! To solve this mystery, Jessica capitalizes upon her friendship with gruff-but-lovable Boston P.I. Harry McGraw (Jerry Orbach). ~ Hal Erickson, All Movie Guide

The made-for-TV Once Upon a Texas Train offers us the once-in-a-lifetime teaming of Richard Widmark, Willie Nelson and Angie Dickinson. Nelson plays a veteran outlaw who robs a bank less than 6 hours after being paroled from jail. He uses the money to reunite his old gang, then sets about to repeat the train robbery that had gotten him arrested 20 years earlier. This time, however, Nelson is himself targetted for theft by a young, hungrier band of desperadoes. Widmark plays the lawman who caught Nelson before and intends to do so again. Written and directed by the reliable Burt Kennedy, Once Upon a Texas Train premiered January 3, 1988. ~ Hal Erickson, All Movie Guide

Kim Stanley, who gave an impressive performance as a phony fortune teller in the 1964 film Seance on a Wet Afternoon, is equally persuasive as a genuine psychic in this Quincy M.E. episode. In their search for a serial killer of teenage girls, the authorities enlist the aid of psychic Edith Jordan, whose "track record" of helping solve previous crimes is an impressive one. Even so, the ever-pragmatic Quincy (Jack Klugman) is skeptical of Mrs. Jordan's paranormal skills. By the time Quincy is convinced that Edith is the genuine article, so is the elusive killer--who plans to add the woman to his list of victims. ~ Hal Erickson, All Movie Guide

More ambitious and expensive than ABC's first "novel for television" miniseries QB VII, the eight-episode, 12-hour Rich Man, Poor Man was the one that truly put the genre on the map, its phenomenal success in the ratings making possible the even more spectacular Roots. Adapted from the mammoth novel by Irwin Shaw, the miniseries covers the years from WWII to the 1960s, detailing the vacillating fortunes of the immigrant Jordache brothers. "Rich Man" Rudy Jordache (Peter Strauss) is determined to use his hard-earned education -- and his inherent ruthlessness -- to carve out a business and political empire not unlike that enjoyed by Joseph P. Kennedy and his progeny. "Poor Man" Tom Jordache (Nick Nolte), a quick-fisted hothead, goes an entirely different route, first as a professional boxer, then as a functionary of the evil gangster chieftain Falconetti (William Smith). Naturally, both brothers become entangled in romance along the way, with Julie Prescott (Susan Blakely) ending up as Rudy's benighted spouse. Originally telecast on February 1, 2, 9, 16, 23, and March 1, 8, and 15 in 1976, Rich Man, Poor Man earned 20 Emmy nominations and led to a weekly sequel, Rich Man, Poor Man -- Book 2, in the fall of 1976 (this version necessitated a title change for the original, which was rebroadcast as Rich Man, Poor Man -- Book 1 in the spring of 1977). ~ Hal Erickson, All Movie Guide

The valor and anguish of the Alamo is resurrected in this '80s effort that features a considerably accomplished cast. Brian Keith plays Davy Crockett and James Arness is Jim Bowie who, although at odds at times with his leader Colonel William Travis (Alec Baldwin), is able to focus upon the battle against the Mexican soldiers. Highlights of this film are the battle action scenes. ~ All Movie Guide

In this western, which combines Old West authenticity with a modern outlook and neo-feminist perspective, Sarah O'Rourke (Linda Fiorentino) is a tough-minded woman who made the mistake of marrying a violent, abusive man. Sarah decides that she can take no more and kills her husband. It's Sarah's poor fortune that her late spouse's father is Marshall Bill Speakes (Sam Elliott), a bitter, no-nonsense lawman who will see to it that Sarah pays for her crime with her life. Sarah is being transported by stagecoach to another town; riding with Sarah and Speakes is Jack Cooper (Craig Sheffer), who is carrying $2,500 with him. En route, bandits attempt to hold up the stage; in the confusion, Sarah escapes with the money. Jack gives chase to get the money back, and while he catches up with her, they soon find they're both being pursued by Speakes, who is not about to let the niceties of the law prevent him from taking his revenge. ~ Mark Deming, All Movie Guide

For better or worse, The Gumball Rally was the catalyst for a short-lived cycle of "illegal cross-country race" flicks. As thick-headed cop Roscoe (Norman Burton) does his best to stop the titular rally, a vast and varied contingent of contestants prepare to burn rubber from New York to California. The best-looking of the racers is played by top-billed Michael Sarrazin; Franco, a delightfully narcissistic Italian road jockey played by Raul Julia, also competes. Producer/director Chuck Bail was formerly a stunt coordinator, which helps to explain the incessant car crashes and near-misses in the film. Surprisingly, the doggedly low-budget Gumball Rally was produced by First Artists, a company formed by such major stars as Dustin Hoffman, Barbra Streisand, and Steve McQueen for the purpose of creating "prestige" film fare. ~ Hal Erickson, All Movie Guide

Fashion model Margaux Adams (Doria Cook) places a frantic phone call to lawyer Beth Davenport (Gretchen Corbett)--and shortly thereafter turns up dead. At Beth's personal request, Jim (James Garner) agrees to investigate Margaux' murder, beginning with a visit to fashion designer Bob Coleman (Robert Webber). When Coleman is knocked off as well, Jim finds himself up against some decidedly unfashionable mobsters who have their dirty fingers in some industrial espionage. ~ Hal Erickson, All Movie Guide