Kurt Fuller Movies

Based on the BBC comedy series The Worst Week of My Life, Big Day was described by parent network ABC as "24 Meets Father of the Bride." The entire series took place on a single day, upon which occurred the wedding of Danny (Josh Cooke) and Alice (Marla Sokoloff). Each half-hour episode depicted the many crises and calamities surrounding such prenuptial rituals as securing the venue, choosing the right wedding gown, stage-managing the reception, and so on. Aiding, abetting, and sometimes impeding the bride and groom were Alice's mom, Jane (Wendie Malick), and dad, Steve (Kurt Fuller), and such assorted friends and relatives as Becca (Miriam Shor), Skobo (Stephen Rannazzisi), and Lorna (Stephnie Weir). Whereas the original British version stretched out the wedding over a period of nine episodes, the American Big Day was storyboarded for 22 separate installments -- a formidable creative task indeed for executive producers Josh Goldsmith and Cathy Yuspa, whose previous screenwriting credits included What Women Want and 13 Going on 30. Intended to debut in January 2007 as a mid-season replacement, Big Day was moved forward to a premiere date of November 28, 2006. ~ Hal Erickson, All Movie Guide

Glenne Headly makes her first appearance as Karen Stottlemeyer, the woman whom Captain Stottlemeyer (Ted Levine) disdainfully dismisses as "my hippie wife." While filming a documentary about Miles Holling (Patrick Cranshaw), the world's oldest man, Karen is thrown for a loss when Holling dies in bed. Though her husband is certain that Holling succumbed to natural causes (he was, after all, just one day shy of his 115th birthday!), Karen is convinced that the man was murdered--and she wants Monk (Tony Shalhoub) to prove it. In the course of his investigation, Monk uncovers a surprising link between Holling's death and a hit-and-run fatality that occurred five years earlier--the only unsolved case in Captain Stottlemeyer's career. ~ Hal Erickson, All Movie Guide

The made-for-TV Twisted Desire could be compared to the 1968 theatrical feature Pretty Poison, the difference being that the earlier film was totally fiction, and the later one based on a true story. In a spectacular example of casting against type, Melissa Joan Hart plays 14-year-old Jennifer Stanton, who despises her dominineering parents (Daniel Baldwin, Isabella Hoffman) so intensely that she fantasizes about removing both of them from the face of the earth. Meanwhile, troubled 17-year-old Nick Ryan (Jeremy Jordan), recently sprung from juvenile detention, is trying to get his act together by working as a gas station attendant. Upon sizing up Nick, Jennifer seduces him, then persuades him to murder her mother and father. The ultimate punishment levied for the crime is bitterly ironic, all the more so because it really happened. Twisted Desire originally aired May 13, 1996, on NBC. ~ Hal Erickson, All Movie Guide

Jessica (Angela Lansbury) heads to the resort community of Aspen, Colorado, where dwells her old friend Laney Boswell (Leigh Taylor-Young). In time-honored Murder, She Wrote tradition, Laney's husband Grant turns up murdered, and a mountain of evidence points to the poor woman as the culprit. Also in Aspen is Chicago PI Charlie Garrett (Wayne Rogers), who curiously turns down Jessica's offer to help solve the case. ~ Hal Erickson, All Movie Guide

After a patient murders his wife, a distraught criminal psychologist resigns from his profession. But when police present him with a puzzling murder, he goes back into practice to help solve the crime and in so doing, comes to terms with his own terrible tragedy. ~ Sandra Brennan, All Movie Guide

When a private detective takes on a missing person assignment trying to find an Italian aristocrat's uncle, she discovers a conspiracy of murder and drugs. ~ Tana Hobart, All Movie Guide

Lloyd Bridges stars as a newspaper chief in this made-for-television movie about life in big-city journalism. This fast-paced movie, which was the pilot for a short-lived series of the same name on ABC, follows various plotlines as the reporters' personal and professional lives become intertwined. Executive producer David Milch brings a jittery tension to the newsroom, similar to his later work on NYPD Blue. ~ Bernadette McCallion, All Movie Guide

Discover how seven year college senior Van Wilder earned his puckish reputation in this prequel detailing the freshman year high jinks that made history. When Van Wilder (Jonathan Bennett) enrolled in Coolidge College, he had no idea that following in his wealthy father's footsteps would be such a formidable task; the uptight dean has official banned partying on campus, and the student body is too busy studying to fight back. When Van Wilder discovers that every female student on campus has taken a vow of chastity, he declares that no cheerleader will go untouched, and no keg of brew will be left untapped. But freeing Coolidge College from the oppressive shackles of party persecution and sexual malaise won't be easy, and in order to accomplish his mission Van Wilder will have to put his studies on pause, and unleash some serious mischief. ~ Jason Buchanan, All Movie Guide

The life and sordid, untimely death of Hogan's Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane's show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early '60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan's Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else's surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn't long before Anne demands a divorce, and Crane marries his Hogan's co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who's more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002. ~ Michael Hastings, All Movie Guide

The intense world of air-traffic controllers is played for both drama and laughs in Pushing Tin. John Cusack plays Nick Falzone, the top air traffic controller at New York's Terminal Radar Approach Control (TRACON) Center, where he negotiates air traffic and landing patterns for the Kennedy, LaGuardia and Newark airports, America's most congested airspace. It's a tough, stressful job that's highly demanding and Nick is very good at it -- and he takes no small amount of pride in that. So Nick is less than enthusiastic when a new controller comes on board; Russell Bell (Billy Bob Thornton) transferred into TRACON from the Southwest, in search of a greater challenge. In direct contrast to the wired edginess of Nick's personality, Russell is a model of Zen cool who is so focused on planes it's said he once stood in the wake of a 747 just to know what it felt like. Soon work becomes a constant competition between Russell and Nick, and their competitiveness doesn't stop when work is over. However, the rivalry begins to take a different turn when Nick takes notice of Russell's beautiful but hard-drinking wife Mary (Angelina Jolie), while Nick's wife Connie (Cate Blanchett) finds herself more than a bit intrigued by Russell. Pushing Tin was written by Glen Charles and Les Charles, who previously received notice for their television work on such series as M*A*S*H, Cheers and Taxi, and directed by British filmmaker Mike Newell, who's last project, Donnie Brasco, also took him into a little seen side of New York City. ~ Mark Deming, All Movie Guide

In this off-beat sci-fi adventure, a female scientist creates a sexy android version of herself and equips it with both the passionate emotions she lacks and a nuclear bomb. The trouble begins when the android is taken out for a test run and it ends up in the midst of a bank robbery where its internal bomb is accidentally activated. Things get worse, when the robot comes emotionally unglued and launches into a destructive rampage while enacting out its repressed creator's darkest desires. ~ Sandra Brennan, All Movie Guide