Frances Fuller Movies

This classy and creative low-budget thriller depicts an all-out war of attrition between a group of neglected, disgruntled senior citizens and the heartless city officials who evicted them from their Cincinnati low-rent apartment building, which has been tagged for destruction. Their campaign goes far beyond writing strong letters to their alderman -- they begin by savagely murdering the social worker who orders their removal (Linda Marsh, in a budget Nurse Ratched mode), then take a violent stand against any contractors who attempt to stray onto their turf. Tightly directed from a clever script, portraying its geriatric killers with wit and empathy but never shying away from shocking scenes of violence. ~ Cavett Binion, All Movie Guide

Evelyn Nesbit Thaw, the real-life personality so brilliantly (albeit briefly) portrayed by Elizabeth McGovern in Ragtime (1981), is given the full biopic treatment in 20th Century Fox's The Girl in the Red Velvet Swing. Since the real Mrs. Thaw served as technical advisor for the film, it isn't surprising that the controversial Evelyn comes across as being more sinned against that sinning. Joan Collins stars as Evelyn, the gorgeous chorine and original "Gibson Girl" who becomes the romantic bone of contention between ageing architect Stanford White (Ray Milland) and slightly unbalanced young millionaire Harry K. Thaw. Setting up Evelyn in a plush apartment, the lecherous White insists that she "perform" for him on the red velvet swing of the title (allegedly, Evelyn swung naked above the slavering White, though she's fully clothed in the film). Eventually, Thaw marries Evelyn, but cannot prevent White from continuing his romantic overtures. Things come to a head in 1906, on the roof of Madison Square Garden. As Evelyn sings and dances in a stage musical, the insanely jealous Thaw walks up to White, pulls out a pistol, and, in full view of the audience, pumps several bullets into the older man. Though Thaw manages to avoid the gallows by pleading insanity (he was eventually released), Evelyn's reputation is permanently besmirched, leaving her little choice but to capitalize upon her notoriety on the vaudeville stage (actually, Evelyn pursued a moderately successful film career before losing all her money to bad investments in the 1920s). By purifying the character of Evelyn Nesbit and thoroughly vilifying Stanford White, The Girl in the Red Velvet Swing is hardly 100 percent accurate; still, the film is immensely entertaining, thanks to the enthusiastic performances of the three stars. ~ Hal Erickson, All Movie Guide

Elmer and Elsie was adapted from To the Ladies, a play by George S. Kaufman and Marc Connelly. Former movie tough guy George Bancroft is uncharacteristically cast as Elmer Beebe, mildly henpecked husband of frail but formidable Elsie Beebe (Frances Fuller, in the role originated on Broadway by Helen Hayes). In the company of his pal John Kincaid (George Barbier), likewise wed to a browbeating wife, Elmer expansively espouses the theory that a woman should "know her place" and stay out of her husband's affairs. But when he tries to practice this theory at home, our hero meets strong resistance from Elsie, who has become convinced that hot-shot Rocky Cott (Roscoe Karns) will lead her hubby to financial success. It's a cute bit of domestic whimsy, but hardly a landmark in the career of George Bancroft. ~ Hal Erickson, All Movie Guide