Christopher Fulford Movies

Two couples find their lives turned upside down by their unfulfilled longings in this ensemble comedy from director Woody Allen. Alfie (Anthony Hopkins) and Helena (Gemma Jones) have been married for years. They have a grown-up daughter named Sally (Naomi Watts), who is married to a successful novelist named Roy (Josh Brolin), but finds the future of her marriage in jeopardy after falling for Greg (Antonio Banderas), the dapper owner of a prominent art gallery. Meanwhile, as Roy develops a fixation on Dia (Freida Pinto), an exotic beauty he encounters on the street, Alfie ditches Helena for Charmaine (Lucy Punch), an impressionable young call girl. Now it seems that the harder everyone tries runs away from their problems, the faster their lives seem to fall apart. ~ Jason Buchanan, Rovi

In this drama set in Eastern Europe in 1944, (Martin Landau) plays Josef Krauzenberg, a wealthy Hungarian Jewish business owner who, despite his fortune, finds his life hanging in the balance as the Nazi "final solution" is being enacted throughout Eastern Europe. Under the terms of the Third Reich's "Europa Plan," Krauzenberg arranges with Nazi leaders to exchange his fortune, his business holdings (textile plants, steel mills, ownership of several banks) and a collection of rare art for safe passage to Switzerland for himself, his wife Rachel (Judy Parfitt), and their family. Such is Krauzenberg's wealth and power that when he agrees to sign over his property, two of the most powerful men in the Nazi regime announce they will come to his house to handle the paperwork -- Adolf Eichmann (Steven Mackintosh) and Heinrich Himmler (Danny Webb); however, as the Nazi leaders are ushered into Krauzenberg's home, they notice something unusual -- his two most trusted servants, Hans Vassmann (Kenny Doughty) and his wife Ingrid (Caroline Carver) are a married Aryan couple who are still working for a Jew despite the pogrom. As it happens, Eichmann and Himmler's suspicions are well-founded -- Hans and Ingrid are actually Jews working undercover with a team of resistance fighters, and as they serve the Nazis, they wonder if they should kill Eichmann and Himmler for the greater good, even if it would mean certain death for the Krauzenbergs and themselves. While The Aryan Couple is fictional, it was inspired by actual events, and the existence of the "Europa Plan" has been documented, though no one appears to have been saved from death through its application. ~ Mark Deming, Rovi

This three-hour miniseries adapts Marion Zimmer Bradley's feminist recasting of the Arthurian mythos into a big-budget cable television event. In ancient England, Christianity is spreading and the Saxons are invading. It's up to Viviane (Anjelica Huston) -- Lady of the Lake and high priestess of the kingdom's ancient pagan religion -- to make sure that the next king will honor both the old and new faiths and thereby banish the barbarian hordes. Viviane manipulates her sister Igraine (Caroline Goodall) into marrying King Uther Pendragon (Mark Lewis Jones) and bearing a son, Arthur (Edward Atterton) -- much to the consternation of Viviane's other sister, the power-hungry Morgause (Joan Allen). Arthur grows up happily with his older half-sister, Morgaine (Julianna Margulies), until Merlin (Michael Byrne) spirits him off for training and Viviane brings Morgaine to the mystical island of Avalon to develop her magical connection to the Goddess. Years later, the siblings reunite in a masked mating ritual, unaware that their union is incestuous -- or that their son, Mordred (Hans Matheson), will fall into Morgause's clutches and destroy the delicate balance that Viviane has sought to maintain. As Arthur gathers the knights of the round table and ushers in a golden age with Queen Gwenhwyfar (Samantha Mathis) at his side, the seeds of his destruction, and Avalon's, have already been planted -- by Arthur himself. Filmed on-location in Prague, The Mists of Avalon premiered on the TNT cable network July 15 and 16, 2001. Director Uli Edel, best known for his feature adaptation of Last Exit to Brooklyn, had previously helmed Purgatory for TNT. The titular mists -- developed by Edel and executive producer Mark Wolper -- utilized custom fluid dynamic software designed specifically for the project. Celtic musician Loreena McKennitt added her theme music to composer Lee Holdridge's score. ~ Brian J. Dillard, Rovi

The troubled career of blacklisted director Herbert Biberman, who endured a considerable struggle to make the 1954 pro-Labor film Salt of the Earth, provides the centerpiece for this historical drama. The film opens at the 1937 Academy Awards, where Biberman's wife, Gale Sondergaard (Greta Scacchi), wins the first ever "Best Supporting Actress" Oscar. Although the anti-Fascist sentiment in her acceptance speech gets her labeled a "commie" by some observers, she and Biberman (played here by Jeff Goldblum) are placed under contract at Warner Bros. Ten years later, with Cold War paranoia growing, a group of predominantly Jewish Hollywood directors -- Biberman, Sondergaard, Danny Kaye, and Dalton Trumbo among them -- are labeled Communists and questioned before Congress. Refusing to name names, Biberman is thrown in prison for six months; his wife's similar refusal to testify severely threatened her career as well. After his release from prison, Biberman, no longer able to work in Hollywood, strikes out on his own with other blacklistees, producer Paul Jarrico (John Sessions) and writer Michael Wilson (Geraint Wyn Davies), to make Salt of the Earth. Biberman's production is far from easy, however, as it comes under attack from both the FBI and redneck vigilantes. ~ Rebecca Flint Marx, Rovi

Rose Troche (Go Fish) directed this British romantic comedy with various gay characters in London. Impish Darren (Tom Hollander) urges lonely Leo (Kevin McKidd of Trainspotting) to get a more active social life, as does neighbor Angie (Julie Graham). When friend Adam (Christopher Fulford) gets Leo to join the therapy group run by New Age-styled guru Keith (Simon Callow), Leo meets good-looking Irishman Brendan (James Purefoy), who's just ending a lengthy relationship with his business partner, Sally (Jennifer Ehle). Sally just happens to be Leo's high-school sweetheart. It's not long before Leo and Brendan pair off. Shown in the Market section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

At the time this made-for-TV historical drama first aired on ABC, critics praised the fact that it was more accurate than the 1939 Spencer Tracy vehicle Stanley and Livingstone; while this is generally true (unlike the earlier film, this one was lensed on location in England and Kenya), the pop-psychology sensibilities depicted in the TV movie smack more of the late 20th than the late 19th century. In 1871, young American reporter Henry Morton Stanley (Aidan Quinn) sets out to prove that Scottish-born missionary David Livingstone (Nigel Hawthorne), who years earlier had disappeared somewhere in Central Africa, was still alive, and not "cooked in a stew" as was generally believed. The film is divided into three parts: the search for Livingstone, Stanley's spiritual odyssey after finding his quarry, and Stanley's seemingly futile efforts to prove that he actually found Livingstone to the skeptical and downright hostile members of the Royal Geographic Society in London. Forbidden Territory: Stanley's Search for Livingstone debuted December 7, 1997. ~ Hal Erickson, Rovi

This biography of Ludwig von Beethoven (played here by Gary Oldman) builds its narrative around an actual letter found after his death, addressed only to the composer's "immortal beloved." The responsibility of discovering this mysterious person's identity falls to Beethoven's friend and secretary (Jeroen Krabbé), who sets out on an investigation that soon becomes an exploration of the composer's life. Through recollections and scattered hints, we receive glimpses of Beethoven's relationships with women, particularly his close interaction with a pair of very different Countesses. The film also pays prominent attention to the composer's oddly obsessive relationship with the young nephew whom he attempted to mold in his own image, and Beethoven's eventual hearing loss and descent into emotional instability. ~ Judd Blaise, Rovi

Director Bob Rafelson fulfilled a lifelong dream when he finally received backing to complete Mountains of the Moon. The film recreates the exploratory adventures of 19th century visionaries Sir Richard Burton (Patrick Bergin) and John Henning Speke (Iain Glen). The heart of the film is the effort by Burton and Speke to discover the true source of the Nile river. This occurs well into the film, after several torturous scenes involving the injuries sustained by the protagonists during other expeditions and their growing friendship (which, the film intimates, goes far beyond friendship). Rafaelson's fascination with this story, and his insistence upon painstaking historical accuracy, unfortunately compromises his ability to make an interesting film. There are so many starts and stops during the first half that we sincerely hope Burton and Speke will chuck it all and set up a pub in Bristol or something. What saves Mountains of the Moon is the rapport between its stars and the brilliant, epic-like cinematography of Roger Deakins. ~ Hal Erickson, Rovi

TheTV movie Jack the Ripper endeavors to shed new light on one of the most notorious unsolved cases in history. The Ripper, of course, was the London serial killer who, in 1888, killed and disemboweled five prostitutes. Michael Caine stars not as the Ripper but as a Scotland-Yard inspector who is assigned to the case. The trail of evidence leads Caine to some astonishing suspects--including at least one member of the Royal Family. As the public clamors for an arrest in the case of the unsolved evisceration murders of five East End prostitutes, Abberline narrows down his list of suspects: the four most likely to have committed the murders, according to the inspector, are American-actor Richard Mansfield (Armand Assante), Queen Victoria's personal psychic (Ken Bones), a certain Dr. Acland (Richard Morant) and socialist-gadfly Lusk (Michael Gothard). The British government is also pressuring Abberline to produce the killer. Unfortunately, if Abberline were to publicly release all the clues at his disposal, the revelation would probably rock the Empire to its foundations. ~ Hal Erickson, Rovi

A man struggling to escape the political unrest of Northern Ireland finds that his violent past still follows him in this drama. Martin Fallon (Mickey Rourke) is a terrorist with the Irish Republican Army who, while attempting to blow up a British military transport, accidentally bombs a bus full of schoolchildren. The incident haunts Fallon, who decides to quit the IRA and escape to London. Fallon wants to relocate to America, but he lacks a passport, and his criminal past would prevent him from getting one. Jack Meehan (Alan Bates), a British gangster who knows about Fallon's past, offers him a deal -- he can get Fallon the papers and the cash to go to America, but in return he must kill a man. A priest, Father De Costa (Bob Hoskins), witnesses Fallon committing the murder, and Fallon wants to find a way to keep De Costa quiet without putting more blood on his hands. The original director of A Prayer for the Dying, Franc Roddam, left the production midway through shooting due to disputes with the producers, and star Mickey Rourke later attempted to disassociate himself from the film. ~ Mark Deming, Rovi

Anthony Hopkins essayed the title role in the four-part British miniseries A Married Man. During his annual holiday, contentedly married barrister John Strickland (Hopkins) found himself casually entering into a brief extramarital affair. As noted by author Piers Paul Read, upon whose novel the miniseries was based, to fully understand the disastrous events following Strickland's indiscretion, one must have a basic knowledge of the English Legal Profession. By the time the story had ended, there was nary a viewer who didn't possess that knowledge. Co-produced by Channel 4 and London Weekend Television, A Married Man first aired in 1983. ~ Hal Erickson, Rovi

Director Alan Clarke's influential television drama Made in Britain marked the screen debut of actor Tim Roth. Roth plays Trevor, a skinhead with a swastika tattoo on his forehead who lashes out verbally and sometimes physically at everything that surrounds him. Cinematographer Chris Menges (who would go on to win Oscars for his work on The Killing Fields and The Mission), gets his camera right in Roth's snarling face, as the film tracks Trevor's progress through the British justice system. In the courtroom, charged with attacking a Pakistani man and vandalizing his store, Trevor displays absolutely no remorse as he matter-of-factly admits that he knew the man would have to be hospitalized for his injuries. Trevor's social worker, Harry (Eric Richard), recognizes Trevor's intelligence, but he's running out of ways to convince Trevor to straighten out his life. Harry takes him to a juvenile detention center for "assessment," after which he'll be sentenced. Trevor immediately dismisses Peter (Bill Stewart), the put-upon supervisor of the center, as a "wanker." He meets his black roommate, Errol (Terry Richards), whom he quickly convinces to come out with him on a car-stealing, glue-sniffing, job-center-vandalizing day trip. Brazenly returning to the detention center in a stolen car, Trevor eventually provokes Peter into locking him in a classroom, so a police superintendent (Geoffrey Hutchings) can harangue him about the hopeless path his life is taking. Trevor refuses to accept the center's (and society's) standards for "good behavior," raging that they all just want everyone to follow the rules and keep their mouths shut. The script was written by David Leland (Wish You Were Here) and the songs on the soundtrack are by the anarchist hardcore band the Exploited. ~ Josh Ralske, Rovi