Jerry Fujikawa Movies

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide

In the concluding episode of a two-part story, Oliver (Eddie Albert) continues to fuss and fume over the presence of his imperious mother-in-law (Lilia Skala) and her equally irksome Japanese manservant, Kyoto (Jerry Fujikawa). Meanwhile, outside the Douglas farm, the citizens of Hooterville are agog over the arrival of "the Countess." In particular, Uncle Joe Carson (Edgar Buchanan) and peddler Mr. Haney (Pat Buttram) are falling over themselves trying to win the aristocratic lady's hand and heart (and, incidentally, her vast fortune). ~ Hal Erickson, All Movie Guide

I Was an American Spy is a true story, based on a series of autobiographical Reader's Digest articles written by Claire Phillips. Ann Dvorak stars as Ms. Phillips, an American nightclub singer trapped in Singapore when the Japanese march in. Having lost her husband to the Bataan death march, Phillips agrees to join an American secret agent (Gene Evans) in undermining the Japanese occupation troops. She is captured by the enemy, tortured, and sentenced to be shot, but is rescued at the last minute by her American contact. I Was an American Spy handles its more brutal scenes with a marked degree of tastefulness, thanks to the careful direction of Lesley Selander. Just as in their wartime movie appearances, Chinese actor Richard Loo and Korean actor Philip Ahn are eminently hissable as the Japanese villains. ~ Hal Erickson, All Movie Guide

Doing some creative math in his off-hours, Hawkeye (Alan Alda) figures out how much money he would have made during the Korean war if he'd been a civilian doctor. Dutifully annotating the results, Hawk presents the Army with a bill for services rendered. And on another front, Charles (David Ogden Stiers) arrogantly demonstrates the latest American doctoral techniques to three Korean medics--and thereby sets himself up for another generous serving of Humble Pie. ~ Hal Erickson, All Movie Guide

En route to Tokyo to celebrate her birthday, a sullen Margaret (Loretta Swit) is forced to "celebrate" with her driver Klinger (Jamie Farr) when their transportation breaks down in the middle of nowhere. Back at the 4077th, Charles is stuck with giving the lecture that the absent Margaret was supposed to deliver. Meanwhile, the surgeons deal with the episode's other "birthday girl"--a cow about to give birth to a calf. ~ Hal Erickson, All Movie Guide

In this routine slasher film, a young woman's twin sister shows up to ruin her birthday party, and mayhem results. Before her birthday party, Julia (Trish Everly) starts dreaming about a twin sister she has never seen or met -- meanwhile, Mary (Allison Biggers), the actual twin who is the subject of her dreams, has just escaped from an mental institution and is horribly disfigured. Mary is bent on vengeance, and after she escapes, a series of murders begins -- but is Mary really the killer? ~ Eleanor Mannikka, All Movie Guide

When millionaire Vincent Price dies, he leaves a riotous will which amounts to a scavenger hunt, the winner of which receives the entire willed fortune. So 15 potential heirs are sent on a zany quest where they must outrace and outsmart one another to inherit the big bucks. ~ All Movie Guide

Julia DeVito, real-life mother of Taxi co-star Danny DeVito, makes a return appearance as the mother of DeVito's series character, abrasive taxi dispatcher Louie DePalma. Characteristically, Louie is furious that his mom plans to get married again, and to a man who isn't even Italian. In fact, Mrs. DePalma's new fiancé is a Japanese gentleman (Jerry Fujikawa) -- and when she announces her intention to move to Japan herself, the cabbies practically have to scrape the outraged Louie off the ceiling! ~ All Movie Guide

At the beginning of The End, Wendell Sonny Lawson (Burt Reynolds) is informed by his doctor that he's dying from "the same thing Ali MacGraw had in Love Story." Lawson's first reaction is to cry uncontrollably, much to the discomfort of his fellow elevator passengers. He heads to a nearby church to confess all his sins, only to be distracted by the wide-eyed fecklessness of the novice priest (Robby Benson). Attempting to resolve a few issues with ex-wife Mary Ellen (Sally Field), daughter Julie (Kristy McNichol), and his parents (Myrna Loy and Pat O'Brien), Lawson finds that they're all too absorbed in their own problems to pay him any attention. At the end of his rope, Lawson decides to kill himself -- with the help of a nutty mental patient (Dom DeLuise). ~ Hal Erickson, All Movie Guide

The two romantic leads in this standard but well-acted political drama renew a famous pairing that began with The King and I in 1956. Deborah Kerr is Lady Diana Ashmore, caught at the wrong side of the Hungarian-Austrian border in 1956, and Yul Brynner is Major Surov, a Russian commander who works at the border crossing. With the outbreak of the 1956 rebellion, the Budapest airport is shut down and Diana, along with other international travellers, are forced to reach Vienna by bus. Along for the ride is one of the Hungarian dissenters hunted by the police, Paul (Jason Robards, Jr. in his screen debut). Diana and Paul are in love and she is determined to protect his secret. Major Surov suspects a rebel is hidden on the bus, but he does not know which passenger is the guilty one. As interaction continues at the border, Diana is attracted to the Major and his complex character, even against her will. Their developing relationship and strong personalities carry the story from start to finish. ~ Eleanor Mannikka, All Movie Guide

In the last days of WWII, "90-day wonder" Lieutenant Katell (Dean Stockwell) takes charge of a battle-weary American squadron somewhere in the Pacific Theater. With the arrogance of inexperience, Katell demands that Sgt. Causarano (Albert Salmi) lead an attack against a group of wounded and dispirited Japanese soldiers -- "They are the enemy! First day of the war or the last day of the war!" But a sudden wrinkle in time causes Lt. Katell -- or should we say "Lt. Yamuri" -- to experience an epiphany. Future Star Trek stalwart Leonard Nimoy plays a small role as a radio operator. Scripted by Rod Serling from an idea by Sam Rolfe (Have Gun, Will Travel, Man from U.N.C.L.E. et al.), "A Quality of Mercy" was Twilight Zone's Yuletide offering for the 1961-62 season, making its first appearance on December 29, 1961. ~ Hal Erickson, All Movie Guide

Made for television, When Hell Was in Session is the true story of Navy commander Jonathan Denton Jr., here played by Hal Holbrook. Shot down during a bombing mission over Vietnam in 1965, Denton endured nearly eight horrendous years as a POW. The plot details Denton's efforts to organize a resistance movement among his fellow prisoners. The film concludes with a powerful re-enactment of Denton's homecoming, as originally seen by millions of American televiewers in 1973. Based on the book by Denton and Ed Brandt, When Hell Was in Session debuted October 8, 1979 ~ Hal Erickson, All Movie Guide