Alan Fudge Movies

A young man named Kaz (Scott Valentine), afflicted with the curse of turning into an animal at the least sign of sexual arousal, tries to remain friends with a girl he's just met (Michelle Little). Meanwhile, he recruits a bizarre street scientist (Arnold Johnson) to create an antidote to the curse before its too late. ~ John Bush, Rovi

This made-for-television drama is based on the true story of a harrowing country abduction. Tracy Pollan stars as Kari Swenson, an Olympic biathlon athlete-in-training who is kidnapped by some reclusive, backwoods mountain men looking for marriage. The movie follows her captivity, the massive search and her recovery from both her physical injuries and the trauma of the experience. ~ Bernadette McCallion, Rovi

This made-for-TV effort from horror director Wes Craven and Salem's Lot producer Richard Kobritz involves a case of cryogenic suspension gone horribly wrong. A wealthy industrialist (Michael Beck) arranges for his body to be kept on ice in a high-tech cryonic chamber with specialized instructions regarding his revival at a future date when medical science can restore him to life. Thanks to a computer malfunction, these instructions are not followed properly, and Beck emerges from the frozen crypt as an empty, soulless creature and a vessel of pure evil with an appetite for destruction. So evil, in fact, that his own mother (Beatrice Straight) decides he must be destroyed and sets out to do the deed herself. ~ Cavett Binion, Rovi

Attack on Fear was based on a Pulitzer Prize-winning series of newspaper articles by Dave and Cathy Mitchell. Paul Michael Glaser and Linda Kelsey play the Michaels, who labor away at a tiny California daily. Upon hearing of iniquities at the famed Santa Monica drug-rehab center Synanon, the Michaels begin publishing their evidence. Despite legal pressure from Synanon and bizarre anonymously mailed threats, the Mitchells' story results in a major investigation of the revered institution. Completed in 1982, the made-for-TV Attack on Fear was not telecast until October of 1984, and then only after (presumably) being reshaped to satisfy Synanon's battery of attorneys. ~ Hal Erickson, Rovi

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, Rovi

Hannibal's perennial nemesis Colonel Lynch (William Lucking) is in a festive mood when he finally succeeds in capturing the A-Team. But Lynch's exultation is short-lived: He is ordered to release the team by his superiors, who want Hannibal (George Peppard) and company to head to Borneo, there to rescue kidnapped army general Ludlam (Warren Kemmerling) and his daughter Kathy (Amy Steel). The assignment proves most difficult for B.A. (Mr. T) who once cold-cocked the General back in Vietnam. Future 24 and The Unit star Dennis Haysbert appears in a minor role. ~ Hal Erickson, Rovi

Thursday's Child is full of woe in this made-for-TV drama. Rob Lowe was given "and introducing" billing in the role of a teenaged athlete in dire need of a heart transplant. As Rob's parents Gene Rowlands and Don Murray prepare to face the possibility that they may lose their son, his aunt Jessica Walter remains relentlessly optimistic and cheerful. For various reasons, the debut of Thursday's Child was twice postponed. The film finally aired February 1, 1983. ~ Hal Erickson, Rovi

Tom Jones director Tony Richardson might seem a curious choice to direct the contemporary western The Border, but he does his best to emulate Sam Peckinpah. Jack Nicholson stars as an El Paso border guard, saddled with avaricious wife Valerie Perrine. Hoping to stifle her nagging about money matters, Nicholson begins accepting payoffs to allow Mexican aliens to cross the border without interference. This leads to a relationship with a young Mexican mother Elpidia Carillo. Harvey Keitel and Warren Oates lend strong support to this atmospheric tale. ~ Hal Erickson, Rovi

While Shirley Jones is given top billing in the made-for-TV The Children of An Lac, the film's true star is the late actress Ina Balin--who plays herself in this re-enactment of an episode of conspicuous courage during the Vietnam war. On the eve of the fall of Saigon in 1975, an effort is made to rescue 400 children from the An Lac orphanage. Participating in this near-impossible undertaking are Georgia housewife Betty Tisdale (Shirley Jones), orphanage head Madama Ngai (Beulah Quo), and Balin. Alas, this very worthwhile and uplifting production ran a distant second in the ratings when first telecast October 19, 1980. Its competition: The Castaways of Gilligan's Island. ~ Hal Erickson, Rovi

Neil Simon's bright, autobiographical romantic comedy, a big Broadway success, has been adapted to the screen in a screenplay by Simon, directed by Robert Moore, that subtly shifts the emphasis from the play. In the stage version, recently widowed writer George Schneider (James Caan) and his efforts to form a new relationship after years of marriage, was the crux of the story. The film, however, reduces George's role and, instead, emphasizes the character of Jennie MacLaine (Marsha Mason), the actress being wooed by George. ~ Paul Brenner, Rovi

Astronauts Charles Brubaker, John Walker, and Peter Willis (James Brolin, O.J. Simpson, and Sam Waterston, respectively) are hailed as heroes when they become the first men to be rocketed to Mars. Actually the space travelers are as phony as their mission controller, Dr. James Kelloway (Hal Holbrook); to avert a failure that might cost the space program its funding, the Mars-bound vessel has been sent up without a crew, while the helmeted astronauts sit on a movie soundstage, pretending to be in outer space for the benefit of the TV cameras. Unfortunately the Mars ship crashes on arrival, making the astronaut trio thoroughly expendable. Investigative reporter Robert Caulfield (Elliott Gould), who's smelled a rat all along, races against time to prevent NASA from "terminating" the hapless astronauts in order to cover up the conspiracy. ~ Hal Erickson, Rovi

After being briefly pre-empted by the debut telecast of Roots, Streets of San Francisco returned to the ABC prime time fold with this tense psychological drama focusing on Douglas French (Alan Fudge), a chronic alcoholic and wife-beater. Awakening from a hangover, French discovers that his wife Helen (Marlyn Mason) has disappeared. Unable to remember what happened, French is convinced along with the authorities that he has killed his wife--but the plot thickens when Stone and Robbins discover that the still-missing Helen has been carrying on a double life! ~ Hal Erickson, Rovi