Dwight Frye Movies

Stalwart supporting actor Allyn Joslyn is afforded a rare leading role in the Columbia mystery meller Dangerous Blondes. Joslyn and Evelyn Keyes play Harry and Jane Craig, a road-company Nick and Nora Charles. A popular mystery writer, Harry occasionally indulges in amateur detective work, with wife Jane at his side; their friendly nemesis is Inspector Clinton (Frank Craven), who'd prefer that the Craigs would stay home and mind their own business. This proves impossible when Ralph McCormick (Edmund Lowe), the owner of a swank fashion studio, is accused of murdering his wife for the love of designer Julie Taylor (Anita Louise). Snooping around on their own, the Craigs find the real killer-and nearly wind up victims themselves. ~ Hal Erickson, All Movie Guide

Judy Canova plays Bessie Cobb, a kitchen worker at a Miami hotel who happens to have a crackerjack singing voice. The bell captain, Chick Patterson, learns that band leader Danny Marlowe is looking for a new girl singer, and a contest will be held at the hotel to choose one. Chick sees this as a way to make some significant money, which would allow him to marry his sweetheart, and so he persuades Bessie to enter. Chick takes a recording of Bessie to Marlowe, only to discover that gangster Honest Joe Kincaid is ordering Marlowe to choose his moll, Sugar, instead. Marlowe doesn't want to do this, but he's in over his head with gambling debts. Chick plays Bessie's record, but tells Marlowe that the voice belongs to Sugar. When Sugar comes to town, Danny and his pals kidnap her and Bessie goes on, pretending to be her. Unfortunately, Sugar's former boy friend sends two hit men to take care of her -- and they abduct Bessie, assuming she is Sugar. Things get even more complicated before all identities are straightened out and Bessie emerges the winner of the contest. Songs include the title number and "Barrelhouse Bessie from Basin Street." ~ Craig Butler, All Movie Guide

The fifth film in Universal's "Frankenstein" series goes for the box-office gold by combining two--count 'em, two!--of the studio's star monsters. We all thought that Larry Talbot (Lon Chaney Jr.), alias The Wolf Man, had been shot dead in his own starring film in 1941, but the opening scenes of Frankenstein vs. the Wolf Man prove us incorrect. Brought back to the land of the living, the anguished Talbot commiserates with gypsy lady Maria Ouspenskaya, who advises him that the only way he'll stay dead is to confer with Dr. Frankenstein. The good doctor has passed on, but his equipment is intact. With the help of scientist Patric Knowles and Frankenstein descendant Ilona Massey, Talbot attempts to have the life forces sucked from his body and transferred to that of Frankenstein's monster. The latter character is played by Bela Lugosi, who'd turned the same role down in 1931 because he felt it was beneath his dignity. By 1943, however, Lugosi was in no position to refuse the part of the lumbering monster. The actor was relieved to learn that the monster would have the power of speech, a leftover from 1942's Ghost of Frankenstein; likewise held over from that previous film was the monster's blindness, which would give Lugosi an opportunity to do some swell sightless emoting. But when the preview audience heard the Monster bemoaning his fate in Lugosi's voice, they laughed till they cried. As a result, Universal ordered that all of Lugosi's dialogue be cut. Worse still, the studio also cut all expository dialogue alluding to the monster's blindness, so the film as it stands finds poor Lugosi flailing about with his eyes closed for no apparent reason. At least Lon Chaney Jr. was permitted to portray his Wolfman character without molestation, and this he does very well. So successful was this "monster rally" that Universal rapidly concocted two follow-ups, House of Frankenstein and House of Dracula, both of which added Dracula (John Carradine) to the witches' brew. ~ Hal Erickson, All Movie Guide

Universal's "Frankenstein" series descended from the "A" to the "B" category with The Ghost of Frankenstein, though production values were still well above average and the cast is first-rate. The story picks up where Son of Frankenstein (1939) left off, with both the Monster (Lon Chaney Jr.) and his crazed companion Igor the shepherd (Bela Lugosi) being chased out of the village of Frankenstein by the irate citizens (actually both Monster and Igor had been killed at the end of Son of Frankenstein, but that's neither here nor there). The gruesome twosome head to the tiny Balkan community where dwells the son (Sir Cedric Hardwycke) of the original Dr. F. At the urgings of both Igor and the disgraced Doctor Bohmer (Lionel Atwill), Frankenstein Jr. is coerced into repeating his father's experiment of placing a fresh brain in the head of the monster. Seeking vengeance against his enemies, Igor wants to have his own brain grafted into the Monster's skull, but the big lug himself has other ideas: having befriended cute little Cloestine (Janet Ann Gallow), the only person in the village who doesn't fear him, the Monster insists upon receiving Cloestine's brain. In the end, however, Dr. Frankenstein goes with Igor's graymatter-and the result is disaster for practically everyone in the cast. Highlights of this 68-minute scarefest include Lionel Atwill's outraged reaction when he is reminded of the "slight miscalculation" that ruined his medical career, and the uncredited appearances of several "Frankenstein" movie veterans, including Dwight Frye, Holmes Herbert and Lionel Belmore. ~ Hal Erickson, All Movie Guide

The Blonde from Singapore was one of several Columbia B-pictures that were presold to exhibitors on the basis of their titles alone. Pilot Terry Prescott (Leif Erickson), forced to resort to poaching pearl beds to keep financially afloat, makes the acquaintance of ex-showgirl Mary Brooke (Florence Rice) in a Singapore dive. Prescott surreptitiously slips his ill-gotten pearls in Mary's handbag, intending to retrieve them when the heat's off without the girl's knowledge. But this proves impossible when Mary heads off to parts unknown, obliging Terry to chase after the girl, gradually falling in love with her all the while. Director Edward Dmytryk was clearly destined for better films than Blonde From Singapore, but he handles this sow's ear as if it were a silk purse. ~ Hal Erickson, All Movie Guide

Every time that sinister Oriental megalomaniac Dr. Fu Manchu is ready to kill, sounds of strange drums can be heard coming from -- well, nowhere really. In 1939, Republic Pictures purchased the rights to the first six of British pulp fiction writer Sax Rohmer's popular "Fu Manchu" stories. The result became the studio's second longest action serial and one of its most enduringly popular. The head of a sinister conglomeration known as the Si-Fan, Dr. Fu Manchu (Henry Brandon) goes in search of the Sacred Scepter of Genghis Khan, with which he hopes to rule all the tribes of the Orient and evict the foreign infidels. Helping the good doctor is Fah-Lo-Suee (Gloria Franklin), his Eurasian daughter, and a seemingly unlimited supply of Dacoits, henchmen turned into slaves by having undergone frontal lobotomies. Dr. Fu Manchu is, as always, opposed by Sir Neyland Smith (William Royle) of the British Foreign Office. This time, however, Sir Neyland is not only aided by his very own "Dr. Watson," Dr. Petrie (Olaf Hytten), but also by a young American, Allan Parker (Robert Kellard), whose father (George Cleveland) had become yet another of Fu Manchu's many victims. Complicating the search is the attractive presence of Mary Randolph (Luana Walters) who, like most of her ilk, has a tendency to get herself into serious trouble at the most inopportune moments. Although the Oriental fiend appears all-powerful at times, Sir Neyland and his friends once again save the free world from enslavement -- although it takes them 15 chapters to do so. ~ Hans J. Wollstein, All Movie Guide

In this crime drama, a young man becomes a criminal lawyer after witnessing the police shooting of his father, a thief. Most of his clients are criminals and he soon finds himself involved with a mob boss. Together they build a new crime syndicate. Unfortunately, the attorney's partner is secretly an FBI spy. When the agent is shot, his partner, the lawyer saves his life. He then reconsiders his life and rats on his gangster client to the cops. ~ Sandra Brennan, All Movie Guide

In this adventure, the final entry in the "Renfrew of the Mounties" series, the intrepid RCMP officer and his girl friend head for the Yukon to look for stolen planes carrying gold shipments. There they find themselves faced with a death ray that has been invented by a scientist who has been convinced by the criminals behind the thefts that he is working for the government. ~ Sandra Brennan, All Movie Guide

The most elaborate--and longest--of Universal's Frankenstein series, Son of Frankenstein represents Boris Karloff's last appearance in the role of the Monster. The title character is played by Basil Rathbone, who with wife Josephine Hutchinson and son Donnie Donegan returns to the Old Country to take over his late father's estate. Rathbone receives a cool reception from the local villagers, who remember all too well the havoc wreaked by his father's monstrous creation. Though he assures his neighbors that he has no intention of following in his father's footsteps, Rathbone is hounded by suspicious town constable Lionel Atwill, whose stiff artificial arm is an unfortunate legacy of an earlier confrontation with Karloff. Also hanging around Frankenstein Castle is crazed shepherd Bela Lugosi), whose neck was broken in an unsuccessful hanging attempt. Lugosi wishes to exact revenge on the city fathers who'd tried to execute him, and to that end persuades Rathbone to revive the hideous Karloff. At first resistant, Rathbone becomes as obsessed as his father with the notion of creating artificial life. Now the fun begins, directed with Germanic intensity by Rowland V. Lee. Though Mel Brooks's Young Frankenstein has rendered Son of Frankenstein virtually impossible to take seriously, the film remains an excellent marriage of the slick, sanitized production values of the "New Universal" and the Gothic zeitgeist of the earlier Frankenstein epics. Best line: Lugosi, looking over the dormant body of The Monster, explains raspily that "He does...things...for me." Hans J. Salter's intense musical score for Son of Frankenstein would continue to resurface in Universal's Mummy B pictures of the 1940s. Watch for Ward Bond in a bit part as a police officer...and see if you can spot Dwight Frye, whose supporting part was excised from the final release print, among the villagers. ~ Hal Erickson, All Movie Guide

Secret agent Jeff Clavering (Alan Marshal) is in the employ of a group of businessmen dedicated to world peace. In order to get the goods on war profiteer Kamarov (C. Henry Gordon), Clavering is ordered to romance Kamarov's wife Stephanie (Mady Correll). Our hero and heroine experience any number of thrill-packed adventures while uncovering the villain's nefarious scheme to plunge the World into war. Gee? if Kamarov had only waited a few months, he could have saved himself the trouble. Some much-needed comedy relief is provided by Herbert Mundin as a bumbling British detective. ~ Hal Erickson, All Movie Guide

In this desert adventure, a cruel commander viciously rules a regiment of foreign legionnaires. They tire of his brutality and rebel, stranding the despot and his few loyal soldiers in the burning sands with a few supplies. The deposed commander vows that he will return to civilization and have his revenge. It is difficult, but eventually the leader and his men make it back to the lonely outpost and find that it is under attack by Arab raiders. The soldiers inside take the leader back and they help to vanquish the invaders. Later the ring leader of the mutineers is awarded a medal for his courage then court-martialed for his crime. The leader too gets his just desserts when his second-in-command tells the court of his superior's cruelty. ~ Sandra Brennan, All Movie Guide

At one time Universal's "prestige" director, James Whale had slipped off the A-list by the end of the 1930s; even so, his films remained both intriguing and entertaining. In Whale's Sinners in Paradise, an airplane cracks up during a storm and crash-lands on an uncharted South Sea island. All nine passengers survive unscathed, including runaway bride Anne Wesson (Madge Evans), fugitive criminal Robert Malone (Bruce Cabot), blonde strumpet Iris Compton (Marion Martin), crooked senator Corey (Gene Lockhart), "radical" heiress Thelma Chase (Charlotte Wynters), munitions salesmen Jessup (Don Barry) and Brand (Morgan Conway), and cheerful Chinese cook Ping (Willie Fung). Forced to fend for themselves, the marooned passengers are helped along by resident beachcomber Jim Taylor (John Boles), a convicted murderer who has escaped to the island to "find himself". What he finds, of course, is romance in the form of Anne Wesson. A remake of a silent film of the same name, Sinners in Paradise was extensively re-edited before its general release, just as Whale's previous The Road Back had been. ~ Hal Erickson, All Movie Guide