Sadie Frost Movies

A man is torn between his faith, his family, and his profession in this taut thriller. Tariq Ali (Naseeruddin Shah) was born in Pakistan and raised in a Muslim household by parents who later emigrated to London, but he's been willing to set a certain amount of his cultural identity aside in order to advance his career in law enforcement. Tariq is married to Susan (Greta Scacchi), who is both British and Christian, and they're raising two children, Zara (India Wadsworth) and Imran (Arrun Harker). Tariq's intelligence and professionalism have helped him become a top detective at Scotland Yard, but when a suspected Muslim terrorist is shot and killed by police, Tariq is assigned to investigate in hopes of defusing public anger over the incident. As Tariq looks into the victim's background as well as the actions of the police, the media uncovers evidence of Tariq's friendship with Junaid (Om Puri), an outspoken Islamic leader who is believed to be linked to several terrorist groups. Shoot on Sight also stars Brian Cox, Sadie Frost, and Laila Rouass. ~ Mark Deming, Rovi

Uprising is based on the true story of the Jewish Fighting Organization, a courageous band of youthful Polish guerrillas and freedom fighters who refused to knuckle under to the Nazis during World War II. Led by schoolteacher Mordechai Anielewicz (Hank Azaria), the organization comes into being as the Warsaw Jewish ghetto is being systemically decimated and shipped off to the Treblinka death camp by the German occupational forces. From April 19 to May 16, 1943, Anielewicz' followers staged a valiant uprising, which -- though ultimately unsuccessful in stopping the Nazi "final solution" juggernaut -- inflicted an enormous amount of damage upon the enemy and enabled hundreds of Polish Jews to escape the gas ovens and crematoriums. Much of the story is based upon the eyewitness testimony of surviving freedom fighter Simha "Kazik" Rotem, portrayed in the film by Stephen Moyer. Director Jon Avnet brilliantly combines newly filmed scenes with digitally refashioned archival footage of the actual uprising. Filmed in Bratisla, Slovakia, and boasting an all-star cast, Uprising was shown in two-hour installments on November 4 and 5, 2001, over the NBC network. ~ Hal Erickson, Rovi

Following up on the critical drubbing of the Final Cut, the same cast and crew, TV comedians Dominic Anciano and Ray Burdis, along with Britpack hipsters Jonny Lee Miller, Jude Law, Rhys Ifans, and Sadie Frost, come together to make this crime comedy about guns, karaoke, and fart jokes. The film opens with bored postman Jonny (Lee Miller) in clown-face reminiscing about his mate Jude (Law), who introduced him to his crime lord uncle Ray Kreed (Ray Winstone). Though Jonny is hungry for some action, Ray is more interested in karaoke and his impeding nuptials with soap star Sadie (Frost). Bored, Jonny, along with Jude, bungle a credit card scam and then later really screw up by robbing high-grade blow from a South London gang headed by Sean (Sean Pertwee) and his sidekick Matthew (Ifans). Soon a gang war ensues. ~ Jonathan Crow, Rovi

Robert Young directed this fact-based British comedy-adventure. In 1791, Captain Scoresby sailed from Whitby in northern England to the Arctic. Mariner Captain Jack (Bob Hoskins), obsessed with Scoresby, is troubled by the fact that Scoresby has not been adequately acknowledged and honored in his town -- so Jack sets out to retrace Scoresby's journey with a curious and offbeat crew -- an Australian hitchhiker (Peter McDonald), two elderly sisters, and stowaway Tessa (Sadie Frost). They set sail, pursued by NATO, the Royal Navy, and a mixed bag of various journalists and photographers. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Suspense and comedy combine in this convoluted tale of a successful Realtor who tries to save his wreck of a daughter from a crazed love-struck suitor. If that weren't enough, the wealthy businessman must also try to avoid the crooks trying to kidnap him. ~ Sandra Brennan, Rovi

This is an offbeat romantic comedy that's the directorial debut of TV producer Joshua Brand, co-creator of St. Elsewhere (1982-88) and Northern Exposure (1990-95). John Leguizamo stars as Sergio, a Toronto pastry shop worker who faints whenever he sees Hattie (Sadie Frost), a neighborhood girl with whom he is smitten. Hattie, however, wants to see the world and avoids all commitments. Sergio's employer, the kindly Linzer (Armin Mueller-Stahl), wants his shop burned down so that he can use the insurance money to give his wife (Joan Plowright) the lifestyle she deserves, so he offers Sergio $20,000 to torch the store. Sergio refuses but then one night the bakery is burnt to the ground. The real culprit is Garet (William Baldwin), a wealthy pyromaniac with a limp who's madly in love with Stephanie (Erika Eleniak). The slightly unhinged Garet uses the fire as his public declaration of affection. Although innocent, Sergio also claims culpability so that he can use Linzer's payoff to whisk Hattie away. To protect Sergio, however, Linzer confesses to the crime, and to prevent her husband from being jailed, Mrs. Linzer also claims responsibility. With four people confessing, local constable Sgt. Zikowski (Mike Starr) is at a loss. ~ Karl Williams, Rovi

Elements of mystery and fantasy are deftly interwoven and presented from a child's perspective in this unique film. The basic plot focuses on a police marksman, Max. Recently Max had accidentally shot a hostage, and now his confidence is shaken. He is offered special bullets by a peer. These bullets help him to earn a high score during target shooting. Subsequently, Max receives a special assignment to guard chess grand master, Maxim who must not know a bodyguard has been assigned to him. When Maxim meets Eva, Max's wife, and her daughter Lili, the two are attracted to each other. Their attraction is observed by a sniper. In a parallel subplot, which has a medieval fairy tale setting, a group of do-gooders including Max and Kaspar (the magic bullet man) are battling evil. The film's surprising ending represents Lili's view of recent events. ~ Sandra Brennan, Rovi

Splitting Heirs is a dull mistaken identity comedy about a British Duke (Eric Idle) who is switched at birth when his parents accidentally left him behind in a restaurant, picking up the wrong baby by mistake. Idle is raised by Pakistanis and when he discovers his true identity, he begins plotting to kill the American (Rick Moranis) who is the unwitting imposter. His plans go awry, and Idle hires a lawyer (John Cleese) to help him regain his title. ~ Stephen Thomas Erlewine, Rovi

This slight multi-national comedy concerns a young Polish woman who becomes engaged to a British doctor in Warsaw. When the doctor leaves the country, the woman travels to London to meet her fiancée and get married. But upon arrival in London she discovers his mother disapproves of the match and the doctor refuses to marry her. However, the spurned woman wants to stay in England and arranges a marriage of convenience with a small-time crook, who discovers his new bride is much more trouble than he expected. ~ Paul Brenner, Rovi

Peter Medak directed this fact-based drama, chronicling the lives of the infamous Kray Brothers, notorious celebrities in 60s London. The Krays were twin gangsters who ruled London's stylish East End club scene, staking out their territory by committing the most violent crimes imaginable, preferring to perform the most torturous acts themselves. The film stars Gary Kemp and Martin Kemp, founding members of the pop group Spandau Ballet, as Ronald and Reginald Kray. The film opens as their mother Violet Kray (Billie Whitelaw) recalls a dream in which she is a swan from which two beautiful babies have hatched. She can't tell if the swans are angels or demons, but the film soon answers that question for her. Brought up in London's East End in the 1930s, Ronald and Reginald Kray are raised in the resentful world of Violet, who is hateful of her lot in life and bitter at the control men have in running the world ("Housework is a lethal business," she says). The twins react to each other almost telepathically and they take out their anger by clogging the nose of their sleeping father (Alfred Lynch), pushing around fellow schoolboys, and even beating each other to pulp at a boxing match. When her mother chastises them for their fight in a fairground boxing ring ("You fight them up, but you don't fight each other"), the twins veer into the London underworld. In their self-contained world of Us-Against-Them, the Krays rapidly rise to the height of power, first taking over the territory of a petty mobster by violent means and then putting together an underworld empire of posh clubs, cars, and fancy suits. But at the height of their fame, the twins begin to break from each other. Reginald falls in love with Frances (Kate Hardie), while Ronald gets involved in a homosexual relationship with one of his underlings. Ronald, in a jealous rage over Frances stealing his brother away from him, becomes even more brutal in his crimes and while the brothers' backs are turned, a group of older mobsters challenge the Krays' authority, invoking a horrible bloodbath that effects not only the two brothers but Frances and Violet as well. ~ Paul Brenner, Rovi

A glue factory bound horse is rescued by 3 children. ~ Rovi