DCSIMG
 
 

Manuel Arvide Movies

1962  
 
Add Sol en Llamas to Queue Add Sol en Llamas to top of Queue  
A favorite era of Mexican cinema returns to the screen in this well-wrought tale of a family and how it copes with the dynamic changes happening all around. The time is the end of the Mexican revolution and Porfirio Diaz is about to lose power. On the ranch known as La Gaviota, the feudal patriarch (Fernando Soler) of a small family and a large group of peasant workers is caught in the contemporary drama. He represents the old, entrenched, often arrogant aristocracy, and his daughter (Maricruz Olivier) more or less carries on in the same tradition. Opposite this holdover from past times is a revolutionary (Antonio Aguilar) who organizes the family's peasant workers, setting up a dichotomy that reflects the events in the country as a whole. ~ Eleanor Mannikka, Rovi

 Read More

Starring:
Maricruz OlivierFernando Soler, (more)
 
1961  
 
When Carlos Thompson begins killing miners following the murder of his wife by a miner, Charles
Fawcett and his Texas Rangers halt the killing spree. ~ Rovi

 Read More

 
1960  
 
Meant to be a sentimental, romantic melodrama this story directed by Tito Davison and based on a novel by Stefan Zweig never quite launches itself fully. At the core of the heart-tugging is an invalid woman who has a pure and devoted love for an officer in the Mexican army. The setting is in Guanajuato at the beginning of the 20th century when the revolution was underway. Excellent cinematography takes complete advantage of the gorgeous scenery around Guanajuato and greatly enhances the story itself. ~ Eleanor Mannikka, Rovi

 Read More

Starring:
Martha MijaresChristiane Martell, (more)
 
1958  
 
Acclaimed director Luis Buñuel displays several of his trademark interests in this drama about a priest who leaves his order. The director's disdain for organized religion and the establishment, as well as his tendency to shock through visual imagery, are both apparent. Nazarin (Francisco Rabal) is the priest who leaves his order and decides to go on a pilgrimage. As he goes along subsisting on alms, he shelters a prostitute wanted by the police for murder. He is released from suspicion and she eventually catches up with him when she escapes imprisonment. Another woman joins the duo and soon the ex-priest is learning more about the human heart and suffering than when he wore robes. As for the shocking scenes, suffice to say the ravages of a plague are also shown. ~ Eleanor Mannikka, Rovi

 Read More

Starring:
Francisco RabalMarga Lopez, (more)
 
1957  
 
Mexico's contribution to the 1957 Berlin Film Festival was the Color-Cinemascope star vehicle Tizos. The ever-popular Maria Felix stars as a white woman who enters into a romance with a Mexican Indian, played by singing star Pedro Infante (who died shortly after the film's completion). The racial barriers between the lovers prove to be insurmountable, resulting in tragedy. Director Ismael Rodriguez spends a great deal of time establishing the folklore and traditions of Infante's people, much to the fascination of his audience. Likewise enraptured by Tizoc were the participants at the Berlin Festival, where the film scored a significant success. ~ Hal Erickson, Rovi

 Read More

Starring:
Pedro Infante, Sr.Maria Felix, (more)
 
1953  
 
This tuneful romantic melodrama is set in a tiny Mexican village and is comprised of three storylines. One tale concerns a pair of young lovers from rival villages who will not be able to marry until a long time feud is ended. In another tale, an heir to a large fortune falls in love with an impoverished girl. His family is dead set against the match. When he is diagnosed with a fatal tumor, the man begs the girl to marry him, but she refuses and instead arranges for him to marry another. In the third story, a matador's comely sister falls in love with a street vendor. Unfortunately, the matador hates her beloved and to break them up permanently, slyly convinces the peddler to enter the dangerous bullring. Fortunately for the sister, her brother's scheme fails spectacularly. She then marries the peddler and makes an ironic discovery. ~ Sandra Brennan, Rovi

 Read More

Starring:
Anna Maria Pier AngeliRicardo Montalban, (more)
 
1947  
 
Honeymoon stars an attractively grown-up Shirley Temple as Barbara, the sweetheart of a GI corporal named Phil (Guy Madison). Eloping to Mexico City, Barbara discovers that her boy friend, stationed in the Panama Canal zone, is tied up in bureaucratic red tape and may not make it to his own wedding. The headstrong bride-to-be enlists the reluctant aid of American consul Flanner (Franchot Tone), leading to any number of compromising situations involving Barbara, Flanner, and Flanner's own girl friend Raquel (Lina Romay). The film extracts most of its laughs from the legal and language barriers facing Barbara and her beau while south of the Border. Posting a $675,000 loss, Honeymoon unfortunately proved that Shirley Temple's drawing power had slipped considerably since her 1930s heyday. ~ Hal Erickson, Rovi

 Read More

Starring:
Shirley TempleFranchot Tone, (more)
 
1943  
 
Maravilla del Toreo was one of the few Mexican bullfight dramas of the 1940s to attain a widespread showing in the U.S. Perhaps this was due to the novelty value of the film's star: Conchita Citron, the world's foremost female bullfighter. As an added box-office bonus, Citron is teamed with Mexico's top matador, Pepe Ortiz. The semi-autobiographical plot details Citron's rise to fame as Ortiz' protégé. The story is fictionalized by having the two stars as two-thirds of a romantic triangle. Neither Citron nor Ortiz can act, but this hardly matters in the light of the film's exciting -- and disturbingly authentic -- bullring sequences. ~ Hal Erickson, Rovi

 Read More

Starring:
Conchita CitronPepe Ortiz, (more)