Valerie French Movies

Decision at Sundown was one of several felicitous collaborations between star Randolph Scott and director Budd Boetticher. Scott plays a flint-eyed gunman who rides into a sleepy town to drive out local tough guy John Carroll by sundown. Scott is motivated not by justice but by revenge; years earlier, Carroll had stolen Scott's wife. The woman subsequently killed herself, and the fact that she had left Scott willingly is torturing both men, each of whom feels partially responsible for her death. As sundown approaches, the "angst" suffered by both hero and villain spreads to the rest of the townspeople, who do a lot of soul-searching while waiting for the final confrontation. Decision at Sundown truly lives up to the label "psychological western". ~ Hal Erickson, All Movie Guide

Hired to locate a missing Mexican colonel named Celine (Denver Pyle), Paladin (Richard Boone) regards the assignment as a dull one: after all, his only responsibility is to make sure that Celine signs a financial document. But when a beautiful woman named Secura likewise expresses an interest in locating Serena (Valerie French), Paladin's own interest is aroused in more ways the one. Ultimately, it turns out that the elusive Celine may well be the key to finding a legendary hidden treasure--if indeed such a treasure actually esists. ~ Hal Erickson, All Movie Guide

In this western adventure, Shalako (Sean Connery) leads a hunting expedition in the wilds of New Mexico. There they run across an Apache camp where the Countess Irina (Brigitte Bardot) is being held hostage. When the Indians retaliate by destroying the camp of the European aristocrats, Shalako must use his wiles to battle the Indians and the jealous members of his own hunting party. The camp is robbed by Fulton (Stephen Boyd), who runs off with the wife of Sir Dagget (Jack Hawkins). Lady Boyd (Honor Blackman) leaves her rich husband in a dramatic split decision prompted by the marital discord between her and her pompous husband. Shalako leads the survivors through dangerous mountain terrain, engaging in climactic hand-to-hand combat. ~ Dan Pavlides, All Movie Guide

Rex Harrison is The Constant Husband in this delightful British comedy. It all begins when amnesia victim Charles Hathaway (Harrison) tries to reconstruct his past with the aid of psychiatrist Llewellyn (Cecil Parker). Our hero would have been better off had his memory remained lost: Llewellyn discovers that he's had seven wives -- simultaneously! Lady lawyer Chesterman (Margaret Leighton) tries to keep Llewellyn out of jail, though in fact he'd prefer incarceration to multiple matrimony. Of the seven spouses, Kay Kendall (the real-life Mrs. Rex Harrison) stands out with a sparkling comic characterization. ~ Hal Erickson, All Movie Guide

Vincent Sherman replaced an uncredited Robert Aldrich as director of this noirish and atypically pro-union film from the 1950's. Tulio Renata (Robert Loggia), an organizer for the International Ladies Garment Workers Union, campaigns to unionize the employees of dress factory owner Walter Mitchell (Lee J. Cobb). Viscerally opposed to the union, Mitchell has hired Artie Ravidge (Richard Boone) to thwart Renata's efforts. In a complex oedipal sub-plot, Walter's son Alan (Kerwin Matthews) returns home and joins the firm following the suspicious death of his father's partner. Alan is more sympathetic to the union and attempts to persuade his father to sign a contract. Only after Ravidge kills Renata, and the elder Mitchell finally admits to himself that Ravidge is a thug who also killed his partner, does he agree to negotiate with the union. Before he can do so, however, he, too, is murdered by Ravidge's goons. It is then left to Alan, increasingly involved with Renata's widow Theresa (Gia Scala), to run the business, bring Ravidge to justice, and settle with the union. Similar to Herbert Biberman's Salt of the Earth (1954) in its overt support of the labor movement, The Garment Jungle is clearly a liberal, not a radical, film. Rather than advocate class warfare, it asserts that honest unions and decent capitalists can work together honorably. The film's real fire is found in the personal conflicts between Tulio and Theresa and Walter and Alan. Cobb, Loggia, and Scala perform with intense and multi-dimensional passion. Particularly noteworthy is Theresa's fury at her husband for taking excessive, and ultimately fatal, risks. ~ Steve Press, All Movie Guide

Written by David Tomblin and Ian L. Rakoff, "Living In Harmony" briefly whisks Number Six away from The Village and plunks him into the American West circa 1870. Forced by a "Roy Bean"-style judge (David Bauer) to accept the job of sheriff, Number Six discovers that his first assignment is to protect to beautiful Cathy (Valerie French) from a vicious outlaw known as The Kid (Alexis Kanner). This places the protagonist in an uncomfortable position: How can he fulfill his new responsibility while keeping his self-promise to never again use a gun? Harmony, by the way, is the name of the town where all this takes place --- or does it? Originally slated as Episode 12 of The Prisoner, "Living In Harmony" was seen as the series' 14th installment when it originally aired in England on January 14, 1968. Curiously, this episode was not shown in America where The Prisoner was first networkcast in the summer of 1968 (reportedly, it contained too much violence --- or, possibly, too much of the leading lady's cleavage), though it was included in the Prisoner package syndicated in the US in the fall of 1969. ~ Hal Erickson, All Movie Guide

A suspenseful courtroom drama, The Story on Page One was the second and last film directed by the distinguished American playwright Clifford Odets (who also wrote the screenplay). Jo (Rita Hayworth) and Larry (Gig Young) are lovers accused of murdering Jo's husband. Their trial lawyer, Victor Santini (Anthony Franciosa) has his work cut out for him on two different fronts. For one, he has to overcome his own tendency to hit the bottle, and for another, he has to somehow win this case. As revealed in the beginning, Jo's husband died accidentally. Yet the unpredictability of the courtroom proceedings indicate that a verdict of "not guilty" is going to be anything but automatic. ~ Eleanor Mannikka, All Movie Guide