Kathleen Freeman Movies

Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide

Previously filmed in 1931 under its original title, Theodore Dreiser's bulky but brilliant novel An American Tragedy was remade in 1951 by George Stevens as A Place in the Sun. Montgomery Clift stars as George Eastman, a handsome and charming but basically aimless young man who goes to work in a factory run by a distant, wealthy relative. Feeling lonely one evening, he has a brief rendezvous with assembly-line worker Alice Tripp (Shelley Winters), but he forgets all about her when he falls for dazzling socialite Angela Vickers (Elizabeth Taylor). Alice can't forget about him, though: she is pregnant with his child. Just when George's personal and professional futures seem assured, Alice demands that he marry her or she'll expose him to his society friends. This predicament sets in motion a chain of events that will ultimately include George's arrest and numerous other tragedies, including a vicious cross-examination by a D.A. played by future Perry Mason Raymond Burr. A huge improvement over the 1931 An American Tragedy, directed by Josef von Sternberg, A Place in the Sun softens some of the rough edges of Dreiser's naturalism, most notably in the passages pertaining to George's and Angela's romance. Even those 1951 bobbysoxers who wouldn't have been caught dead poring through the Dreiser original were mesmerized by the loving, near-erotic full facial closeups of Clift and Taylor as they pledge eternal devotion. A Place in the Sun won six Oscars, including Best Director, Best Adapted Screenplay, and Best Cinematography, although it lost Best Picture to An American in Paris. ~ Hal Erickson, All Movie Guide

Al Goddard, (Alan Ladd) special investigator for the U.S. post office, is assigned to collar two criminals who've murdered a postal detective. Goddard must first locate the only witness to the crime, attractive young nun, Sister Augustine (Phyllis Calvert). Posing as a crook, Goddard gains the confidence of the murderers' boss Earl Boettiger (Paul Stewart), who has worked out a scheme to defraud the post office of one million dollars. Once they've tumbled to the deception, the crooks take Goddard and the nun prisoner, leading to a fight to the finish in a lonely industrial district. Appointment with Danger tends to draw chuckles rather than shivers nowadays, thanks to the casting of future Dragnet co-stars Jack Webb and Harry Morgan as the murderers -- and as icing to the cake, viewers are treated to a scene in which Webb bumps off Morgan! As a whole, the film, the last of Alan Ladd's series of film noir, is uneven and generally unsuccessful. However, it contains some crisp, tough dialogue and some terrific action sequences which make it worthwhile. ~ Hal Erickson, All Movie Guide

Bearing very little relation to the 1937 Paramount musical of the same name, Artists and Models is a lavish, girl-filled vehicle for the popular team of Dean Martin and Jerry Lewis. Martin plays Rick Todd, a comic-book artist who is under fire from his publisher (Eddie Mayehoff), who complains that Rick's work isn't gory enough. Lewis plays Eugene Fullstack, Rick's roommate, who while asleep dreams up elaborate comic-book plots and garishly costumed superheroes. Eugene's nightmares help Rick become a success; meanwhile, our two heroes romance their luscious neighbors, artist Dorothy Malone and rambunctious model Shirley MacLaine (who during one song wrestles Eugene to the floor and sits on his chest!) Eugene's overworked imagination somehow attracts the attention of a group of Russian spies, who attempt to abduct Eugene during the annual Artists and Models Ball. Director Frank Tashlin uses Artists and Models as an excuse for some of the wildest sight-gags seen in a mid-1950s film. At one point, the director contrives to stuff a gag in Shirley MacLaine's mouth. Tashlin also exhibits his ongoing fascination with female breasts and legs by giving ample screen time to the natural attributes of co-stars Anita Ekberg and Eva Gabor. One of the best of the Martin/Lewis efforts, Artists and Models suffers only from being about 20 minutes too long. ~ Hal Erickson, All Movie Guide

Dan Aykroyd and John Landis teamed to script this sequel to The Blues Brothers (1980), which they also co-scripted. With Landis once again at the helm as director, Aykroyd re-creates his role of rhythm-and-blues man Elwood Blues, and the film's numerous R&B performances and production numbers include Aretha Franklin singing her classic "Respect". Released from prison after serving 18 years for the havoc depicted in the first film, Elwood learns that while he was serving time, his pal Jake Blues (John Belushi) has died, as did their hi-de-ho music mentor Curtis (Cab Calloway). Times have changed, but the blues beat goes on. Elwood visits Mother Mary Stigmata (Kathleen Freeman), who runs the orphanage where Elwood and Jake were raised, and she puts 10-year-old Buster (J. Evan Bonifant) in Elwood's care. Seeking a loan, Elwood visits Curtis' son, Cabel Chamberlain (Joe Morton), and Buster picks Cabel's pocket. Now, 18 years after the original "mission from God," Elwood attempts to reorganize the Blues Brothers Band, beginning with bartender Mighty Mack McTeer (John Goodman) as a replacement for Jake. With the Russian Mafia in hot pursuit, Elwood, Mack, and Buster head cross-country, locating band members as they travel pell-mell toward a scheduled battle of the bands in Louisiana where the Blues Brothers Band competes with the Lousiana Gator Boys Band (Eric Clapton, B.B. King, Bo Diddley, Dr. John, Travis Tritt, Steve Winwood, Clarence Clemmons, Isaac Hayes). Filmed in Toronto and Chicago, this movie reunited Aykroyd and Goodman, who were seen previously in the 1996 video, The Return of the Blues Brothers, a performance taped January 24, 1995 at the House of Blues in Los Angeles. Elsewhere, the Blues Brothers are kept alive in a half-dozen or so websites, such as the House of Blues, and live stage productions. In England, the stage show A Tribute to the Blues Brothers began in 1991. At the request of Aykroyd and Judy Belushi, the title of that production was changed to The Official Tribute to the Blues Brothers. With various cast members in the roles of Jake and Elwood (Con O'Neill, Warwick Evans, Brad Henshaw, Simon Foster), the show toured Britain throughout the 1990s. The "original Blues Brother" (who coached John Belushi and originated some of the blues raps used by Belushi) is Curtis Salgado (of the Robert Cray Band). One cast member of Blues Brothers 2000, bluesman Junior Wells, the last of the great Chicago harmonica players, died in January 1998, only days before the film was released. ~ Bhob Stewart, All Movie Guide

Hoss Cartwright once again falls victim to a clever palm reader, in this case a travelling prognosticator named Madama Morova, played by no less than Zsa Zsa Gabor. Giving Hoss a Stradivarius, Morova informs him that he is an undiscovered violin virtuoso, destined to give his first public concert within a week. The resultant "rehearsal" scenes have to be seen (and heard!) to be believed. Featured in the cast are three expatriates from the Jerry Lewis films: Kathleen Freeman as Miss Hibbs, Del Moore as Hank, and Doodles Weaver as Barney. First telecast on May 7, 1967, "Maestro Hoss" was written by U.S. Anderson. ~ Hal Erickson, All Movie Guide

The second of two TV-movie attempts to revive the Dobie Gillis sitcom series of the 1950s and 1960s, Bring Me the Head of Dobie Gillis rounds up as many cast members of the old show as humanly possible. Dwayne Hickman took a break from his busy career as a CBS daytime-drama executive to recreate the role of Dobie Gillis, while Bob Denver was back as his beatnik "good buddy" Maynard G. Krebs. Also making return appearances are Sheila James as Zelda Gilroy (now Mrs. Dobie Gillis), Steve Franken as ridiculously wealthy Chatsworth Osborne Jr., and William Schallert as Dobie's college teacher Mr. Pomfritt. The plot concerns the attempts by Dobie's former high school sweetheart, the ever-mercenary Thalia Menninger, to wrest Dobie away from wife Zelda and claim him for her own. Tuesday Weld, the original Thalia, wasn't interested in reprising the character (nor was Dwayne Hickman interested in working with the troublesome Ms. Weld again), so the role was assumed by another 1950s TV icon, Connie Stevens. ~ Hal Erickson, All Movie Guide

"Mom" is Connie Stevens, who stars in this made-for-TV comedy. Stevens plays a small-town waitress who is appointed the housemother for a rambunctious fraternity house on the local college campus. The frat boys assume that freewheeling Stevens will allow them to party to their hearts' content, but "Mom" takes her job quite seriously and compels the students to behave themselves. She also becomes involved in a campus feminist movement that threatens to topple the college's male power structure (headed by dean Van Johnson). Call Her Mom was the pilot for a Connie Stevens TV series that found neither a sponsor nor a network. ~ Hal Erickson, All Movie Guide

While a man recuperates from a heart-attack, he obsesses with the thought that his wife and his doctor are having an affair, so decides to write a letter to the D.A. accusing the two of trying to kill him. After his wife mails the letter for him, he tells her of its contents which provokes his anger and he attacks her, dying on the spot from another heart attack. Though innocent, she is nevertheless desperate to somehow get the letter back. ~ Kristie Hassen, All Movie Guide

Famed anonymous director Alan Smithee (in this case a hybrid of Richard Totten and Don Siegel), directed this turgid western drama concerning Marshal Frank Patch (Richard Widmark), who, even though he has kept the peace in Cottonwood Springs for over twenty years, is now considered a local joke by the town liberals who want some new blood in the Marshall's Office. They get it when Patch shoots the drunken Luke Mills (James Lydon) in self-defense. Now the forces of progress really want Patch out. So much so that the local newspaper editor, Andrew Oxley (Kent Smith) demands his resignation. Patch not only refuses to quit but disgraces Oxley so badly in front of his son Will (Mercer Harris) that Oxley kills himself. Will is now out for blood, but Patch remains stoic, even when his old friend Lou (John Saxon) comes to town to advise him to quit. Patch refuses Lou's suggestion but decides to marry Claire (Lena Horne), the owner of the local saloon and whore house. But an uninvited guest attends the wedding ceremony --Will. And both Will and his gun are loaded. ~ Paul Brenner, All Movie Guide

Working undercover, Friday (Jack Webb) poses as a hit man, hired by Charles Stone (Vic Perrin) to kill Stone's wife (Helen Kleeb). Not unexpectedly, the killing doesn't take place and Stone is arrested--but there's a surprise in store for Friday, courtesy of the incredibly forgiving Mrs. Stone. Based on a radio episode of Dragnet which originally aired on September 28, 1950, this TV version features Ken Peters as Friday's temporary partner Sgt. Bill Cummings, replacing the late Barton Yarborough as Ben Romero (Romero's absence is explained away as "A pretty bad case of the virus.") ~ Hal Erickson, All Movie Guide

John Hughes re-works his already over-used formulas from Planes, Trains, and Automobiles, and Uncle Buck in this bald-faced rip-off directed by Peter Faiman. Ed O'Neill stars as working stiff Dutch Dooley. Dutch is in love with Natalie (JoBeth Williams), who is recovering from a failed marriage to the priggish Reed (Christopher McDonald). Her 13-year-old son Doyle (Ethan Randall) blames Natalie for the break-up of the marriage. Doyle is an effete and snobbish rich kid betraying inflections of William F. Buckley. When he refuses to join his mother for Thanksgiving, Dutch heads off to Doyle's Atlanta boarding school to kidnap him and force him to go on a ride to Chicago to spend Thanksgiving with his mother. Doyle hates Dutch for his loutish working-class ways, but when the vengeful teenager destroys Dutch's car, the two must join forces to get to Chicago by any means necessary. Along the way the two learn to love and respect each other. ~ Paul Brenner, All Movie Guide

A man finds himself living among the animals and enchanted spirits of the rainforest, and learns of the true consequences of human destruction in this animated adventure. Crysta (voice of Samantha Mathis) is a young fairy who is being tutored in the powers of magic by the older and wiser Magi (voice of Grace Zabriskie) in an Amazon rain forest. While their home was once on the verge of destruction thanks to the evil spirit Hexxus (voice of Tim Curry), the demon has been trapped inside a tree, and Crysta is free to play with her friends Batty Koda (voice of Robin Williams), a bat who escaped from an animal testing facility, and Pips (voice of Christian Slater), who has obvious romantic intentions toward the attractive young sprite. However, a clear-cutting crew destroys the tranquil peace of the rainforest, and when Crysta sees a runaway logging machine about to run over lumberjack Zak (voice of Jonathan Ward), she saves his life by shrinking him to her own size. However, Crysta isn't able to bring Zak back to his normal size, so he's forced to live among the forest creatures and learn first-hand the devastation the humans have brought to this world -- especially when the loggers accidentally free Hexxus from captivity. ~ Mark Deming, All Movie Guide