Kathleen Freeman Movies

In this drama, an egomaniacal producer freely treads upon those around him without regard to the harm he does. The devoted wife of a novelist sees this after the producer foists himself on her during a party; she tries to warn her novelist husband who wants the man to produce his play, but he does not listen. Later the producer tries to destroy his own girl friend's career by spreading vicious rumors; he succeeds and she loses her contract. Meanwhile the writer and his wife, thanks to the producer's manipulation, have separated. The writer is then forced to revise the play. The result is so bad that he cannot attract the actor he wanted to play his leading man. The novelist's wife gets her revenge on the producer by showing an original draft of the play to the actor her husband wanted. He is impressed and helps her find another producer. When the husband hears about his wife's actions he immediately returns, but not before punching the egotistical producer in the eye. ~ Sandra Brennan, All Movie Guide

Young model Jean Dexter is knocked unconscious and drowned in her own bathtub in her Manhattan apartment, and a lot of jewelry that she supposedly owned is missing. The Naked City is actually about six days in the life of New York City that coincide with the murder and the subsequent investigation by Lt. Dan Muldoon (Barry Fitzgerald) and Detective James Halloran (Don Taylor). The account of their work, and the workings of the New York City police department, is interspersed with brief vignettes about the life of the city around them, and, especially, the reaction of residents to the murder and the newspaper reports of the progress of the case. Muldoon and Halloran first must determine why she was killed, which may (or may not) have to do with how a woman with a minimal income came by the jewelry -- was it a love affair gone bad (and if so, with whom?), or something more complex and sinister? Retracing the final 18 months of the victim's life, their investigation reaches out to a mysterious "Philip Henderson" with whom she was supposedly linked romantically, and to Frank Niles (Howard Duff), who's a little too fast-and-loose with the truth when he doesn't have to be to make Muldoon comfortable; to make things more complicated, Muldoon determines that there were at least two men involved with the actual commission of the murder. The victim turns out to have led a wild life, filled with men and parties, and was tied up with several sordid figures. Their investigation carries them into the highest and lowest ends of New York's social strata to find the killer, and it turns out there are a lot of interlocking reasons why at least three men might've wanted her dead. In the process, we get glimpses of the private lives of the detectives, which was something new in movies at this time; in the midst of all of this activity, the writers set up a fascinating contrast, in adjacent scenes, between Halloran, his wife, and their young son looking toward the future, with the parents of the dead woman, looking back with bitter regret and recriminations -- no movie ever presented in more subtle fashion the contrast between the zeitgeist of the 1930s and that of the postwar era. The final chase on the Williamsburg Bridge is one of the classic pieces of suspense cinema, as the armed and desperate killer races up the walkway past children playing and adults strolling, while detectives close in on foot from behind and patrol cars come up from ahead, with crowded subways rolling past, and then into the superstructure of the bridge for a stand-off and shootout. Sharp-eyed viewers will spot future character leads Paul Ford, James Gregory, John Marley, Kathleen Freeman, and Arthur O'Connell as well as familiar faces Tom Pedi, John Randolph, Molly Picon, and Walter Burke in the supporting cast. Cinematographer William Daniels and editor Paul Weatherwax won Oscars for their work, but awards might just as easily have been presented to director Jules Dassin, writers Albert Maltz and Malvin Wald, composers Miklos Rozsa and Frank Skinner, and, most notably, to producer/narrator Mark Hellinger, who intoned the closing monologue, which opens with one of the most famous tag lines in movie history: "There are eight million stories in the Naked City." ~ Bruce Eder, All Movie Guide

Dorothy Patrick, the sweetheart of Republic Pictures' "B" unit, stars in Lonely Hearts Bandits. Patrick plays Louise Curtis, a petty crook who teams with mobster Tony Morelli (John Eldredge) to fleece the lonely. Victim number one is a lovelorn farmer, who is summarily robbed and murdered by Morelli. The second victim is a small-town widow Nancy Crane (Ann Doran). Passing themselves off as brother and sister, Louise and Tony intend to fleece Nancy for every penny she's got and to bump her off if she gets in the way. This time, however, Nancy's erstwhile fiancé Aaron Hart (Richard Travis) suspects that something is amiss. Hopefully, Hart's realization hasn't come too late. ~ Hal Erickson, All Movie Guide

MGM's The Reformer and the Redhead was the first directorial collaboration of longtime screenwriting partners Norman Panama and Melvin Frank. The reformer is Andrew Rockton Hale (Dick Powell), a mayoral candidate. Hale butts heads with a corrupt political machine, which has recently ordered the firings of several innocent city employees, including zookeeper Kevin Maguire (Cecil Kellaway). The redhead in the case is Maguire's daughter Kathleen (June Allyson), who joins Hale's election team, only to turn on him after a series of misunderstandings. The farcical proceedings culminate in a bit of Bringing Up Baby-style slapstick involving a ferocious lion. By the time Reformer and the Redhead was filmed, Dick Powell and June Allyson had been married for five years. ~ Hal Erickson, All Movie Guide

W. Lee Wilder, the younger brother of Billy Wilder, was producer/director/co-writer of Once a Thief. June Havoc stars as Margie, a shoplifter who falls in love with smooth-talking Mitch (Cesar Romero). Margie's new beau reveals his true colors by stealing every penny she has, then turning her into the authorities. Upon her release from prison, Margie swears revenge. Though Mitch gets his just desserts, no one comes out a winner in this one. Though Once a Thief offers few surprises, the film does boast an impressive supporting cast (by "B"-picture standards, at least), including Marie McDonald, Lon Chaney Jr., Iris Adrian and Kathleen Freeman. ~ Hal Erickson, All Movie Guide

Wendell Corey and Forrest Tucker, the Clark Gable and Spencer Tracy of Republic, star as a pair of World War II Army Air Corps officers. In between their battles over the affections of beautiful nurse Vera Hruba Ralston, Corey and Tucker prepare to fly a bombing mission in the South Pacific. Before boarding their B29 Superfortress, Tucker appears to be chickening out, but he's steadfastly at his cockpit post at takeoff time. For a big-budget war picture, Wild Blue Yonder contains a surprising amount of chorus boy-style singing. The best musical vignette is supporting player Phil Harris' rendition of his hit song "The Thing" ("Get outta here with that [thump! thump! thump!] /Before I call a cop" etc.) ~ Hal Erickson, All Movie Guide

While a man recuperates from a heart-attack, he obsesses with the thought that his wife and his doctor are having an affair, so decides to write a letter to the D.A. accusing the two of trying to kill him. After his wife mails the letter for him, he tells her of its contents which provokes his anger and he attacks her, dying on the spot from another heart attack. Though innocent, she is nevertheless desperate to somehow get the letter back. ~ Kristie Hassen, All Movie Guide

Let's Make It Legal begins at the end--the end of the long marriage between beautiful grandmother Miriam (Claudette Colbert) and her chronic-gambler husband Hugh (Macdonald Carey). Barbara (Barbara Bates), the daughter of the couple, hopes to bring her parents back together, which proves to be a difficult proposition when Miriam's old flame Victor (Zachary Scott), now a millionaire, arrives in town. Hugh tries all sorts of comic strategies to win his ex-wife back, but to no avail. Ultimately, Miriam must choose between the financially solvent Victor and the impishly irresponsible Hugh. This being a comedy, it isn't hard to figure who's going to be headed to the altar at fade-out time. Let's Make It Legal was partly designed to showcase two of Fox's up-and-coming contract players: Robert Wagner and Marilyn Monroe. ~ Hal Erickson, All Movie Guide

Young Robert Fontaine, Jr. (Billy Gray) lives with his hard-working father (George Murphy) and mother (Nancy Davis), who is soon to give birth to a second child, on their northern California citrus farm. He's lonely on the farm and has been saving to buy a dog. One day, a mysterious stranger (Kurt Kasznar), who gives his name as Matlock, moves into the empty house adjacent to the farm -- he's not only highly strung but downright hostile to any friendly overtures that Robert Sr. or anyone else makes. Meanwhile, young Robert finds a stray dog that he adopts, and his whole life seems to blossom with his new companion -- but one day he finds the dog dead. He becomes fixated on the notion that Matlock poisoned the dog, and insists that his father do something -- but when Matlock angrily denies knowing about it, the boy's frustrations start to build. He tries to report to the poisoning to the police; when they won't help, he tries to get Mr. Wardlaw (Lewis Stone), the owner of the newspaper that he delivers, to run a news story about it, and when Wardlaw tries to reason with the boy, his rage finally boils over and he goes out-of-control. The boy decides to try and gather evidence against Matlock and follows a trail that takes him across the state hitchhiking, to the home of the former owner of the house Matlock is living in, and there he confronts a rumor that the other man was murdered. Stories and whispers begin to spread through the town about Matlock that make him seem even more sinister. The populace are getting stirred up, and Robert Jr., in his rage, commits an act of vandalism that threatens the entire community. ~ Bruce Eder, All Movie Guide

Working undercover, Friday (Jack Webb) poses as a hit man, hired by Charles Stone (Vic Perrin) to kill Stone's wife (Helen Kleeb). Not unexpectedly, the killing doesn't take place and Stone is arrested--but there's a surprise in store for Friday, courtesy of the incredibly forgiving Mrs. Stone. Based on a radio episode of Dragnet which originally aired on September 28, 1950, this TV version features Ken Peters as Friday's temporary partner Sgt. Bill Cummings, replacing the late Barton Yarborough as Ben Romero (Romero's absence is explained away as "A pretty bad case of the virus.") ~ Hal Erickson, All Movie Guide

Though completed in 1950, Love Is Better Than Ever was held back from release until 1952, due in great part to the "political undesirability" of star Larry Parks, whose career was effectively ruined after he humbled himself before the House Un-American Activities Committee. Parks plays Broadway talent agent Jud Parker, who takes a fancy to small-town dance teacher Anastacia Macaboy (Elizabeth Taylor). Parker wines and dines Anastacia during her visit to New York for the purposes of seduction. But the girl assumes that his intentions are honorable, and sends word of her "impending" engagement to her hometown newspaper. With his reputation on the line, Parker agrees to confirm the engagement if asked, with the understanding that he doesn't really mean it. Rest assured that by fade-out time, he will mean it. Gene Kelly makes an unbilled cameo appearance in Love Is Better Than Ever, which also features such reliables as Ann Doran, Kathleen Freeman, and Dick Wessel. ~ Hal Erickson, All Movie Guide

Bonzo Goes to College is the one that Ronald Reagan isn't in. The focus, of course, is on brainy chimpanzee Bonzo, who escapes a seedy sideshow and hides out on a college campus. Here he is adopted by Betsy Drew (Gigi Perreau), the daughter of nonplused professor Malcolm Drew (Charles Drake). Eventually, Bonzo joins the football team, and becomes the star player. A pair of bad guys kidnap Bonzo on the eve of the Big Game, but it isn't difficult to guess how things will turn out. More gimmicky than its predecessor Bedtime for Bonzo, Bonzo Goes to College is constructed more along the lines of Universal's "Francis" pictures (except that Bonzo doesn't talk). Outside of the chimp, there are a few good supporting performances by Maureen O'Sullivan as Drew's wife, Gene Lockhart and Edmund Gwenn as Betsy's feuding grandfathers, and young Jerry Paris as one of the crooks. ~ Hal Erickson, All Movie Guide