Howard Freeman Movies

This family comedy stars James Stewart as Dr. Robert Leaf, a college professor who dislikes science and tries to instill in his children a love of art and music. So Robert and his wife Vina (Glynis Johns) are dismayed to discover that their eight-year-old son Erasmus (Billy Mumy) is tone-deaf and color-blind; what's worse, he has a genius-level talent for mathematics. Robert isn't sure what to do about Erasmus, but while his older sister Pandora (Cindy Carol) puts his skills to work by getting him to do her homework, his older friend Kenneth (Fabian) has a better idea. Kenneth and Erasmus come up with a foolproof plan for picking the winners in horse racing -- so foolproof that it draws the attention of two con men, Upjohn (John Williams) and Argyle (Jesse White), who want to use Erasmus's skills to clean up at the track. Robert at first refuses, and then relents only when they agree to use a cut of the proceeds to endow a humanities scholarship, though Robert is about the only one surprised when the men prove not to be good to their word. Meanwhile, Erasmus is head over heels in love with French screen siren Brigitte Bardot -- so much so that he's been writing her love letters. In return, the lucky boy has received an invitation to come meet her, and Robert and Erasmus use some of their racetrack winnings to fly to Paris and take her up on her offer. Nunnally Johnson, who received no credit, contributed to the screenplay; Miss Bardot, of course, plays herself (who else could?). ~ Mark Deming, All Movie Guide

June Allyson plays a band singer working in New York City; Van Johnson is the manager of a fancy apartment house where a murder is committed. The victim is Allyson's wealthy uncle, and since she can't account for her actions at the time of the crime, Our Heroine is the principal suspect. The real murderer is an expert in hypnosis, who uses this skill to manipulate Allyson's actions--and to lure the girl to her potential doom. Johnson doesn't figure things out until it's almost too late. Remains to Be Seen was based on the Broadway comedy/mystery by Howard Lindsay and Russell Crouse, which originally starred Jackie Cooper and his then-wife Janis Paige. ~ Hal Erickson, All Movie Guide

Who else but Esther Williams could star in a romantic drama (with musical numbers) bearing a title like this? In Million Dollar Mermaid, Williams plays Annette Kellerman, a real-life Australian swimming star who took up the sport as a child to strengthen her legs, which were severely weakened by a birth defect. The treatment proves effective, and as she grows to adulthood, Annette shows that she has the talent to be a champion swimmer, though she prefers to follow her dream of becoming a ballet dancer. When Annette's father Frederick (Walter Pidgeon) accepts a position in London teaching music, Annette opts to go with him, and along the way she meets James Sullivan (Victor Mature) and Doc Cronnol (Jesse White), the joint-owners of a boxing kangaroo they intend to exhibit in London. James is already aware of Annette's abilities as a competitive swimmer, and he offers to be her manager and help her earn a living from her aquatic skills. At first Annette isn't interested, but when Frederick's job falls through and she can't find work as a dancer, Annette reluctantly agrees to work with James. He arranges a publicity stunt in which Annette swims 30 miles down the Thames River, which attracts the avid attention of the British press and wins her some work as a dancer. Convinced that the big money is in America, James persuades Annette to travel with him to the U.S., where she creates a scandal in Boston by staging another long swim in a one-piece bathing suit, considered shockingly-revealing at the turn of the Century. The stunt nearly lands Annette in jail, but she escapes the long arm of the law and becomes the star of a water ballet revue. Annette had fallen in love with James, but after an argument, he resigns as her manager and Annette takes up with Alfred Harper (David Brian), the male lead in her show. Annette and Alfred agree to marry while working on a movie together, but James returns on the last day of shooting, determined to win back the heart of the woman he loves. Legendary choreographer Busby Berkeley staged the film's elaborate water-ballet sequences. ~ Mark Deming, All Movie Guide

One man's good luck leaves a very bad impression in this comedy. Johnny Dalton (Frank Sinatra) and Mildred Goodhug (Jane Russell) are two tellers working at the same bank who have fallen in love and want to get married. However, neither is making much money, and Johnny doesn't want to set a date until he has some savings in the bank. Emil J. Keck (Groucho Marx), a pal of Johnny's who waits tables at a diner, suggests that it can't be that difficult to "find" some money in a bank, but Johnny prefers to stay on the straight and narrow. However, Johnny enjoys a sudden windfall after he happens upon "Hot Horse" Harris (Nestor Paiva), a racetrack tout being beaten up by ne'er-do-wells, and breaks up the fight. Grateful Harris places a bet on a "can't lose" horse in Johnny's name, and suddenly Johnny is $60,000 richer. But before Johnny and Mildred can enjoy their good fortune, word leaks out that someone has embezzled $70,000 from the bank, and the suddenly prosperous Johnny seems a likely suspect. Double Dynamite was produced under Howard Hughes' supervision at RKO, but bad blood between Hughes and Sinatra led to "Ol' Blue Eyes" receiving third billing for the film's leading role; the film also spent over a year on the shelf before finally hitting theaters. ~ Mark Deming, All Movie Guide

Tough reporter Ed Adams (Alan Ladd) wants to get the full story behind the apparent suicide of a young woman. It seems that the girl left behind a notebook with a list of seemingly unrelated names. Adams tracks down each one of the persons cited in the notebook, slowly but surely putting the pieces together. Once the basic mystery is solved, however, there's one surprising loose end left to be tied up. June Havoc co-stars as Leona, self-styled best friend of the decedent, who helps Adams in his quest. As the victim, Donna Reed appears exclusively in flashbacks. Based on a story by veteran suspense scrivener Tiffany Thayer (of Thirteen Women fame), Chicago Deadline was remade for television in 1966 as Fame is the Name of the Game. ~ Hal Erickson, All Movie Guide

Perhaps the finest American film from the famed European director Max Ophüls, the film stars Joan Fontaine as a young woman who falls in love with a concert pianist. Set in Vienna in 1900, the story is told in a complex flashback structure as the pianist, Stefan Brand (Louis Jourdan), comes upon a letter written to him by Lisa Berndl (Fontaine), a girl who has been in love with him for years. Stefan is in the process of fleeing Vienna on the eve of fighting a duel. As he prepares himself for the nocturnal journey, the letter arrives. It begins, "By the time you read this letter, I may be dead." As Stefan sits back in his study to read this letter, it turns out to be a confession of unrequited love from Lisa. The story flashes backs to when Lisa was 14 years old and Stefan was her neighbor. After following Stefan with a girlish obsession, the romance gets much more serious, and they have a brief encounter. Stefan promises to come back to her after a concert tour, but he never does. Meanwhile, Lisa marries another man when she discovers that she is pregnant with Stefan's child. When she runs into Stefan years later, he doesn't remember her and tries to seduce her. After Stefan reads the letter, he wants to rush to her side, but now poor Lisa is dying from typhus. ~ Paul Brenner, All Movie Guide

The opening scene of Robert Siodmak's grim film noir depicts police lieutenants Candella (Victor Mature) and Collins (Fred Clark) observing wounded cop killer Martin Rome (Richard Conte) receive last rites. Though Rome recovers, he still must elude Candella and Collins in his desperate attempt to escape his fate. Rome has two visitors in the hospital: his girlfriend, Teena (Debra Paget), who goes into hiding, and Niles (Berry Kroeger), a crooked lawyer. Niles tries to bribe Rome to take a jewel theft and homicide rap for a client of his since Rome is facing the electric chair anyway. When Rome refuses, Niles threatens to frame Teena as the client's female accomplice. Worried that Candella might find Teena, Rome breaks out of jail and goes to Niles' office to accept the offer, but he actually plans to leave the country with Teena. When Niles reneges, Rome kills him, but not before learning the accomplice's identity and discovering the stolen jewels in the lawyer's safe. Rome finds the accomplice, Rose Given (Hope Emerson), and offers to trade the jewelry for the means to leave the country. She agrees, and they arrange a meeting in the subway, but Rome informs Candella of the plan. When the police arrive, Candella is shot, Rose is arrested, and Rome escapes to meet up with Teena in a church. As he is trying to convince Teena to run away with him, a wounded Candella shows up and tells Teena how Rome uses people and that everyone who helped in his escape will be paying a price. Teena rejects Rome, and he runs again, only to be shot down by Candella. The moral order is ultimately restored, but no one has been left unscarred. ~ Steve Press, All Movie Guide

The Dorothy Fields-Sigmund Romberg Broadway musical Up in Central Park has been retooled as a vehicle for a pleasantly plump Deanna Durbin. Set in New York in the 1870s, the film casts Durbin as hoydenish Irish immigrant Rosie Moore, who becomes the romantic bone of contention between muckraking newspaper reporter John Matthews (Dick Haymes) and corrupt but charming political boss Tweed (Vincent Price, considerably handsomer and slimmer than the real Tweed). With Rosie's help, John manages to expose Tweed's Tammany Hall shenanigans. Though only two songs have been retained from the original Broadway production, both Durbin and Haymes are afforded several opportunities to sing. Featured in the cast as Durbin's father is Albert Sharpe, who'd just completed a run in the smash New York musical Finian's Rainbow and who later played the title role in Disney's Darby O'Gill and the Little People (1959). Best scene: The Currier & Ives ballet, one of the few holdovers from the stage version of Up in Central Park. ~ Hal Erickson, All Movie Guide

Hoping for a success commensurate with his previous Show Business (1945), comedian Eddie Cantor poured a lot of his own money into the RKO Radio musical If You Knew Susie. Cantor and his Show Business co-star Joan Davis are reteamed herein as ex-vaudevillians Sam and Susie Parker, who retire to a small and rather cloistered New England town. Faced with the snobbery of the local "aristocracy," Sam and Susie come to believe that they aren't worthy of their new neighbors, nor of their own children. All this changes when the Parkers find a document signed by George Washington bestowing $50,000 on one of Sam's forebears! According to the government, Sam and Susie are now owed several billion dollars interest. Sam patriotically refuses to accept the money, thereby becoming a national hero -- but not before a plenitude of comic plot twists involving gangsters Sheldon Leonard and Joe Sawyer. Cast as the Parkers' daughter Marjorie is "newcomer" Margaret Kerry, who'd actually been in films since 1936 as child actress Peggy Lynch. One of the musical highlights in If You Knew Susie is a clip from Show Business, featuring Cantor, Davis, George Murphy and Constance Moore. ~ Hal Erickson, All Movie Guide

Summer Holiday is a musical remake of the 1935 MGM comedy-drama Ah, Wilderness!, which in turn was adapted from the play by Eugene O'Neill. Mickey Rooney (who played a supporting role in the 1935 film) stars as O'Neill's alter ego Richard Miller, a young man coming of age in early 20th century New England. Anxious to live life to the fullest, Richard ignores the cautionary admonitions of his father Nat (Walter Huston), preferring instead to follow the example of Uncle Sid (Frank Morgan), the family's "black sheep". In his ongoing quest for wine, women and song (he gets precious little of the first two commodities, but plenty of the third!) Richard ignores the fact that the true love of his life, sweet young Muriel (Gloria De Haven), has been under his nose all along. Director Rouben Mamoulien's obsession with cinematic innovations is largely absent here; what emerges is a staid, conventional MGM musical, albeit gorgeously photographed in Technicolor by Charles Schoenbaum. Filmed in 1946 but not released until 1948, Summer Holiday would not be the last musicalized version of Ah, Wilderness!; that honor went to the 1959 Broadway musical Take Me Along, which starred Jackie Gleason as Uncle Sid. ~ Hal Erickson, All Movie Guide

A visibly uneasy Spencer Tracy plays the title role in this lavish MGM screen version of Sinclair Lewis' 1945 magazine serial. A small-town bachelor judge, Cass Timberlane, takes a personal interest in beautiful stenographer Jinny Marshland (Lana Turner), who appears one day as a witness in his court. They marry after a whirlwind courtship, but Jinny soon finds herself stifled among Cass' country club cronies and their haughty wives. A stillborn baby makes things even worse and the young wife attempts to find solace in amateur theatrics. Thus she is easy prey for suave lawyer Bradd Criley (Zachary Scott), who nevertheless does the decent thing and moves to New York. Jinny convinces her husband to follow, but after halfheartedly attempting to find a practice in the Big City, he discovers that there's no place like home. A terrible car accident that almost costs Jinny her life bring husband and wife together, however, and both discover that they belong in Grand Republic, MN, in general and with each other in particular. MGM apparently had a difficult time finding Spencer Tracy's co-star and at one point attempted to borrow Jennifer Jones from producer David O. Selznick. Vivien Leigh and Virginia Grey were also considered before the role of Jinny finally was awarded to Lana Turner. ~ Hans J. Wollstein, All Movie Guide

In this musical comedy a young man and woman base their love on lies that eventually manage to come true. Songs include: "It's All In The Mind," "The More We Get Together," "How Can You Tell?" "They Won't Let Me Sing," "Honeymoon On A Dime." ~ Sandra Brennan, All Movie Guide