Al Freeman, Jr. Movies

Actor Tim Reid (WKRP in Cincinnati) made his directorial debut with this filmed adaptation of Clifton L. Taulbert's autobiography. Set in an African-American community in the segregated South, Once Upon a Time...When We Were Colored follows a young Taulbert through three decades, beginning with his birth in a cotton field in 1946. As he grows up, Taulbert is faced with the harsh realities of being black in the mid-20th century: first from the lessons of his great-grandfather (Al Freeman Jr.), later in his trips to the local segregated library, and finally in 1962, when a 16-year-old Taulbert watches as his community deals with a racist white business owner trying to run a local black ice man out of town. Once Upon a Time...When We Were Colored was the recipient of the Audience Choice Award at the 1995 St. Louis International Film Festival. ~ Matthew Tobey, All Movie Guide

Russert (Isabella Hoffman) suspects that her new partner is at the end of his rope -- and is abusing his wife as a result of his frustration. In other developments, Giardello (Yaphet Kotto) and Bayliss (Kyle Secor) try to talk Pembleton (Andre Braugher) out of resigning; Lewis (Clark Johnson) surprises Bayliss during a wild ride to a crime scene; and Felton (Daniel Baldwin) catches up with his kids. And after innumerable setbacks, the detectives' after-hours bar is on the verge of opening to the public. ~ Hal Erickson, All Movie Guide

Bigotry and values are questioned when a Black West Point cadet is singled out and harassed by fellow cadets and senior officers. ~ All Movie Guide

Originally scheduled to air on October 11, 1990, this Law & Order episode was bumped forward to November 20 of that year. The flames of racial unrest are fueled when a young African-American honors student is shot by Freddo Parisi (John Finn), a white cop. Much to their dismay, detectives Greevey (George Dzundza) and Logan (Chris Noth) are faced with the likelihood that the cop may have planted a weapon on the deceased to get himself off the hook. Likewise made uncomfortable by the implications and possible consequences of the incident, assistant D.A.'s Stone (Michael Moriarty) and Robinette (Richard Brooks) nonetheless set a trap to catch Officer Parisi in his own web of deceit. ~ Hal Erickson, All Movie Guide

A judge becomes guilt-ridden after a technicality forces him to release a band of murderous crooks in this crime thriller. As a result of his action, an anguished husband becomes a bloodthirsty vigilante looking for revenge against the crooks because they murdered his wife. This causes the judge to enter the gang's dangerous neighborhood to see that justice is finally done. ~ Sandra Brennan, All Movie Guide

Hoping to relive his glory days as "Combustible Huxtable", Cliff (Bill Cosby) jumps at the chance to reunite his old college track team on behalf of his former coach Ernie Scott (Al Freeman Jr.). It seems that Scott has arranged a "grudge" mile-relay match with the only runner who'd ever defeated Cliff, one "Tailwind" Turner (played by 1956 Olympic medalist Joshua Culbreath). Unfortunately, it's been 25 years since Cliff ran competitively, and the old "Combustible" ain't what he used to be. The final sequence was taped on location at the Meadowlands. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Kojak (Telly Savalas) is both angered and frustrated when a known child molester is set free because he is protected by diplomatic immunity. The challenge now is to stop the smirking pedophile before he attacks again. Unfortunately, Kojak (Telly Savalas) is stymied by Federal agents who are duty-bound to shield the criminal from prosecution to avoid a potentially explosive international incident. ~ Hal Erickson, All Movie Guide

Having tried and failed to produce the David Westheimer novel and play My Sweet Charlie as a theatrical film, Richard Levinson and William Link had to be content with making the property as a TV movie-which turned out to be one of the very best of its kind. Al Freeman, Jr. plays Charlie, a black New York lawyer falsely accused of a crime in a rural Texas town. Escaping from his tormentors, Charlie takes refuge in a boarded-up farmhouse. Here he meets another fugitive: unmarried, pregnant Marlene Chambers (Patty Duke). Hostile towards each other at first, Charlie and Marlene become friends. The story's tragic ending nonetheless holds a glimmer of hope. Emmy Awards went to star Patty Duke (the first ever given to a TV-movie actress) and to the script by Levinson and Link. First telecast January 20, 1970, My Sweet Charlie was later given a brief theatrical release. ~ Hal Erickson, All Movie Guide

Jason Higgs (Sidney Poitier) is an angry black man who plans to rob a factory payroll. With the help of his accomplices Dennis (Al Freeman Jr.) and his white girlfriend Cathy (Joanna Shimkus), a racially motivated demonstration diverts attention from the crooks while they rob the safe. Jason is somewhat of a modern-day Robin Hood who wishes to use the money to help the children of incarcerated soul brothers. He only places his hope in the youth who have not been sullied or scalded by the hatred of racial prejudice. ~ Dan Pavlides, All Movie Guide

Frank Sinatra gives a gritty performance in the crime thriller The Detective. When Teddy Leikman, the homosexual son of a politically connected department-store magnate, is murdered, detective Joe Leland (Frank Sinatra) is sent in to investigate. Leland drags in Teddy's psychotic former roommate Felix Tesla (Tony Musante) and forces a confession out of him; for his work on the case Leland gets a promotion, which troubles him. Afterwards, Norma MacIver (Jacqueline Bisset), the widow of a well-heeled accountant, comes to see Leland. Her husband was killed after falling off the grandstand at a racetrack -- but Norma thinks he was pushed. She asks Leland to investigate her husband's death. Reopening the case, Leland discovers that the police are opposed to him scratching around any further, and after an attempt on his life, he uncovers some startling evidence that may connect the two deaths. ~ Paul Brenner, All Movie Guide

Anthony Harvey directed this adaptation of the controversial allegorical drama by African-American playwright Amiri Baraka (aka LeRoi Jones). Lula (Shirley Knight), a slatternly woman with a racist streak, encounters Clay (Al Freeman Jr.), a mild-mannered black man, on a New York subway car. Lula at first attempts to seduce Clay, who is initially resistant, but once he begins to respond in kind, she starts to taunt him viciously, goading him until he explodes into violence. This short feature was at once Harvey's last credit as an editor and first as a director. ~ Mark Deming, All Movie Guide