Indus Arthur Movies
- 1971
- PG
In this comedy a golden-boy tennis player in search of Life's meaning is corrupted by Hollywood, too much praise, and the temptation to sell out. His life therefore, becomes a metaphor for the morals of Hollywood society. ~ Sandra Brennan, Rovi
Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived. ~ Lucia Bozzola, Rovi
- Starring:
- Elliott Gould, Donald Sutherland, (more)
William Holden stars as Alvarez Kelly in this Civil War actioner. While transporting 5,000 head of cattle to the Union forces, Holden is captured by Confederate officer Richard Widmark. Threatened with instant execution if he doesn't cooperate, Holden sets about the train the raw rebel troops to become cattle drovers in order to transport the herd below the Mason-Dixon line. Widmark turns out to be the least of Holden's problems when he tries to negotiate the cattle through Indian territory. ~ Hal Erickson, Rovi
- Starring:
- William Holden, Richard Widmark, (more)
- 1966
Raymond Burr essays a dual role in this offbeat episode, appearing as both Perry Mason and Mason's evil lookalike, a scurrilous merchant seaman named Grimes. It seems that someone has hired Grimes to pose as Mason in order to discredit the lawyer's testimony in a hearing over a million-dollar patent dispute. Subsequently, the winner of the dispute, Otis Swanson (Oliver McGowan), is murdered, and innocent Barbara Kramer (Indus Arthur) is arrested for the crime. To save Barbara from the gas chamber, Perry must literally chase himself by tracking down the elusive--and dangerously short-tempered--Mr. Grimes. ~ Hal Erickson, Rovi
- 1965
Alfred Hitchcock's long-running suspense anthology wraps up its ten seasons on the air with its 361st episode, directed by a pre-French Connection, pre-Exorcist William Friedkin. John Gavin heads the cast as Johnny Kendall, a trigger-happy cop who is suspended from the force after killing a derelict during a liquor-store holdup. With no other source of income, Johnny heads to a small vacation town to take a job as a watchman. His efforts to keep his temper in check seem to be working until Johnny begins to suspect that his girlfriend, Sandy (Indus Arthur) is fooling around with the local sheriff's ex-deputy (Richard Jaeckel). "Off Season" was written by Robert Bloch, whose most famous collaboration with Alfred Hitchcock is the 1960 chiller Psycho. ~ Hal Erickson, Rovi
- Starring:
- John Gavin, Dody Heath, (more)
- 1965
Accused by Vera Wynne (Jeanne Bal) of embezzling $200,000 from the So-Cal Investment Company, executive Clyde Darrell (Linden Chiles) hires Paul Drake (William Hopper) to expose the real crook, who is also suspected of leaking secret trading informaton to the firm's rival. Paul is able to identify the "leaker" but not the embezzler--and it begins to look REALLY bad for Darrell when Vera is murdered. Perry Mason (Raymond Burr) agrees to handle the man's defense, even though Darrell is convinced that he really is the murderer! ~ Hal Erickson, Rovi
- 1965
Sidney Pollack marked his feature film directing debut with this taut suspense drama, based upon an actual incident reported in Time Magazine. Sidney Poitier stars as Alan Nuell, a student volunteer at a medical clinic in Seattle who answers the phone to find Inge Dyson (Anne Bancroft) on the other end. Inge, depressed about her life, has just taken an overdose of sleeping pills. With Inge slowly dying, Alan tries to keep her talking on the phone while the police try to trace the call and save her life. Inge tells Alan that she has decided to end it all because her husband has discovered that he is not the father of her son. ~ Paul Brenner, Rovi
- Starring:
- Sidney Poitier, Anne Bancroft, (more)
