Bert Freed Movies

Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state's attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination. ~ Linda Rasmussen, All Movie Guide

Jane Greer plays a hard-boiled dame so well in The Company She Keeps that the film's outcome remains in doubt right up to the end. Placed in the custody of parole officer Joan (Lizabeth Scott), Diane (Greer) immediately makes a play for Joan's boyfriend, newspaper columnist Larry (Dennis O'Keefe). Despite the nagging belief that Diane is just plain no good, Joan magnanimously tries to smooth the path of true love for the girl and Larry. Despite the engaging performances of the stars and the smooth direction of John Cromwell, The Company She Keeps failed to connect with audiences, and ended up a $315,000 loser. Trivia alert: that lady in the train terminal with the two unruly kids is Dorothy Bridges, the wife of actor Lloyd Bridges. And those two troublesome tots are Dorothy and Lloyd's sons Beau and Jeff! ~ Hal Erickson, All Movie Guide

Edmond O'Brien plays a telephone repairman whose electronic savvy earns him a job with a bookmaking concern. O'Brien's bookie boss Barry Kelly wants to get instant results from the nation's racetracks, and to this end O'Brien illicitly plugs into several communication centers. The wealthier O'Brien becomes, the more scruples he sheds. Eventually he runs afoul of the Big Boss of an Eastern bookie syndicate (Otto Kruger) and vainly attempts to escape with his life in a slam-bang final at Boulder Dam. 711 Ocean Drive was made to cash in on a then-current national newspaper expose of bookmaking operations. ~ Hal Erickson, All Movie Guide

Dana Andrews is brutal metropolitan police detective Dixon, who despises all criminals because his father had been one. When the cops pick up two-bit gambler Ken Paine (Craig Stevens) as a murder suspect, Dixon subjects Paine to the third degree -- and accidentally kills him. In disposing of the body, Dixon inadvertently places the blame for the killing on cab driver Jiggs Taylor (Tom Tully). Having fallen in love with Jigg's daughter, Morgan (Gene Tierney), Dixon tries to clear the cabbie without implicating himself, but ultimately he becomes trapped in a web of his own making; luckily Morgan promises to stand by him. Where the Sidewalk Ends was adapted from a novel by William L. Stuart; its director was Otto Preminger, who'd previously put Andrews and Tierney through their paces in Laura (1944). ~ Hal Erickson, All Movie Guide

A pioneering film about racial tensions, No Way Out stars Richard Widmark as a criminal named Ray Biddle, who despises African-Americans. Sidney Poitier (in his screen debut) is the black doctor, Luther Brooks, assigned to take care of the wounded Ray. Dr. Brooks, hired by the police hospital as part of an overall program to integrate the staff, keeps his temper in check as Ray spouts his racist invective. When Ray's brother, also wounded, dies in the hospital, the blustering bigot holds Dr. Brooks responsible and sends word to his gang to wreak vengeance on the city's black community. But the blacks turn the tables on the whites and fight them off. Ray then breaks out of the hospital with Dr. Brooks as hostage. His plans to kill the doctor are thwarted by Ray's girlfriend (Linda Darnell), who finally becomes fed up with his blind hatred. No Way Out was considered potent stuff in 1950; it was still regarded as a hot potato in 1962, when NBC dropped plans to telecast the film on "Saturday Night at the Movies." ~ Hal Erickson, All Movie Guide

The rugged Colorado Territory provides the setting for this epic Civil War-era western chronicle of a Southern rebel who sets off to join Captain Quantrill's raiders. Along the way, the rebel kills a Union supporter who had stolen the rebel's land. Unfortunately, he leaves a different Confederate to shoulder the blame. Fortunately, just before the falsely-accused is to get lynched, the rebel dashes up to save him. Not realizing his savior is also the one who got him into the fix, the grateful man takes the rebel to his isolated cabin to hide. There the rebel meets his new friend's fiancee. Things are fine until she learns the truth about the rebel. He takes off into the wilderness with the lovers in hot pursuit. They all end up lost and forced to seek shelter in a cave after the woman's hapless lover slips and breaks his leg. While delirium overtakes the injured man, romantic sparks fly between the rebel and the girl. One day, the rebel sees Quantrill's band and rides down to meet them. It is then that he discovers an awful truth and so rides off to set things right. The character of Captain Quantrill is based on an actual historical figure. ~ Sandra Brennan, All Movie Guide

Ernest Hemingway could never come to terms with Hollywood's preoccupation with The Happy Ending: he accepted the money for the screen rights to his short story The Snows of Kilimanjaro, but he could never bring himself to watch it. Gregory Peck plays a character based, in decidedly unflattering fashion, on Hemingway crony F. Scott Fitzgerald. While hunting in the African mountains in the company of his faithful lady friend Susan Hayward, Peck is seriously wounded; in fact, it doesn't look as though he'll survive the night. In the few hours he has left, Peck reflects upon what he considers a wasted life. Having aspired to be the Great American Novelist, Peck has only turned out money-making drivel. The only time that he truly felt as though he'd made a contribution to the world was when he fought on the Loyalist side in Spain (this element isn't in the short story, but is drawn from Hemingway's own experiences). As for his lost romance with his late wife Ava Gardner, Peck still cannot figure out what went wrong. The Hemingway original ended with the Peck character dying from his wounds; producer Darryl F. Zanuck wouldn't hear of this, preferring that Peck survive with the resolve to write something of lasting value. The Technicolor location photography of Leon Shamroy and the rumbling musical score of Bernard Herrmann are the main attractions of The Snows of Kilimanjaro. ~ Hal Erickson, All Movie Guide

The fate in the Free World is threatened when three atomic scientists decide to sell their secrets to the Reds. American secret agent Steve (George Brent) heads to Tangier, where he poses as a black marketer in hopes of intercepting the rogue scientists. But Steve finds he has a formidable foe in the shapely shape of Soviet spy Millicent (Mari Aldon), who is posing as an American heiress to throw the Good Guy off the track. Dan Seymour, veteran of such espionage mellers of the 1940s as Casablanca and To Have and Have Not, has a juicy role as the head of the Tangier police. Tangier Incident wasn't quite an "A" picture, but it was too slick and expensive-looking to qualify for a "B." ~ Hal Erickson, All Movie Guide

At the height of their TV fame, Lucille Ball and Desi Arnaz were contracted by MGM to make two theatrical films. The first of these, The Long, Long Trailer, stars Lucy and Desi as an upwardly mobile couple who decide to buy a trailer so they can live together while his job takes him around the country. Thanks to their naivete in such matters, they end up with a huge, bulky RV that costs five times what they planned. Their "seeing America" trip turns out to be a slapstick disaster, topped by Lucy's foolish decision to hide a heavy rock collection in the trailer; as Desi tries to maneuver a treacherous mountain road, the weighted-down home-on-wheels nearly loses its balance and almost tumbles off a cliff. The story is told in flashback, as Desi 'splains the breakup of his marriage to a motel court manager. Happily, Lucy shows up, goes "Waaaaah" a little, and all is forgiven. Despite the fact that audiences were getting Ball and Arnaz for free each week on television, The Long, Long Trailer was a big hit at the box-office. The film was adapted by Albert Hackett and Frances Goodrich from a novel by Clinton Twiss, with uncredited assistance from the I Love Lucy writing staff. ~ Hal Erickson, All Movie Guide

William Gibson's novel The Cobweb was brought to the screen by MGM with an impressive, hand-picked cast. Richard Widmark plays the head of a posh psychiatric clinic. Widmark's wife Gloria Grahame jockeys for the honor of selecting new drapes for the hospital's library. One wouldn't think that such a trivial decision would spark so much melodrama; but thanks to those drapes, we are allowed to probe the disturbed psyches of martinet business affairs director Lillian Gish, philandering doctor Charles Boyer, lonely activities director Lauren Bacall, and suicidal patient John Kerr. Oscar Levant, who spent most of his life in and out of "little white rooms", is ideally cast as a neurotic musician, while Fay Wray has a superb cameo as Boyer's long-suffering wife. Cobweb served as the screen debuts for both John Kerr and Susan Strasberg. ~ Hal Erickson, All Movie Guide

Adapting Humphrey Cobb's novel to the screen, director Stanley Kubrick and his collaborators Calder Willingham and Jim Thompson set out to make a devastating anti-war statement, and they succeeded above and beyond the call of duty. In the third year of World War I, the erudite but morally bankrupt French general Broulard (Adolphe Menjou) orders his troops to seize the heavily fortified "Ant Hill" from the Germans. General Mireau (George MacReady) knows that this action will be suicidal, but he will sacrfice his men to enhance his own reputation. Against his better judgment, Colonel Dax (Kirk Douglas) leads the charge, and the results are appalling. When, after witnessing the slaughter of their comrades, a handful of the French troops refuse to leave the trenches, Mireau very nearly orders the artillery to fire on his own men. Still smarting from the defeat, Mireau cannot admit to himself that the attack was a bad idea from the outset: he convinces himself that loss of Ant Hill was due to the cowardice of his men. Mireau demands that three soldiers be selected by lot to be executed as an example to rest of the troops. Acting as defense attorney, Colonel Dax pleads eloquently for the lives of the unfortunate three, but their fate is a done deal. Even an eleventh-hour piece of evidence proving Mireau's incompetence is ignored by the smirking Broulard, who is only interested in putting on a show of bravado. A failure when first released (it was banned outright in France for several years), Paths of Glory has since taken its place in the pantheon of classic war movies, its message growing only more pertinent and potent with each passing year (it was especially popular during the Vietnam era). ~ Hal Erickson, All Movie Guide

In this episode of The Rifleman, Lucas McCain (Chuck Connors) finds himself in the odd position of having to defend an old nemesis, Oat Jackford (Bert Freed), when a hired killer (John Dehner) come gunning for him. Paul Fix co-stars in his recurrent role of Marshal Micah Torrance in this episode directed by series creator Sam Peckinpah. ~ Hans J. Wollstein, All Movie Guide

Arrested for embezzling 20,000 dollars, mild-mannered Milton Potter (Paul Hartman) immediately surrenders to the police, explaining that he is "not the running type." Sentenced to 12 years in jail, Milton is given several opportunities to shorten his sentence by revealing the whereabouts of the stolen money, but he refuses each time. And then, upon his release, Milton promptly returns every penny of the 20 grand. So what was in it for him? You'd be surprised. ~ Hal Erickson, All Movie Guide