John Frederick Movies

One of a number of films that dealt with addiction following the explosion of recreational drug use in the 1960s, Jennifer on My Mind opens as footloose twentysomething Marcus (Michael Brandon) is wandering through Europe. In Venice, he meets a beautiful young woman named Jenny (Tippy Walker); they fall in love, start travelling together, and smoke an awful lot of marijuana. When Jenny decides to return to the United States and heads back to New York, Marcus tags along, but before long (as usually happens in films of this sort), Jenny moves from pot to harder drugs, and Marcus has to deal with the fact the woman he loves has become a heroin addict. Written by Erich Segal, who had earlier gained fame for Love Story, Jennifer on My Mind also features a prescient supporting performance by Robert DeNiro, who plays a taxi driver. ~ Mark Deming, All Movie Guide

This uneven comedy finds Fred (Ian McShane) as a writer living off his royalties in Italy. Married to the long-suffering Millie (Ann Calder-Marshall), Fred revels in a series of affairs with a bevy of Italian beauties. Millie soon grows tired of being alone and takes up with two Italian Don Juans (Sammy Pavel and Marino Mase). When she meets Grant Granite (John Gavin), the two immediately fall for each other and are unable to contain their animalistic passion. Joyce Van Patten also appears in this effort that barely scratches the surface of comedy outside of a few running gags. ~ Dan Pavlides, All Movie Guide

In 1969, The Damned (La caduta degli dei) was director Luchino Visconti's most controversial film to date. Set in the 1930s, the film zeroes in on a Krupp-like family of German munition manufacturers. The Essenbeck clan is headed by the Baron (Rene Kolldehoff), but daughter Sophie (Ingrid Thulin) wants her Nazi boyfriend to take over the business. Soon the Baron is dead and Bruckman (Dirk Bogarde) becomes company president. Son Martin (Helmut Berger) is the dope-addicted teenager who sleeps with his mother and drags her into her own dependence on drugs. Ever in pursuit of more millions to add to their already bulging coffers, the family plays along with the Nazis, descending into corruption, betrayal and murder all along the way. The film was originally released in the U.S. with an X rating. ~ Hal Erickson, All Movie Guide

A Pope contends with the prospects of nuclear world destruction in this Cold-War saga of religious faith and international politics. (Anthony Quinn) plays a Russian priest who has spent 20 years in a Siberian labor camp. When Russian and Chinese relations deteriorate, Russian Premier Kamenev (Laurence Olivier) releases him and he is made a cardinal. Kamenev wishes to have a representative at the Vatican in Rome for future political situations. When the Pope (John Gielgud) dies, a series of events makes the Russian priest the first Pope from a communist country. Taking the name of the saint who spread the gospel to Russia, he becomes Pope Kiril Lakota. He often leaves the Vatican in disguise to mingle with the people to remain in touch with the poor and the needy. When millions of Chinese face starvation, the Pope offers to sell the riches of the church on order to feed the hungry, and he asks that all wealthy countries do the same. David Janssen is the television reporter stationed in Rome whose wife (Barbara Jefford) receives counseling from Kiril, unaware he is the Pope. In a symbolic gesture, Kiril offers his crown as a down payment in an attempt to bring world peace and end the starving of millions. Although a fine drama with a competent international cast, the movie failed at the box office to recoup the 9-million-dollar production costs. ~ Dan Pavlides, All Movie Guide

Opening in England during the middle of World War II, A Guy Named Joe tells the story of Pete Sandidge (Spencer Tracy), a tough, devil-may-care bomber pilot who's amassed an enviable record in combat, mostly by taking chances that give his C.O. (James Gleason) the shakes, much as he and the top brass appreciate the results. Pete lives to fly, but he also appreciates the fairer sex, which for the last couple of years means Dorinda Durston (Irene Dunne), herself a hot-shot air-ferry pilot. She's also worried about the chances he takes, even after Pete and his best friend, Al Yackey (Ward Bond), are transferred to Scotland and switched to flying reconnaissance missions. Pete finally agrees to take a training position back in the States, but he must fly one last mission, to locate a German force threatening an Allied convoy. He and Al do the job and have turned for home when the German fighter cover attacks; Pete's plane is damaged and he's wounded, and after his crew bails out he takes the burning ship down and drops his bomb-load on the main German attack ship (a carrier, which is totally inaccurate) at zero altitude. His plane is caught in the blast and destroyed, and that's where the main body of the movie begins.

Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide