Stan Freberg Movies

In a land where cartoon characters and flesh-and-blood people work side by side, one little black duck lands in a big pot of trouble in this comedy, which brings the beloved Looney Tunes characters into the real world. Daffy Duck (voice of Joe Alaskey) has grown tired of his status as Warner Bros.' leading avian second fiddle and demands that if he can't be given equal billing with his rival Bugs Bunny (also voiced by Alaskey), he wants to be released from his contract. Kate Houghton (Jenna Elfman), Warners' vice president in charge of comedy, is way ahead of Daffy and orders studio stuntman D.J. Drake (Brendan Fraser) to kick the duck off the studio lot. D.J. soon discovers getting rid of Daffy is no easy task, and the duck is in tow when Drake makes a startling discovery -- his father Damien Drake (Timothy Dalton), a movie star best know for playing ultra-suave secret agents, really is a secret agent, and he's been kidnapped by Mr. Chairman (Steve Martin), the evil leader of the monolithic Acme Corporation. Damien knows the secret hiding place of the priceless Blue Monkey Diamond and Mr. Chairman will stop at nothing to get it, so D.J. and Daffy set out to rescue Damien and save the diamond, one step behind Acme's musclemen and one step ahead of Kate and Bugs, who now realize how important Daffy is to the Looney Tunes franchise. Looney Tunes: Back in Action also stars Heather Locklear as a lounge singer working for Yosemite Sam (voice of Steve Babiar), Joan Cusack, John Cleese, Stan Freberg, and Roger Corman. ~ Mark Deming, Rovi

This animated feature originally surfaced in theatres-albeit very, very briefly-under the fuller title Pogo for President: I Go Pogo. Walt Kelly's fabled comic-strip characters prepare for the upcoming Okefenokee Swamp elections. The swamp's "Favorite Son" is none other than Pogo Possum, who is recruited as potential White House material by his chums Albert the Alligator, Howland Owl and Porky Pine. Filmed in a stop-motion process, I Go Pogo seems a bit too slick for Kelly's rough-hewn characters. The best bit involves Porky Pine's dextrous shell game, with Jonathan Winters providing the voice for the nimble-fingered Mr. Pine. Other voices include Skip Hinnant (as Pogo), Vincent Price, Stan Freberg, Jimmy Breslin, Arnold Stang, and Ruth Buzzi. ~ Hal Erickson, Rovi

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make "the comedy that would end all comedies." The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he's buried a fortune in stolen loot, "under the Big W." The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie "Rochester" Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture's biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn't meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture's premiere. ~ Hal Erickson, Rovi

Producer/animator/special-effect maven George Pal made his feature-film directorial bow with the colorful MGM musical fantasy Tom Thumb (the title of the film was spelled in lower case in the opening credits, and in all studio publicity material). Russ Tamblyn stars as the teeny-tiny titular protagonist, while veteran musicomedy favorite Jessie Mathews and stellar character actor Bernard Miles portray Tom's normal-sized parents. Journeying to the Village, Tom is pounced upon by villains Ivan (Terry-Thomas) and Tony (a corpulent Peter Sellers), who intend to exploit our 5 1/2-inch-tall hero. In-between his misadventures with the villains, Tom helps to expedite the romance between young forester Woody (Alan Young) and the magical Forest Queen (June Thorburn). Throughout, the special effects and oversized sets are first-rate, as are the "puppetoons" sequences featuring such delightful characters as The Yawning Man (voice by Stan Freberg). Written by several hands, the film's songs are hummable, if not particularly memorable. It is said that some children in the audience in 1958 were genuinely frightened by the more horrific aspects of the story (including the threatened execution of Tom's parents); it may be, however, that the adults were more scared than the kids. Incidentally, while most of Tom Thumb was filmed in MGM's London facilities, the special effects were produced in Hollywood, requiring Russ Tamblyn to do a lot of travelling. ~ Hal Erickson, Rovi

Lady and the Tramp represented two "firsts" for Disney: It was the studio's first Cinemascope animated feature, and it was their first full-length cartoon based on an original story rather than an established "classic". Lady is the pampered female dog belonging to Jim Dear and Darling. When her human masters bring a baby into the house, Lady feels she's being eased out; and when Darling's insufferable Aunt Sarah introduces her nasty twin Siamese cats into the fold, Lady is certain that she's no longer welcome. The cats wreak all manner of havoc, for which Lady is blamed. After the poor dog is fitted with a muzzle, Lady escapes from the house, only to run across the path of the Tramp, a raffish male dog from the "wrong" side of town. The Tramp helps Lady remove her muzzle, then takes her out on a night on the town, culminating in a romantic spaghetti dinner, courtesy of a pair of dog-loving Italian waiters. After their idyllic evening together, Lady decides that it's her duty to protect Darling's baby from those duplicitous Siamese felines. On her way home, Lady is captured and thrown in the dog pound. Here she learns from a loose-living mutt named Peg that The Tramp is a canine rake. Disillusioned, Lady is more than happy to be returned to her humans, even though it means that she'll be chained up at the insistence of Aunt Sarah. Tramp comes into Lady's yard to apologize, but she wants no part of him. Suddenly, a huge, vicious rat breaks into the house, threatening the baby. Lady breaks loose, and together with Tramp, runs into the house to protect the infant. When the dust settles, it appears to Aunt Sarah that Tramp has tried to attack the child. That's when Lady's faithful friends Jock the bloodhound and Trusty the scottie swing into action, rescuing Tramp from the dogcatcher. Once Jim Dear and Darling are convinced that Tramp is a hero, he is invited to stay...and come next Christmas, there's a whole flock of little Ladies and Tramps gathered around the family. Beyond the usual excellent animation and visual effects, the principal selling card of Lady and the Tramp is its music. Many of the songs were performed and co-written by Peggy Lee, who years after the film's 1955 theatrical issue, successfully sued Disney for her fair share of residuals from the videocassette release. ~ Hal Erickson, Rovi

Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, Rovi