Ronald Fraser Movies

Claiming to be innocent, convicted felon Joe Green (Dermot Walsh) makes repeated attempts to escape from prison. During one of these breakouts, Green contacts "Invisible Man" Peter Brady, who becomes convinced that the man is telling the truth. But the only way Brady can clear Green's name is to locate the only person who can provide him with an alibi--a young woman who is afraid that by coming forth, she herself will be arrested for being a pickpocket. ~ Hal Erickson, All Movie Guide

Director Fred Zinnemann was riding a crest in the '50s with movies like High Noon, From Here to Eternity, Oklahoma, and his success continues in this western-style drama set in Australia in the 1920s. Ida Carmody (Deborah Kerr) is married to Paddy (Robert Mitchum), a sheep drover whose nomadic existence makes him blissfully content. Neither Ida nor their son Sean share his love for roaming, in fact, Ida convinces her husband to take on a job as a sheep-shearer so they can finally have enough to get a mortgage on a farm. At first Paddy agrees but obviously does not know his own mind because in no time at all, he rebels -- though that is not the end of it. Peter Ustinov is also featured as Vanneker, a bachelor who comes to stay with the family, and Glynis Johns plays a hotelkeeper out to change Vanneker's non-marital status. ~ Eleanor Mannikka, All Movie Guide

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, All Movie Guide

Based on Jules Verne's novel Captain Grant's Children, In Search of the Castaways is a roller-coaster of a Disney film, making up in excitement what it lacks in credibility or coherence. Hayley Mills and Keith Hamshere play the children of long-missing ship's captain Jack Gwillim. By chance, a note stuffed in a bottle comes to the attention of the kids and professor Maurice Chevalier; the note contains the fragment of a map, which suggests that Gwillim is somewhere in South America. Only after enduring a series of life-threatening adventures do Chevalier and the kids discover that they should have been in Australia all along! Once they're finally in the correct corner of the world, our protagonists are bedeviled by gunrunner George Sanders, the fellow who'd set the captain adrift. With the help of Wilfrid Brambell, a looney ex-crew member of the captain's (and the fellow who sent the bottled message), Chevalier, Mills and Hamshere are finally reunited with Gwillim--and as a bonus, Mills has found a boy friend, in the person of Michael Anderson. It's typical of the crazy-quilt approach taken by In Search of the Castaways that Maurice Chevalier decides to sing a cheery song in a moment of dire peril. Even so, the film was ideal Saturday-matinee fodder for the kiddie trade in 1963. ~ Hal Erickson, All Movie Guide

In a different type of comedy-drama based on a play by Mike Watts, director Peter Graham Scott looks at life in a British prison. Rainbow (Paul Massie) has just been sent into the slammer for a year for duking it out in a brutal fight over his girlfriend Wendy (Carole Lesley). He knows he is in for a miserable time of it, so much so that after being assigned kitchen duty he joins up with the rest of his co-workers in wheeling and dealing the food they can snitch for various sundries stolen from other parts of the prison's supply chain. This racket is well-organized, but one day its prime mover is framed and threatened with an extended sentence unless Rainbow can come up with a way to save him. ~ Eleanor Mannikka, All Movie Guide

In this western-style film, set in South Africa, circa the late 1900s, a local police sergeant finds himself pursued by the "The Hellions"--a man and his four sons. Unfortunately for the sergeant, the townspeople will not help to save him and his wife. He ignores his wife's plea that he quit his job and leave. After some time, he finally forces a storekeeper to assist him. Soon the rest of the townsfolk begin lending their assistance. ~ Sandra Brennan, All Movie Guide

Terrence Rattigan, the playwright who brought us the multicharactered, multistoried Separate Tables, again offers us an episodic cross-section of humanity in The V.I.P.'s. When a heavy London fog paralyzes all air traffic, the lives of several people are profoundly affected. As indicated by the title, most of the characters in this portmanteau film are of the social and/or financial elite. Elizabeth Taylor wishes to leave her enormously wealthy husband Richard Burton in favor of playboy Louis Jourdan. Peripatetic European film producer Orson Welles is hoping to escape London with his newest protegee Elsa Martinelli in order to avoid paying his income tax. Australian businessman Rod Taylor, accompanied by his devoted (and adoring) secretary Maggie Smith, is anxious to head to New York to stave off a hostile takeover of his firm. And impoverished aristocrat Margaret Rutherford (who won an Oscar for her performance) would rather not go to Florida to accept a job as a social arbiter, but the wolf must be kept from the door. Before the fog disperses, you can be sure that at least one of the many plotlines will intersect with another. David Frost, in a tiny part as a reporter, was fond of recalling in later years that, while the major stars of The VIPS were introduced in the opening titles with animated limousines, he was consigned a tiny Volkswagen; alas, no such cartoon joke appears in the film, though on occasion the actors-particularly Mr. Welles-behave as though they were cartoons. Mercilessly skewered by the critics, The VIPS was a winner at the box-office, due in great part to the Cleopatra-inspired publicity concerning the top-billed Liz Taylor and Dick Burton. ~ Hal Erickson, All Movie Guide

Inspector Birkett (Ian Hendry) and his faithful assistant Saunders (Ronald Fraser) are assigned to investigate the murder of a fashion model. they arrive at the scene of the crime, scouring the dead girl's apartment for clues. On the surface, it appears robbery is the motive, and the detectives find a concealed pistol, a ball point pen, and the girls diary. Her last entry is about a luncheon date, the last place the woman was seen alive. The sleuths must sift through a series of bogus clues and interview unwilling potential suspects before uncovering a ring of drug dealers. The duo systematically eliminate the innocent in their effort to bring the murderer to justice. ~ Dan Pavlides, All Movie Guide

In this comedy, crooks on the lam hide-out in an abandoned island monastery. Along with their leader, the robbers put on monks' habits and begin living a quiet pastoral existence centered around raising animals and crops. It takes them a while to get the hang of it. As they learn, they are occasionally visited by tourists, and at once point, by real monks. Trouble ensues when one of the "brothers" is caught gambling in town. ~ Sandra Brennan, All Movie Guide

In this children's movie, four kids are inadvertently locked in a department store over a weekend. There they somehow catch a gang of robbers. ~ Sandra Brennan, All Movie Guide

One of the most famous of all Avengers episodes, this is a loopy send-up of vintage movie serials. It all begins with the mysterious blackout of an early warning radar system. Steed and Emma's investigation leads them to a hospital run by elderly railway men. Upon learning the truth behind this seemingly innocent facade, Emma is overpowered and tied to the railroad tracks while a huge steam train rapidly approaches. Written by Malcolm Hulke, "The Gravediggers" originally aired in England on October 9, 1965; it was subsequently broadcast in America on August 4, 1966. ~ Hal Erickson, All Movie Guide

The Beauty Jungle can hardly be considered an expose of the beauty-contest business, since most of what happens in the film is what the average viewer has suspected all along. The lovely and graceful British leading lady Janette Scott stars as an ambitious typist who enters the "Miss Globe" pageant. She doesn't care what she does or whom she hurts along the way, the result being that she wins the competition. But when the anticipated decline sets in, she confronts the same embittered people on the downward spiral that she stepped over during her upward climb. Cliched though it may seem on paper, The Beauty Jungle is fascinating in its own garish way; the film was issued to the US under the title Contest Girl. ~ Hal Erickson, All Movie Guide

The Whisperers stars Dame Edith Evans as a lonely old woman whose imagination is getting the better of her sanity. She insists that she hears "whisperers" plotting and planning against her at all times; she also believes that these imaginary entities are spying on her. So suspicious is Ms. Evans of her nonexistent whisperers that she fails to notice the very real predators around her. She is robbed of her life's savings by a nasty "friend" (Avis Brunnage), and is exploited by her estranged con-artist husband (Eric Portman) and her no-good son (Ronald Fraser) Even when she catches on to the duplicity of others, Ms. Evans is so far gone with her "whisperers" that the authorities refuse to believe her. Seedy and sordid though it may be, The Whisperers won Edith Evans the Best Actress award from the New York Critics' Circle. ~ Hal Erickson, All Movie Guide