Elisabeth Fraser Movies
Character actress Elizabeth Fraser first appeared onscreen in One Foot in Heaven (1941). ~ Rovi- 1968
Doris Day peers through layers of camera gauze to star in The Ballad of Josie, a second-rate variation of Cat Ballou. For openers, Day is arrested for the billiard-cue bludgeoning of her late husband. Upon her acquittal, she takes up sheep ranching in Wyoming. To prove herself as good as any man, Day organizes the other frontier wives into a woman's suffrage movement. She succeeds in establishing her equality, winning good-guy Peter Graves in the process. Ballad of Josie was produced by Norman MacDonnell, who was on firmer Western ground when he was producer of the radio and TV series Gunsmoke. ~ Hal Erickson, Rovi
- Starring:
- Doris Day, George Kennedy, (more)
Frank Sinatra brings a sneering Rat Pack ethos to his first hard-boiled detective role in Tony Rome. Tony is an ex-cop who lives on a houseboat off Miami, accepting fees for private-eye work. His former partner, Ralph Turpin (Robert J. Wilke), asks Tony for help in locating Diana Pines (Sue Lyon), the daughter of rich construction magnate Rudolph Kosterman (Simon Oakland). Tony finds her unconscious and drunk in a sleazy motel room and returns her to her home. Rudolph decides to hire Tony in order to find out why his daughter is behaving so erratically. In the meantime, Diana's stepmother, Rita (Gena Rowlands), also offers Tony money to inform her first about whatever Tony finds out. He discovers that Diana has lost an expensive diamond pin, but before he can act upon the information, he is beaten up by two goons and nearly killed by Diana's crazy step-uncle. Tony then finds out that Turpin has been murdered. With help from sultry and sexy divorcée Ann Archer (Jill St. John), Tony discovers that Diana has been funneling large sums of money to her alcoholic mother, Lorna (Jeanne Cooper), with Rita's priceless jewelry being replaced by fakes. A collection of disagreeable human sludge all take their turns trying to get Tony and the information that he holds -- including his old pal Lieutenant Santini (Richard Conte). After a murder attempt on Rudolph's life, Tony uncovers a series of vile connections involving blackmail, deceit, and betrayal. ~ Paul Brenner, Rovi
- Starring:
- Frank Sinatra, Jill St. John, (more)
- 1967
The Monkees are hired to appear in a Bonnie and Clyde-like crime movie by a shady character named J.L. (Cliff Norton), little-suspecting that the "phony" bank robbery in which they participate is all too real. Hauled into court, Micky, Mike, and Davy must rely upon the last-minute testimony of Peter to establish their innocence -- though they help their own case not at all with their usual monkeyshines. Elisabeth Fraser plays the Judge. Songs: "Pleasant Valley Sunday" and "Randy Scout Git". First telecast on September 18, 1967, "The Picture Frame" was written by Jack Winter. ~ Hal Erickson, Rovi
"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, Rovi
- Starring:
- Dustin Hoffman, Anne Bancroft, (more)
Senator William J. Tadlock (Kirk Douglas) enlists the help of veteran scout Dick Summers (Robert Mitchum) to lead a wagon train of settlers from Missouri to Oregon in this plodding, routine western. A scared settler accidently shoots an Indian boy who is mistaken for a wolf, prompting Summers to order newlywed triggerman Johnny Mack (Michael Witney) to be hanged to avoid an Indian attack. Sally Field appears in her first big-screen role as the slatternly Mercy McBee. ~ Dan Pavlides, Rovi
- Starring:
- Kirk Douglas, Robert Mitchum, (more)
The Glass Bottom Boat is hardly a high point in the careers of star Doris Day and director Frank Tashlin, though it is a better-than-usual example of that pure-'60s genre, the "spy spoof." Day plays Jennifer Nelson, a PR worker at NASA in Florida. She also doubles as a "mermaid" for her father, Axel (Arthur Godfrey), the skipper of a glass-bottom tourist boat. While garbed in her skimpy mermaid costume, she has a run-in with handsome space technician Bruce Templeton (Rod Taylor). Through a series of misunderstandings, Bruce is led to believe that Jennifer is an enemy spy, determined to steal scientific secrets. Several other characters enter into the plot, including bumbling secret agent Julius Pritter (Dom DeLuise) and prissy security chief Homer Cripps (Paul Lynde). Also on hand are TV favorites Dick Martin as Jennifer's erstwhile beau and Eric Fleming as a man of mystery. A few cute celebrity cameos round out this ribtickler, while Doris Day, as always, gets a few opportunities to sing. ~ Hal Erickson, Rovi
- Starring:
- Doris Day, Rod Taylor, (more)
Arthur Hamilton (John Randolph) is a listless Manhattan businessman who lives with his wife in the New York suburbs. One day, he runs into an old friend (Murray Hamilton) whom he thought had died. The friend leads him to The Company, a secretive operation run by The Old Man (Will Geer). The Company is a high-tech service which, for a price, provides older men with plastic surgery, a beefed-up body, and a fresh start in life. To cover the "disappearance," a middle-aged male cadaver is "killed" in a hotel fire. Hamilton submits to the operation that will turn him into a "Second," and when the bandages are removed, he's shed twenty years, renamed Tony Wilson and portrayed by Rock Hudson. The Company creates a new identity for Hamilton, relocating him in a hedonistic California beach community with an identity as a painter. Celebrating during a local wine festival, Hamilton has his revelry cut short when he learns that all his new young friends are Seconds like himself and suddenly feels trapped in these surroundings. Unfortunately, finding a way out isn't nearly as easy as it was to find a way in. ~ Hal Erickson, Rovi
- Starring:
- Rock Hudson, Salome Jens, (more)
- 1966
Art-gallery owner Francis Clune (Donald Murphy) is the victim of theft and fraud, while his girlfriend Bobbie Dane (Francine York) is nearly killed by a "careless" motorist. The couple's woes are exacerbated when both are charged with killing a detective (Allan Melvin) and a hijacker (Peter Mamakos). Determined to prove the innocence of Francis and Bobbie, Perry Mason (Raymond Burr), literally puts his own life on the line. This is the second Perry Mason episode based on Erle Stanley Gardner's 1952 novel The Case of the Moth-Easten Mink, previously filmed under that title in 1958 (and incidentally, the painting identified as "Sausalito Sunrise" had likewise appeared in at least two earlier episodes!) ~ Hal Erickson, Rovi
- 1966
After he is robbed and beaten by a gang of punks, Richard Kimble (David Janssen)--or as he is currently identifying himself, "Richard Taylor"--falls under the scrutiny of ambitious policewoman Jane Washburn (Shirley Knight). Her suspicions aroused by the fact that Kimble refuses to report the mugging to the authorities, Jane handcuffs herself to the fugitive, determined not to let him leave her side until she finds out his whole story. This fascinating gender-bending variation on the 1957 "chase" film The Defiant Ones) reaches a nailbiting climax when both Kimble and his lovely captor find themselves at the mercy of a gun-wielding backwoodsman. ~ Hal Erickson, Rovi
- 1965
Endora gives Darren a magical statue which forces everyone in its vicinity to speak the unvarnished truth. Trouble ensues when Darren and Samantha entertain Larry Tate's new client, Ed Hotchkiss (Charles Lane), and Ed's wife, Frances (Elisabeth Fraser). Needless to say, on this particular occasion the truth really hurts. Written by Paul David and John L. Greene, "Speak the Truth" made its first network appearance on December 16, 1965. ~ Hal Erickson, Rovi
- Starring:
- Elizabeth Montgomery, Dick York, (more)
Shelley Winters won an Academy Award for her searing performance as Rose-Ann d'Arcy in A Patch of Blue. The star, however, is not Winters but Elizabeth Hartman, cast as d'Arcy's blind, sensitive daughter, Selina. A venomous prostitute, Rose-Ann treats both Selina and grandfather Ole Pa (Wallace Ford) like dirt. Fortunately, Selina finds a way out via the kindly Gordon Ralfe (Sidney Poitier), who befriends Hartman and tries to open up doors for her previously closed by her selfish mother. Despite the objections of the bigoted Rose-Ann and of Gordon's brother Mark (Ivan Dixon), a bond stronger than physical love is forged between Gordon and Selina. Brilliantly avoiding gooey sentiment throughout, A Patch of Blue was adapted for the screen by director Guy Green, from the novel Be Ready with Bells and Drums by Elizabeth Kata. ~ Hal Erickson, Rovi
- Starring:
- Sidney Poitier, Shelley Winters, (more)
- 1963
This romantic adult comedy finds psychiatrist Jason Steel (Dean Martin) the leader of a women's group therapy session. Jill St. John, Elizabeth Frazier, Macha Meril, Yoko Tani and Diane Foster all seek the advice of the handsome doctor, while husbands Louis Nye, Jack Soo, Richard Conte, and Martin Balsam ignore them in their usual poker game every Wednesday night. Jason plays doctor with pretty fiance Melissa (Elizabeth Montgomery) and Carol Burnette is his scatter brained secretary who does a hilarious striptease when she and Melissa can't pay for their dinner at a local nightclub after being stuck with the bill. ~ Dan Pavlides, Rovi
- Starring:
- Dean Martin, Elizabeth Montgomery, (more)
- 1963
Althhough she is on her deathbed, wealthy Be Be Brent (Anne Barton) is sufficiently hale and hearty to enrage her relatives by leaving the bulk of her estate--one million dollars--to her nurse Hetty Randall (Anne Seymour). The family members hire Perry Mason (Raymond Burr) to contest the will, but instead he ends up with another murder case on his hands. This time, the victim is Justin Grover, and the accused is a girl named Madeline (Sherry Jackson)...whose last name is also Randall. Former "beefcake" leading man Jon Hall, who hadn't appeared on TV since 1958, came out of retirement to play a major role in this episode. ~ Hal Erickson, Rovi
- 1962
This Disney family film was originally made as a two-parter for the World of Disney TV show. It is the funny and touching story of two brothers who find a rambunctious but wounded seal and try to hide it from their parents in their beach house while it heals. ~ Sandra Brennan, Rovi
- 1962
Based on the two-character play by William Gibson, Two for the Seesaw was unnecessarily expanded for the film version. Robert Mitchum plays an Omaha businessman, newly arrived in New York. Though unhappily married, Mitchum is averse to asking for a divorce. This state of affairs gets dicey when Mitchum falls in love with Bronx-born professional dancer Shirley MacLaine. Once he does get a divorce, Mitchum, nervous about making any new commitments, fails to tell MacLaine. Though they remain fond of one another, Mitchum and MacLaine finally realize that any future relationship will do more harm than good for both of them. The original Broadway production of Two for the Seesaw starred Henry Fonda and Anne Bancroft; by the time the film was made, Fonda was feuding with playwright Gibson and Bancroft was filming The Miracle Worker, so Mitchum and MacLaine were substituted. She is ideally suited to her role, but he seems ill at ease playing an indecisive jerk. Two for the Seesaw is at its best when concentrating on the minimalist text of the original play; the inclusion of secondary characters and location photography adds little to the project. ~ Hal Erickson, Rovi
- Starring:
- Robert Mitchum, Shirley MacLaine, (more)
- 1961
Able-bodied seaman Albert Tufnell (John Meillon) plans to marry Shirley Hornett (Vera Day), and the ceremony is about to take place -- when a telegram arrives from an officer aboard his ship, advising that marriage is impossible for Tufnell at that moment. Shirley's battle-ax of a mother (Marjorie Rhodes) doesn't know the facts behind the telegram but assumes the worst, and won't even discuss what to do about the wedding, even as she tries to live down the humiliation of a ceremony stopped midway through. Albert and his best friend, Carnoustie Bligh (Graham Stark), try to sort it all out, but even the arrival of an officer from their ship (Dennis Price) with an explanation only makes matters more complicated. ~ Bruce Eder, Rovi
- 1960
The "rodeo week" festivities in the town of Placer City apparently include a barroom brawl, which is broken up by none other than Perry Mason (Raymond Burr), in town to deliver a subpoena to elusive prospector Amos Catledge (George Mitchell). Perry becomes more deeply involved in the situation when one of the brawlers, Ken Bascombe (Hugh Sanders) is murdered, apparently by the other brawler, Gerald Norton (Ray Sticklyn). Per the episode's title, Perry hinges his defense of Norton on the "testimony" of a burro! This episode was hastily inserted into Perry Mason's third-season manifest as a replacement for "The Case of the Credulous Quarry", which remained on the shelf until Season Four. ~ Hal Erickson, Rovi
- 1959
Viewers know they're in a 1959 comedy film early in the proceedings of Ask Any Girl, when secretary Shirley MacLaine is advised by her new supervisor Jim Backus to wear a sweater "a size too small." But she is a good girl: like Doris Day, she won't offer any carnal favors unless a wedding ring is part of the bargain. She targets irresponsible CEO Gig Young for matrimony, asking Young's sober-sided older brother David Niven to help her out. The highlight of Ask Any Girl is Shirley MacLaine's extended drunk scene in the club car of a commuter train. The film was based on a satirical novel by Winifred Wolfe. ~ Hal Erickson, Rovi
- Starring:
- David Niven, Shirley MacLaine, (more)
- 1958
Though very tame by contemporary standards, Tunnel of Love was considered the last word in racy comedy back in 1958. Adapted from the Broadway hit by Peter DeVries and Joseph Fields, the film stars Doris Day and Richard Widmark as suburbanites Isolde and Augie Poole. Isolde and Augie desperately want a child, but for diverse reasons have never been able to conceive. They decide to adopt a child, prompting a visit to the Poole home by pretty adoption-agency officer Estelle Novick (Gia Scala). Through a series of misundertandings, Estelle decides that Augie isn't a likely candidate for fatherhood, a notion he tries to dispell by taking her out to dinner. One thing leads to another, and the next morning Augie wakes up in a strange motel room with a monstrous hangover. Months later, Estelle pays a visit to Augie, informing him that she's pregnant and in dire need of a great deal of money. Certain that he's the father, Augie goes to great lengths to hide his "indiscretion" from his wife. But Isolde begins to suspect that something is amiss when the adoption agency shows up with a baby that looks disturbingly like her husband. Nothing is quite what it seems, of course, but neither the characters nor the audience find this out til the very end. As comic contrast to the childless Pooles, Elizabeth Fraser co-stars as the couple's eternally pregant next-door-neighbor Alice Pepper, whose husband Dick (Gig Young) looks appropriately worn out. Tunnel of Love was Gene Kelly's first directorial assignment on a film in which he himself didn't appear. (As a footnote, it's worth noting that during the original Broadway run of Tunnel of Love, Augie Poole was briefly portrayed by Johnny Carson). ~ Hal Erickson, Rovi
- Starring:
- Doris Day, Richard Widmark, (more)
Young at Heart is a soft-pedaled, musicalized remake of 1938's Four Daughters. Robert Keith takes over the Claude Rains role as paterfamilias to a family of musical prodigies, all girls: Doris Day, Dorothy Malone, Elizabeth Fraser (the fourth daughter was written out of proceedings, no great loss). Keith's new boarder Gig Young, a musical-comedy composer, becomes the three daughters' heart balm, whether he wants to our not. When he gets stuck creatively, Young invites his tempestuous pal Frank Sinatra to help him finish his score. Sinatra essays the old John Garfield role, retaining a generous supply of Garfield's chip-on-shoulder edginess. But whereas Garfield's character dies in Four Daughters, Sinatra survives for a happily-ever-after clinch with Doris Day. Most of the songs heard in Young at Heart were already standards in 1954--with the notable exception of the Johnny Richards-Carolyn Leigh title number, which of course became a part of Frank Sinatra's standard repertoire. ~ Hal Erickson, Rovi
- Starring:
- Doris Day, Frank Sinatra, (more)
- 1953
This 1953 tear-jerker is the third film version of the Edna Ferber novel So Big. Stepping into the role previously essayed by Colleen Moore and Barbara Stanwyck, Jane Wyman plays Selina, a girl of wealth who comes to a Dutch community outside Chicago as a schoolteacher. Here Selina falls in love with poor but big-hearted truck farmer Pervus DeJong (Sterling Hayden). When Pervus dies, Selina is left a widow with a small son and little else to her name. Through grit and perseverance, Selina single-handedly raises the boy, who grows up to be architect Dirk DeJong (Steve Forrest). Taking a cue from his self-sacrificing mother, Dirk devotes himself to creativity rather than money-grubbing while pursuing his profession. Meticulously produced, So Big is one of the better "saga" soapers of the 1950s, with Jane Wyman repeating her "aging" process from 1951's The Blue Veil. ~ Hal Erickson, Rovi
- Starring:
- Jane Wyman, Sterling Hayden, (more)
- 1951
Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, Rovi
- Starring:
- Fred MacMurray, Dorothy McGuire, (more)
- 1951
It was considered a serious coup at Columbia Pictures when producer Stanley Kramer landed the rights to Arthur Miller's Pulitzer Prize-winning play, and got most of the key members of the Broadway cast for the movie, plus Kevin McCarthy from the original London cast. The one exception was Lee J. Cobb, who'd done the part of Willy Loman on Broadway but, because of his alleged past left-wing political associations, couldn't do the movie -- so Kramer and Columbia went with a proven box office star, Fredric March. He plays Willy Loman, who has spent a lifetime pursuing success, only to find himself a failure at age 60, a victim of poor choices, lost opportunities, and unreasonable expectations, especially for his two sons, and in particular the older one, Biff (Kevin McCarthy). Despite the support of his loving, patient wife Linda (Mildred Dunnock, in the performance of a lifetime), Willy's life comes apart along with his hold on reality, as he increasingly slips between the present and the past, reliving incidents in a desperate search for what went wrong. March brings a good deal of dignity to the role, and McCarthy and Cameron Mitchell are superb as his two sons, but the movie was a failure at the time of its release, partly owing to its difficult subject matter -- the failure of the American dream was not the first item on every moviegoer's list in 1951, no matter how successful the play had been on Broadway or how many awards it won -- and also to March's performance, which was just as likely the fault of director Laslo Benedek; he's sympathetic but too externalized, without Cobb's seething energy (represented in the 1960's television portrayal), and in the second half is too over-the-top in his madness. ~ Bruce Eder, Rovi
- Starring:
- Fredric March, Mildred Dunnock, (more)
- 1950
In his second starring vehicle, singing cowboy Rex Allen plays the head of a frontier cattlemen's association. The villain is dishonest meat packer Charles Stevens (Robert Emmet Keane), who has been trying to fix cattle prices to his advantage. When Rex decides to do business with another firm, it requires driving the herds through miles and miles of desolation--and, incidentally, avoiding Stevens' hired guns. The action highlights include a harrowing cattle stampede. Johnny Downs, star of many of collegiate musicals of the 1940s, has a cameo role as a square-dance caller. ~ Hal Erickson, Rovi
- Starring:
- Rex Allen, Elisabeth Fraser, (more)
- 1949
The saga of the Hatfield-and-McCoy feud is romanticized in Samuel Goldwyn's Roseanna McCoy. Newcomer Joan Evans stars as the title character, whose elopement with Johnse Hatfield (Farley Granger) serves to further fuel the flames of the deadly mountain feud. The opposing patriarches, Devil Anse Hatfield and Old Randall McCoy, are vividly realized by Charles Bickford and Raymond Massey. In West Virginia and Kentucky, the debate still rages over what started the hostilities, but there's no question that the end result was tragedy for all concerned. In Goldwyn's version, the feud comes to a halt because Roseanna and Johnse demand it; would that real life were this simple and clear-cut. Based on a novel by Alberta Hannum, Roseanna McCoy was released through the distribution channels of RKO Radio. ~ Hal Erickson, Rovi
- Starring:
- Farley Granger, Joan Evans, (more)
Rating Systems
Blockbuster
BLOCKBUSTER name, design and related marks are trademarks of Blockbuster L.L.C.
© 2013 Blockbuster L.L.C. All rights reserved.
Portions of Content Provided by Rovi Corporation. © 2013 Rovi Corporation.