Brendan Fraser Movies

Gods and Monsters was promoted from the outset as an artistic drama, but the publicity tended to play coyly on the possibility of a homosexual romance between the retired film director James Whale, played by Ian McKellen and his hunky gardener Clayton Boone (Brendan Fraser). While the film does involve romance, the central relationship between the director and his gardener is about the development of a genuine friendship between two outwardly dissimilar but inwardly kindred spirits. In the story, Whale has been living for many years in peaceful, if not entirely contented retirement, under the loving and watchful eye of his contentious and argumentative Hungarian housekeeper (Lynn Redgrave). His earlier celebrity as the director of the original Frankenstein movie and its sequel, The Bride of Frankenstein, results in his being visited occasionally by disagreeable young men who have come to bask in the reminiscences of this creator of two "camp" classics. His reputation as a fairly outrageous homosexual comes into play here, when one particularly unpleasant and effeminate young man comes by seeking cinematic tidbits: the director challenges the boy to a game of stripping off one article of clothing for every revelation he shares about his moviemaking past. He had gotten the boy down to his briefs when he is stricken with one of his ever-recurring bouts of epilepsy, the result of a series of strokes. By way of contrast, while he is clearly interested in his gardener as a sex-object, gradually luring him into ever closer association, the openness and vulnerability of this awkwardly aggressive heterosexual boy inspires him to reveal the history of his heart. It turns out that, like the young man who is modeling for his supposed artworks, he came from a poor and difficult background. By the time naïve gardener learns of the director's homosexuality from the housekeeper, he has been drawn too deeply under the man's spell to stay away from their meetings for long. While the tension between the men never departs, a genuine relationship of caring develops between them. Meanwhile, Whale has been clearly observing the progressive deterioration of his mental faculties, and is increasingly being overwhelmed by vivid memories and visions. ~ Clarke Fountain, Rovi

This romantic fantasy from writer, director, and producer James F. Robinson, stars Brendan Fraser as Fletcher McBracken, a starry-eyed San Antonio puppeteer who, like his father and grandfather before him, has a mystical vision of the woman he's fated to marry. Believing that she'll be found in "Formosa" (the one-time name of Taiwan), Fletcher books a flight. During a stopover in L.A., however, he learns of a trendy bar called Formosa and decides to check it out. Sure enough, Fletcher sees his dream girl, Rosalyn Willoughby (Joanna Going), a con artist on the lookout for a new mark, a millionaire from Texas. Assuming that Fletcher is the man she's supposed to bilk, Rosalyn accompanies him to San Antonio, where she meets his tuba-playing grandmother (Celeste Holm) and his eccentric friends, including the Tree Man (Lou Rawls). Charmed against her will by Fletcher, Rosalyn considers a real romance with the daffy artist, but each of them has some revelations to make before a real relationship can begin. ~ Karl Williams, Rovi

Co-written by Jonathan Tolins and based on his original stage play, this Showtime drama concerns the possible role of genetics in determining sexual orientation. Suzanne Gold (Jennifer Beals), a medical-school dropout who manages a clothing store, marries genetic researcher Rob Stein (Jon Tenney), the son of Orthodox Jews who disapprove of what they perceive as their son's meddling with God's prerogatives. When Rob submits his and Suzanne's unborn son to his colleagues' experimental test procedures, the baby appears to have a 90 percent chance of being homosexual. Suzanne confides to her mother, Phyllis (Faye Dunaway), that she fears for the added burden her new family will face. Mom's got a big mouth, and before long Suzanne's father, Walter (Garry Marshall), and gay brother, David (Brendan Fraser), are weighing in with their conflicting opinions about whether or not Suzanne should abort the child and what such an action would mean about David's place in the family. The strain of such a decision ruptures existing fault lines in both the Gold family and Suzanne's marriage, culminating in revelation, transformation, and a group hug. ~ Brian J. Dillard, Rovi

A poor woman is the beneficiary of a case of mistaken identity in this comedy. Luckless Connie (Ricki Lake) leaves home to move to New York, only to find herself stuck with no job, no money, and a louse of a boyfriend (Loren Dean) who gets her pregnant and abandons her. Despondently taking a train back to Boston, Connie meets Hugh and Patricia Winterbourne (Brendan Fraser and Susan Haskell), a wealthy couple also expecting a baby. Patricia notices Connie admiring her wedding ring, and lets her try it on; moments later, the train jumps the tracks, and Connie wakes up in a hospital to discover that the staff thinks she's Patricia Winterbourne, who died in the wreck along with Hugh. The Boston Winterbournes, led by sharp-tongued Grace (Shirley MacLaine), had never met Patricia, so they have no way of knowing that Connie isn't Patricia. While Connie isn't trying to cheat anyone, it doesn't take her long to realize that this isn't a bad environment for raising her baby, especially after she meets Bill Winterbourne, Hugh's twin brother (also played by Fraser). Mrs. Winterbourne was based on a short story by Cornell Woolrich, previously filmed as No Man of Her Own and J'ai Epouse Une Ombre. ~ Mark Deming, Rovi

Four women look back at the girls they used to be in this warm comedy-drama. Author Samantha Albertson (Demi Moore), actress Tina Tercell (Melanie Griffith), gynecologist Roberta Martin (Rosie O'Donnell), and housewife Christina DeWitt (Rita Wilson) are friends from childhood who get together for the first time in years when Christina is about to have a baby. Seeing the old gang sends Samantha down memory lane, as she recalls the summer of 1970, when the girls were 12-years-old and edging into womanhood. Samantha (Gaby Hoffmann) is struggling with the collapse of her parent's marriage, Roberta (Christina Ricci) must deal with the death of her mother, Tina (Thora Birch) is upset over her folks' apparent disinterest in her, and Christina (Ashleigh Aston Moore) is trying to overcome her mother's disinformation campaign about sex. Together, they discuss boys and first kisses, compare notes on the physical and emotional changes they're going through, and have seances where they try to communicate with a boy who died tragically 30 years earlier. Demi Moore, whose character narrates the film, also served as producer. ~ Mark Deming, Rovi

Harvard University graduate Alek Keshishian directed this tale about a homeless man who teaches some snotty Harvard students a thing or two about real life. Monty (Brendan Fraser) is a self-absorbed graduate student who is obsessed with finishing his thesis on government so that he can satisfy his demanding teacher, Professor Pitkannan (Gore Vidal). When Monty loses his precious thesis in the basement of the library's heating plant, it is found by a homeless man living there, Simon (Joe Pesci). Simon agrees to return the thesis one page at a time in return for certain favors. The relationship with the bearded vagabond changes Monty's view of life, and it also affects his housemates, who include Everett (Patrick Dempsey), a wisecracking radio host; Courtney (Moira Kelly), who is immature and sex-obsessed; and the studious nerd Jeff (Josh Hamilton). Simon becomes something of a father figure to Monty, argues history with Professor Pitkannan, and provides an earthy balance to the overly academic viewpoint of the students. ~ Michael Betzold, Rovi

Jonathan Younger (Donald Sutherland) runs his offbeat storage facility as if it were an odd amalgam of a nightclub for the rich and famous and a pied a terre for The Addams Family. He greets each customer and potential customer with the flair and sinister graciousness of Bela Lugosi at the door of Castle Dracula. From time to time, mysterious organ music audibly emanates from the basement. His wife (Lolita Davidovich) has the messy business of making sure that this very ordinary business pays the bills. Both of them are hoping that their son (Brendan Fraser) will come back from his pricey college studies in England and take over the business. Things take a sharp left turn when some of his customers become media celebrities, suspected of killing the man in their family. This quirky black comedy was made by the director of the sublimely zany Baghdad Cafe. ~ Clarke Fountain, Rovi

Meaning to thwart the advances of a hometown boy, a college student takes her California surfer roomie to her Midwestern home for Thanksgiving and passes him off as her husband-to-be. After a few complications, the visiting couple falls for each other, the family finally accepts him and the suitor-hopeful is no longer a threat. Pauly Shore and Carla Gugino star in this light comedy. ~ Kristie Hassen, Rovi

An assemblage of young Hollywood actors poised for stardom marked this tale of anti-Semitism at a 1950s prep school. Brendan Fraser stars as David Greene, a working-class Jewish quarterback from Scranton, Pennsylvania, who is offered a senior year scholarship to a prestigious New England academy. It's David's ticket to an Ivy League education and a way out of his Rust Belt hometown, but there's one condition: the school's elders ask him to be discreet about his religion. At first willing to do so, David struggles with his silence about his faith as his popularity grows. David strikes up a friendship with his roommate Chris Reece (Chris O'Donnell) and a possible romance with Sally Wheeler (Amy Locane), a student at a nearby girls' school. When jealous classmate Charlie Dillon (Matt Damon) learns David's secret at an alumni party, he exposes the school's new gridiron hero, and David faces the full force of religious intolerance from the prejudiced WASP institution. Also featuring early performances from Ben Affleck, Anthony Rapp, and Cole Hauser, School Ties was loosely based on the real-life experiences of producer Dick Wolf, creator of TV's popular series Law & Order. ~ Karl Williams, Rovi

River Phoenix stars in this period drama about a young man, naive in some ways and worldly in others, who learns an important lesson about the nature of beauty. In the fall of 1963, Eddie Birdlace (River Phoenix) is an 18-year-old Marine Corps volunteer who is about to ship out with three of his buddies for a tour of duty in Viet Nam. Planning a massive blowout for their last night in San Francisco, Eddie, his buddies, and a number of other Marines set up a contest they call a "dog fight." Each man contributes $50 to the pot, and whoever can bring the ugliest date for their meeting that night at the bar wins the prize. Not having much luck finding a suitable contestant, Eddie finds a plain and slightly zaftig woman named Rose Feeney (Lili Taylor), who works in a coffeeshop and dreams of a career as a folk singer. Rose agrees to go out with Eddie, partly because she feels sorry for him, but as the evening wears on, Eddie finds himself growing fond of Rose and tries to worm his way out of taking her to the "party" he's told her so much about. When Rose learns the true nature of the contest, she is furious, not just for herself but for the other women who were cruelly and pointlessly humiliated; Eddie, severely chagrined, asks her out to dinner, hoping to somehow earn her forgiveness. Noted folk singer Holly Near appears as Rose's mother. ~ Mark Deming, Rovi