David Frankham Movies
For about 20 years from the mid-'50s until the mid-'70s, David Frankham was one of the most visible villains and second male leads on television -- and one of the more interesting British actors working in American horror and science fiction movies. Born in Kent, England, in 1926, Frankham studied architecture and served in the Far East as an army draftee for three years in the late '40s. It was while posted in Malaya that he won a contest in which the prize included a brief stint on radio as an announcer; he proved a natural at the microphone and, after an apprenticeship on Radio Malaya, landed a job with the BBC after returning to civilian life. By age 25, he was back in England making a comfortable living as an announcer, news reader, and radio talk-show host; but he also wanted to try his hand at acting and moved to the U.S. in 1955. Frankham landed a role on an NBC drama a few weeks after his arrival, and spent the next few years doing lots of television work, including live dramatic anthology shows and appearances on filmed syndicated series such as Ziv TV's Men Into Space. Frankham landed his first movie role when he was selected to play the principal villain in Edward Bernds' Return of the Fly (1959). This launched him on a career in which he mostly portrayed morally compromised leading characters in movies such as Disney's Ten Who Dared and American International Pictures' Master of the World (in which his character turns upon Charles Bronson -- the hero of the piece -- in betrayal). In addition to his film work, Frankham did some voice acting during this period: In the original 101 Dalmatians (1961), he voiced Sgt. Tibs, and he dubbed many of the voices in William Wyler's Ben-Hur (1959). Although he was born and raised in England, Frankham was able to do a credible American accent, which greatly expanded the roles he could play. He made the rounds of the studios, working in everything from low-budget horror (Tales of Terror [1962]) to big studio productions such as Columbia's King Rat (1965), and remained very active on television in such series as The Gallant Men, Thriller, Twelve O'Clock High, The Beverly Hillbillies, Dr. Kildare, The F.B.I., and The Outer Limits. In the latter -- in one of the creepiest shows ever done on the program -- he had an unusually upright and heroic role as the stubbornly uncorruptable Harvey Kry Jr. in "Don't Open Till Doomsday" (the show with the "box creature"), in which his would-be bride, separated by time and space, ages into the scary Miriam Hopkins. His other memorable appearance was in the third season Star Trek episode "Is There in Truth No Beauty?," playing Lawrence Marvick, a man who is destroyed by his jealousy of an alien visitor (oddly enough, another "box creature," and one so hideous that the mere sight of it drives humans insane). From the early '60s into the '70s, the actor did numerous commercials, though his most lasting public impression came from the work he did on science fiction, horror films and television shows. Frankham quit acting on a regular basis in 1976, though there were periodic roles in the decade that followed, including a stint on a CBS soap opera and appearances in the movies The Great Santini and Wrong Is Right. ~ Bruce Eder, Rovi
Based on Charles McCarry's 1979 novel The Better Angels, Wrong is Right is set in a near future in which violence has become something of a national sport and television news has fallen to tabloid depths (a significantly bigger stretch in 1982, when the film was released.) Star Sean Connery plays Patrick Hale, a globe-trotting reporter with access to a staggering array of world leaders. As the film opens, he has ventured to the Arab country of Hegreb to interview his old acquaintance, King Ibn Awad (Ron Moody). Awad has learned that the President of the United States (George Grizzard) may have issued orders for his removal; as a result, Awad is apparently making arrangements to deliver two mini-nuclear devices -- each about the size of a small suitcase -- to a terrorist, with the intention of detonating them in Israel and the United States, unless the President resigns. In the intricate plot that unfolds, nothing is quite the way it seems, and Hale finds himself caught between political leaders, revolutionaries, CIA agents and other figures, trying to get to the bottom of it all. ~ Craig Butler, Rovi
- Starring:
- Sean Connery, George Grizzard, (more)
- 1982
Jean Stapleton stars as Eleanor Roosevelt in this made-for-TV biography, first telecast May 12, 1982. The film recounts Mrs. Roosevelt's life after the 1945 death of her husband, President Franklin Delano Roosevelt. At the request of new president Truman, Eleanor serves as a United Nations delegate, spending much of her time tilting with dedicated anti-FDR politico John Foster Dulles (E.G. Marshall). She goes on to spearhead the Universal Declaration of Human Rights, proving to Dulles--and to Soviet delegate Freddie Jones--that she's anything but soft on Communism. The winning teleplay for Eleanor: First Lady of the World was by Caryl Ledner and Cynthia Mandenberg. ~ Hal Erickson, Rovi
Bull Meechum (Robert Duvall) loves fighting almost as much as he loves the Marine Corps. Profane, cocky, and arrogant, he's a great fighter pilot -- and he knows it. His boss hates his guts, but knows that if he's going to straighten out his lagging squadron, Meechum is the man to do it. The story and irony of The Great Santini is in Meechum's total intolerance of family life and fatherhood. Meechum has a lovely, supportive wife, Lillian (Blythe Danner), an earnest, likeable son, Ben (Michael O'Keefe), three smaller children, and a good home, but Meechum finds the pastoral nature of peacetime totally incompatible with his gung-ho nature. So he begins to drink. He drills his family unmercifully, like recruits. He hammers his son relentlessly until, in a basketball game, his son fights back, and the family cheers Ben's efforts. Tension builds in the household until, during one drunken night, Meechum breaks down. Based on a best-selling novel by Pat Conroy, The Great Santini earned critical raves but fared poorly at the box office. Duvall's performance as Meechum is generally regarded as one of his greatest. ~ Nick Sambides, Jr., Rovi
- Starring:
- Robert Duvall, Blythe Danner, (more)
- 1972
Once again, Inspector Erskine (Efrem Zimbalist Jr.) must take a crash course in some highly specialized skills for an undercover mission. This time, the Inspector sets about to learn both chess and braille, the better to pose as a blind chess master in order to infiltrate a spy ring. The episode's typically strong supporting cast includes veteran movie "heavies" Patrick O'Neal and Alfred Ryder, not to mention 1950s "beefcake" star George Nader. ~ Hal Erickson, Rovi
- 1970
Enemy agents hope to persuade defecting cabinet official Victor Dorman (David Frankham) to return to his own country--or, failing that, they plan to have him killed. For this purpose, the bad guys engage the services of Nicholas Blok (Eric Braeden), a coldblooded troubleshooter who specializes in abduction and assassination. Blok endeavors to force his prey into the open by kidnapping Dorman's daughter Katrina (Dinah Anne Rogers)--and he has no intention of allowing FBI Inspector Erskine (Efrem Zimbalist Jr.) to get in his way. ~ Hal Erickson, Rovi
- 1970
Posing as double agent William Howard (David Frankham), Erskine (Efrem Zimbalist Jr heads to East Berlin, there to assist in the escape of Lisa Stone (Dana Wynter), the wife of US-based Communist spy John Buchanan (Alf Kjellin). Ostensibly, Lisa is heading to America to persuade her husband to defect. In truth, however, Lisa is a loyal Party member, whose "escape" has been carefully staged--and she intends to murder Buchanan the moment she catches up to him. ~ Hal Erickson, Rovi
- 1968
In an episode that comes the closest to creator Gene Roddenberry's original concept behind Star Trek (i.e., "Wagon Train to the stars"), the Enterprise is assigned to escort Kollos, the Medusan ambassador, back to his home planet in the company of his human companion, Dr. Miranda Jones (Diana Muldaur), a specially trained psychologist. In an irony-laced situation, Miranda is one of the most hauntingly beautiful women ever seen, while Kollos and the Medusans are a race of brilliant, sublime thinkers whose physical form is so hideous that a glimpse of them results in irreversible insanity for any human -- even Vulcans, with all of their intense mental discipline, can only look upon them with a protective visor -- and she is to spend the rest of her life with them, mind-linked to Kollos. Only Spock (Leonard Nimoy), a native of Vulcan, and Miranda, a born human telepath trained on Vulcan, can have any direct contact with Kollos. Spock discovers that Miranda is jealous (to the point of irrationality) of his Vulcan telepathic ability, his having any contact with Kollos, and knowing that he was the first choice for her assignment (only his devotion to Star Fleet prevented him from taking it). Her jealousy -- motivated in part by a secret she is hiding -- is so intense that even Kollos is repelled by it, jeopardizing the success of the mission. Adding to the tension of the situation is the presence of Lawrence Marvick (David Frankham), one of the Star Fleet engineers who designed the Enterprise and now assigned to build navigational equipment that will allow ships to make use of the Medusans' skills in this area. Once Miranda's mind-meld with Kollos is completed, Marvick falls in love with her and can't abide the notion that she plans to spend the rest of her life among the Medusans. At a social gathering onboard the Enterprise, she warns that someone aboard the ship is thinking of murder. Is her warning genuine or a reflection of her own unsettled feelings? Marvick finally snaps and tries to kill Kollos, with dire consequences for himself, the Enterprise, and Spock. ~ Bruce Eder, Rovi
- 1968
It was supposed to look like a suicide, but the death of a government contractor on a ski-lift near Denver was actually the handiwork of enemy spy Glen Parmenter (Barry Morse). In order to ensnare Parmenter, Erskine (Efrem Zimbalist Jr.) poses as drug-addicted government employee, willing to be "corrupted" into handing over top-secret information to the Other Side. Managing to infiltrate Parmenter's mountain-cabin headquarters, Erskine finds out that the female of the species--namely Elaine Ross (Victor Shaw)--can be just as deadly as the male in the espionage business. ~ Hal Erickson, Rovi
- 1967
Enemy agents Sava (Edward Mulhare), Karn (Diana Hyland) and Veltran (David Frankham) pool their efforts to kidnap prominent European statesman Anton Dieter (Anton Dieter). Their plan is to exchange Dieter for a Communist agent currently in Federal custody. Inspector Erskine (Efrem Zimbalist Jr.) must locate the kidnappers in order to avert an embarrassing international incident and to plug up a potentially dangerous breach in national security. ~ Hal Erickson, Rovi
- 1966
In the conclusion of a two-part story arc, the police have arrested Colonel Foxhall (Leon Ames) for attempting to blackmail Jed. Undaunted, Foxhall's beautiful accomplice Emaline (Gayle Hunnicutt) is still intent upon getting her hands on the Clampett millions. To that end, the girl dons provocative clothing and attempts to trap Jethro into her web of deceit -- and if Jethro doesn't pan out, there is always banker Drysdale. Originally telecast on October 12, 1966, "The Badgers Return" has curiously been removed from several syndicated packages of The Beverly Hillbillies. ~ Hal Erickson, Rovi
- 1965
The Beverly Hillbillies launched its fourth TV season on September 15, 1965 with the series' first color episode, "Admiral Jed Clampett." This time out, banker Drysdale purchases a yacht for hillbilly millionaire Jed Clampett. After first overcoming Granny's fear of sharks, the Clampetts head to the dockyards, where Jed mistakes a Navy destroyer for his own vessel. Former child star Frank Coghlan Jr., recently retired from a 23-year-career as a Naval officer, was technical advisor for this episode and also played the small role of a helmsman. ~ Hal Erickson, Rovi
James Clavell incorporated a few of his own experiences as a British POW in his novel King Rat. Bryan Forbes' film version stars George Segal as the mastermind of all black market operations in a Japanese prison camp. He is called "King Rat" because of his breeding of rodents to serve as food for his emaciated fellow prisoners; the nickname also alludes to Segal's shifty personality. British officer James Fox helps Segal expand his operation to include trading with the Japanese officers. Though on surface level a thoroughly selfish sort, Segal saves the ailing Fox's life by wangling precious antibiotics from the guards. ~ Hal Erickson, Rovi
- Starring:
- George Segal, Tom Courtenay, (more)
- 1964
On the night of his wedding in 1929, Harvey Kry (David Frankham) is surprised by an anonymous gift, a box with a single hole containing a lens, through which a strange light emanates. He looks into it and sees a monstrous creature inside, that holds him in the gaze of its single eye -- and then transports the screaming man inside. Thirty-five years later, the Kry house is in decay, occupied solely by Harvey's bride Mary (Miriam Hopkins), now aging and grotesque in her 1920's sequined dress and thick make-up, still awaiting the consumation of her marriage to Harvey. She finds herself entertaining her first guests in years, Gard (Buck Taylor) and Vivia (Melinda Plowman), a young, under-age couple who are eloping, and offers them her bridal chamber. But the box remains in there, amid the unused, still-wrapped gifts; and inside, the creature watches and waits in its own long vigil, to draw others inside. Vivia and, later, her pursuing father (John Hoyt), are both drawn into the box and the void inside, and confront this monster, an extraterrestrial from another space-time continuum, lost in our four-dimensional space and unable to fulfill its mission -- the destruction of the Earth and then our universe. To accomplish this, it needs a human being to help it find its way. Harvey Kry wouldn't do it and, so, has spent 35 years trapped inside the timeless void, looking exactly as he did in 1929, while his increasingly desperate (and insane) bride has waited, and aged, and conspired with the creature. And Vivia is just frightened enough; and her father is just self-centered enough, that one of them might do what it asks. ~ Bruce Eder, Rovi
- Starring:
- Miriam Hopkins, David Frankham, (more)
- 1964
This episode marks a rare joint appearance by John Cassavetes and his wife, Gena Rowlands. Married to Charles Justin (Murray Matheson), an elderly diamond merchant, young Diana Justin (Rowlands) decides to finance a stage play with her husband's money -- and hires an ex-lover of hers, actor Lee Griffin (Cassavetes), for the leading role. Not surprisingly, Diana and Lee are soon plotting Charles' murder, with a key element of the plot being Lee's impersonation of Charles while pulling off a lucrative business transaction in Europe. What Lee doesn't know is that the late Mr. Justin had performed one last act of retribution before shuffling off his mortal coil. ~ Hal Erickson, Rovi
- Starring:
- John Cassavetes, Gena Rowlands, (more)
- 1963
In the tenth volume in a collection culled from the 1963-1965 science fiction anthology television series, a group of international strike-force soldiers is captured by an alien culture. ~ Jason Ankeny, Rovi
Roger Corman's Tales of Terror stars Vincent Price in a trio of short stories, liberally adapted by Richard Matheson from the works of Edgar Allan Poe. The film gets off to a rousing start with "Morella," in which Price's bitterness over the long-ago death of his wife results in tragedy for his estranged daughter Maggie Pierce. The last of the three terror-filled tales, "The Case of Mr. Valdemar," finds Price being put into a state of suspended animation by the diabolical Basil Rathbone; when Rathbone claims Price's bride Debra Paget for himself, Price briefly revives, only to melt before our eyes (this horrific image was reproduced on the film's advertising posters). The film's best story is its centerpiece, "The Black Cat," which weaves elements of "The Cask of Amontillado" into a mordantly funny revenge tale concerning Price, his bitter enemy Peter Lorre, and Lorre's two-timing wife Joyce Jameson. This is the one in which a besotted Lorre walls up Price and Jameson in his cellar, then endures a hellish hallucination of Vincent and Joyce playing a football game with his head! A mixed bag, to be sure, but Tales of Terror remains one of the best of Corman's Poe cycle (though it does lose a lot when not shown in its original Cinemascope form). ~ Hal Erickson, Rovi
- Starring:
- Vincent Price, Peter Lorre, (more)
- 1962
Since it was released in the same year as his masterpiece, To Kill a Mockingbird (1962), it is ironic that this drama was probably the least liked of director Robert Mulligan's films. A stiff adaptation of a novel by Dutch author Jan DeHartog, the film stars Rock Hudson as Dr. Anton Drager, an opportunistic atheist who travels with his wife Els (Gena Rowlands) to the jungles of Java in 1936. Drager is to become the new right-hand man of famed Dr. Brits Jansen (Burl Ives), a legendary humanist who works with lepers and is rumored to have done groundbreaking work that Drager believes could make him famous and wealthy. Trouble with a native witch doctor practicing black magic leads to a crisis of conscience for Drager, however, forcing him to reevaluate his self-centered philosophy. A former divinity student at New York's Fordham University, Mulligan may have been intrigued by the material's spiritual bent, but his direction is uninspired, and The Spiral Road (1962) was not considered a success. ~ Karl Williams, Rovi
- Starring:
- Rock Hudson, Burl Ives, (more)
- 1961
Master of the World was adapted by Richard Matheson from two Jules Verne novels, Robur le Conquerant (1896) and its sequel, Maitre du Monde (1904)--with more than a little of 20,000 Leagues Under the Sea thrown in. Set in 1868, the story is galvanized by an ominous warning of impending doom, delivered in a disembodied but resonent voice from a huge mountain just outside Morgantown, Pennsylvania. Hoping to find the source of the warning, the members of the Weldon Balloon Society, headed by munitions manufacturer Prudence (Henry Hull), send a motorized balloon to investigate. Also aboard Prudence's balloon is his daughter Dorothy (Mary Webster), her fiance Philip (David Frankham), and taciturn pilot Strock (Charles Bronson). Before long, the little party is captured by the brilliant but unbalanced Robur (Vincent Price), captain of the gigantic, state-of-the-art airship "Albatross." Robur explains that he is a man of peace, and that he is using his huge airship to wipe out all warfare by obliterating every weapon of mass destruction on earth--and never mind that a few innocent bystanders may also be killed in the process. Admiring Robur's intentions if not his methods, Strock bypasses every opportunity to stop the madman in his tracks, and for this he is branded a coward by the hotheaded Philip, sparking a battle of words and fists that will persist throughout the film. Meanwhile, Robur attacks such strategic military locations as Paris, Madrid and North Africa (courtesy of stock footage from other films), and as the carnage continues, Prudence renounces his war-profiteering ways. As for Strock, his admiration for Robur does not prevent him from a desperate climactic effort to rescue Prudence, Dorothy and Philip by planting a time bomb in the "Albatross"--a bomb that very well may go off before the "good guys" get off. ~ Hal Erickson, Rovi
- Starring:
- Vincent Price, Charles Bronson, (more)
- 1961
Seeking emotional and financial security, young Elisa Minden (Antoinette Bower) marries the wealthy, and considerably older, Sir Humphrey J. Orford (Michael Rennie). Before long, however, Elisa has reason to regret her decision -- especially when evidence surfaces indicating that Sir Humphrey, a widower, used torture to keep his first wife from cheating on him. But this is nothing compared to the double-barrelled shock Elisa receives upon meeting an ominously silent woman named Flora (Shirley O'Hara). ~ Hal Erickson, Rovi
- 1960
- G
Critics consistently consider this historical drama one of the worst films Disney ever made. It is the true-tale of ten heroes from the Civil War who ride down the raging Colorado in hopes of mapping it. The mission is led by the Major John Wesley Powell who lost an arm during the war. Their fateful 1869 river trip is arduous and long and in the end only six make it out of the Grand Canyon alive. ~ Sandra Brennan, Rovi
- Starring:
- Brian Keith, John Beal, (more)
- 1960
The first half of this Walt Disney Presents episode, "Rapids Ahead," is ostensibly a salute to John Wesley Powell, the first man to explore the Colorado River. The presence of such actors as Brian Keith and John Beal tips us off that this segment is actually a promo for the upcoming Disney theatrical feature Ten Who Dared, concentrating on the special photographic techniques required to complete the picture. The remainder of the episode is a full-length presentation of the Oscar-winning "True Life Adventure" short subject Bear Country (1953), filmed on location in Yellowstone National Park. ~ Hal Erickson, Rovi
- Starring:
- Brian Keith, John Beal, (more)
- 1959
Showing up in Virginia City to collect a $4000 debt from Captain Rory Fitzgerald (David Frankham), Bart has trouble believing that the prosperous-looking Fitzgerald is as penniless as he claims. Rather than absorb the loss, Bart decides to hang around in town until the Captain is able to make good his debt--which proves to be a big mistake when our hero ends up kidnapped and bound hand and foot. Roxane Berard appears in another of her duplicitous-damsel roles, while Robert Shore goes through much the same ingenue paces as in her later costarring gig on TV's The Virginian. ~ Hal Erickson, Rovi
- 1959
This sequel to Kurt Neumann's The Fly (1958) is peculiar, to say the least. Producer/director Neumann had passed away during the summer of 1958, and the studio needed a sequel. The resulting film, Return of the Fly, was directed by Edward L. Bernds, a filmmaker (and former sound man at Columbia Pictures) most closely associated with the Three Stooges, but who had lately moved successfully into popular science fiction, with movies such as World Without End, Space Master X-7, and Queen of Outer Space to his credit -- not that this last, in particular, seemed to qualify him for anything but tongue-in-cheek satire. Curse of the Fly was shot in CinemaScope but in black-and-white, an unusual combination that is usually associated with artier movies, as a compromise for discriminating directors who can't avoid the widescreen format but want to present something serious; in this particular case, however, it was purely a budgetary decision. Vincent Price is the nominal star as Francois Delambre, the brother of Andre Delambre, who died as a result of his experiments with a matter transmitting device in The Fly. It is now a dozen years later, and Andre's son, Philippe (Brett Halsey), has just laid his mother to rest, having witnessed the final years of her life blighted by the memory of the horror of Andre's death. He convinces Francois to tell him what happened and of the device that destroyed his parents' happy life together. Philippe vows to perfect the matter transmitter, so that all of the heartache and sacrifice by his parents will not have been in vain. He employs as his assistant a scientist friend, Alan Hinds (David Frankham), who, unbeknownst to him, has shady business connections and a dark secret in his own past. Alan conspires to steal the secret of the matter transmitter, but first he must dispose of a detective who has come to arrest him for an earlier crime, and then eliminate Philippe, who doesn't know what Alan has done, only that he's hiding something. Thus, the same disaster that befell Philippe's father now occurs again, to him -- his body parts are transposed with those of a house-fly. The human-sized fly, even nastier looking than the monster in the original film, goes on a rampage, trying to catch Alan and get revenge for what has happened to him, using what faculties he has. Meanwhile, Francois gets help from the surviving detective on his brother's case, who knows the truth, and the two try to trap the monster alive and also find the fly-sized creature with Philippe's head and features, so they can try and unscramble the atoms of both. ~ Bruce Eder, Rovi
- Starring:
- Vincent Price, Brett Halsey, (more)
- 1958
The year is 1916; the place, a small English town. During the dedication ceremony for a new bridge, the townsfolk are shocked to see the body of a woman floating in the river. Well, technically speaking, not everyone is shocked. Henry Dow (Hume Cronyn), the mayor of the town, assumes that the body is that of an old acquaintance, Miss Wilkinson (Doris Lloyd). And Henry should know: he killed Miss Wilkinson himself. ~ Hal Erickson, Rovi
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