Tony Frank Movies

Slinky blonde con woman Barbara Beatty (Rebbeca De Mornay) knows how to use all her charms to get what she wants. But one day, a scam goes awry and she finds herself deeply in debt. If she does not pay quickly, she will die. Hearing of a favorable situation in Mississippi, she heads southward in hopes of seducing an heir out of his impending fortune. He is an awkward and introverted gas-station attendant and has no idea that he is about to become a rich man. On her part, the conniving marriage-minded Barbara has no idea that she is about to fall hopelessly in love. ~ Sandra Brennan, Rovi

Made for television, The Unspoken Truth is the factual story of Brianne Hawkins (Lea Thompson), who after enduring a lifetime of abuse at the hands of her family marries the even more abusive Clay Hawkins (James Marshall). Given to beating his wife at the slightest provocation, Clay finally goes completely over the edge when he shoots and kills a man who had the temerity to speak to Brianne without Clay's permission. Thinking quickly for a change, Clay persuades Brianne to take the rap for the killing, whereupon she complicity (if not willingly) concocts an elaborate story as to how she shot the man accidentally. Not only do the authorities refuse to swallow this fabrication, but they end up sending both Clay and Brianne to prison for life! Only when the future of her daughter, Lily (Karis Paige Bryant), is jeopardized does the long-suffering Brianne finally work up the courage to fight for her freedom and her long-denied fundamental rights as a human being. A shocking mid-film revelation elevates this story from the usual battered-wife TV-movie syndrome. Filmed on location in Austin, TX, The Unspoken Truth originally aired September 24, 1995, on NBC. ~ Hal Erickson, Rovi

Clint Eastwood, hot off of his Academy Award win for Unforgiven, directed this small character study, appearing in the guise of a cops-and-robbers action picture. The film takes place during the fall of 1963. Eight-year old Phillip Perry (T.J. Lowther), the son of a devout Jehovah's Witness mother, is staying home while all the other children are out trick-or-treating. But then prison escapee Butch Haynes (Kevin Costner) appears in his kitchen. Needing a hostage to aid him in his escape from jail, he grabs Phillip. Phillip curiously looks up to Butch and willingly accompanies him. Butch gets rid of his fellow escapee after he tries to molest the child, and Butch and Phillip take to the Texas highway, on the run from the cops. The cop in pursuit in this instance is Police Chief Red Garnett (Clint Eastwood), riding in his sleek Populux Airglide trailer -- his "mobile command headquarters." On the road with Garnett is Sally Gerber (Laura Dern), a pushy pre-feminist criminologist, along with a creepy federal agent who is an expert sharpshooter. Butch is not particularly anxious to make it to the Texas borderline, and neither is Garnett in any particular hurry to catch Butch. As Butch and Phillip form a father-son attachment, the paths of Butch and Garnett gradually come together, in time for a final confrontation, after which Garnett confesses, "I don't know nothing. I don't know a damn thing." ~ Paul Brenner, Rovi

When a woman murdered over fifteen years ago is again found dead, a small-town Arizona policeman (John Beck) must solve the case without stepping on the tender toes of procedure, courtesy of a federal agent from Phoenix (Steven Bauer). ~ John Bush, Rovi

Dolly Parton goes dramatic in Wild Texas Wind--with plenty or songs in her repertoire to gloss over the script's shortcomings. This made-for-TV movie costars a curiously hammy Gary Busey as the manager of a country western band fronted by Parton. Through his business acumen, Parton's aggregation goes to the top. But the price of fame is Parton's peace of mind; she enters into a love affair with Busey, who proves to be psychotically abusive. Despite constant beatings, Parton stands by Busey until she gains the gumption to stand alone. C & W fans may not cotton to the storyline of Wild Texas Wind, though they'll probably be appeased by the musical performances of Dolly Parton, Ray Benton and (in a cameo) Willie Nelson. ~ Hal Erickson, Rovi

Based on a gritty, semi-autobiographical novel by author Kim Wozencraft, this crime thriller was adapted for the screen by noir novelist Pete Dexter and marked the directorial debut of producer Lili Fini Zanuck. Jennifer Jason Leigh stars as Kristen Cates, a rookie police officer recruited to partner with Jim Raynor (Jason Patric), an undercover Texas cop trying to infiltrate the criminal ring of major drug dealer Will Gaines (Gregg Allman) in the 1970s. What Kristen isn't told is that, as part of his deep cover masquerade, Jim must take drugs in order to be convincing and, unsurprisingly, has become an addict. Although this dangerous practice is not acceptable police procedure, Jim and Kristen's zealous superiors Larry Dodd (Sam Elliott) and Donald Nettle (Tony Frank) are obsessed with taking Gaines down because he has corrupted the daughter of a prominent local citizen. Jim and Kristen, who fall in love and move in together, befriend a petty car thief, Walker (Max Perlich), who has ties to Gaines. Since they both become drug addicts, Jim and Kristen's case makes little progress, until they clean up and convince Walker to turn on Gaines. Their investigation becomes tainted, however, when they are pressured from above to manufacture false evidence against their target. The soundtrack for Rushcontained the hit song "Tears in Heaven" by Eric Clapton. ~ Karl Williams, Rovi

In this made-for-TV actioner, three rebellious black army officers disobey orders in Vietnam and refuse to destroy a village filled with innocent people. They are sent to Georgia where they undergo a court-martial. The officers know that they are going to be railroaded and so manage to escape. The fugitives end up in Riverbend, hiding in the home of a sympathetic widow. The town is controlled by a brutal, extremely racist sheriff who kills those opposing him and freely takes whatever he wants from the terrified residents. This doesn't set well with one of the officers who, with plans to usurp the sheriff's authority, convinces the others to help him create a secret training camp in the woods. They then begin recruiting the local black men and training them for combat. When they are ready, the angry rebels take over the town, incarcerate the sheriff and all his cohorts and hold the rest of the town hostage in a church until their demands for media attention and an end to racism are met. ~ Sandra Brennan, Rovi

The road movie gets a smart update with this seriocomic tale of two Cheyenne men traveling from their reservation in Montana to New Mexico. For one of them, Buddy Red Bow (A Martinez), a quick-tempered activist, the journey is a practical one; his sister has been arrested and he is the only family member who can help her out. Buddy has no transportation, so he's forced to ride with Philbert Bono (Gary Farmer), a phlegmatic hulk of a man who is using his 1964 Buick as a vehicle for a spiritual journey of his own. Philbert's easygoing ways and insistence on frequent stops to meditate prove irritating at first to Buddy, but the men reach an accommodation as the trip wears on. Buddy comes to see that blaming the white man and what he sees as system rigged against Native Americans is distracting him from his true mission: to better understand himself and his place in the world. ~ Tom Wiener, Rovi

Based on a novel by LaVyrle Spenser, this made-for-TV drama was originally titled The Fulfillment of Mary Gray. Cheryl Ladd stars as Mary, a farm woman living in 1910 Minnesota. Mary's husband (Ted Levine) is not only neglectful, but impotent. Anxious to have an heir, he suggests that she allow his brother (Lewis Smith) to impregnate her! Needless to say, love blossoms between Mary and her fertile brother-in-law. Filmed in Texas (which looks like Minnesota if you squint a lot), The Fulfillment of Mary Gray was first telecast February 19, 1989. ~ Hal Erickson, Rovi

Monologist Eric Bogosian's one-man theater piece Talk Radio, co-written by Bogosian and Tad Savinar, is searingly brought to the screen by Oliver Stone. Bogosian plays provocateur radio talk-show host Barry Champlain, whose constant espousal of his inflammatory views and ceaseless hectoring of his callers and listeners reaps equal parts love and hate. As his program rolls on, Champlain is revealed to be just as screwed up as any of his fans, if not more. And then he pushes one caller just a bit too far. In co-adapting the play for the screen, Stone interweaves elements of Stephen Singular's factual book Talked to Death, the story of a liberal Denver radio personality who was murdered at the behest of a militant right-wing hate group. One word of warning: if you're not a fan of the sort of radio depicted herein, chances are you won't warm up to this film. ~ Hal Erickson, Rovi

Modern-day Texas Ranger Jack Benteen (Nick Nolte) was once the best friend of local drug kingpin Cash Bailey (Powers Boothe). At present, however, the only element linking them together is Jack's lover Sarita (Maria Conchita Alonso), Cash's former mistress. When Sarita tires of Jack's Spartan lifestyle, she returns to Cash as a voluntary hostage to make certain that Jack keeps his hands off Cash's operation. The film comes to a head during a meticulously planned drug bust, in which both Jack and Cash butt heads with CIA-funded paramilitary Maj. Paul Hackett (Michael Ironside, who isn't all he seems to be). ~ Hal Erickson, Rovi

Director Louis Malle scrutinizes modern-day racism in Alamo Bay. The scene is the Texas coast, where local fishermen resent the "intrusion" of Vietnam refugees. Fair-minded shrimp supplier Wally (Donald Moffat) hires several Vietnamese workers, which serves to further infuriate the locals. The most vociferous of Moffat's opponents is a fisherman, Shang (Ed Harris), who faces bankruptcy due to loss of business. A town meeting designed to settle the issue erupts into violence when Vietnamese emigre Dinh (Ho Nguyen) accuses some of the locals of bending the law for their own purposes. A desperate Shang asks his former lover Glory (Amy Madigan) for financial aid, a delicate situation in that she is Wally's daughter. When the Ku Klux Klan arrives on the scene to drive the Vietnamese out, Glory sides with the refugees, resulting in strong friendship between herself and Dinh. ~ Hal Erickson, Rovi

Alfred Hitchcock Presents is the portmanteau pilot film for the subsequent TV revival of Hitchcock's celebrated anthology series of the 1950s and '60s. Four short tales are presented, each of them remakes of earlier Alfred Hitchcock programs. "Incident in a Small Jail," originally presented in 1961 with John Fiedler in the lead, stars Ned Beatty as a traveling salesman who finds himself sharing a jail cell with an accused rapist -- the target of an angry, indiscriminate lynch mob. "Man from the South," based on an oft-adapted Roald Dahl piece, stars John Huston as a cagey gambler who makes a grisly wager with novice Steven Bauer. The original 1959 Hitchcock version of this tale starred Peter Lorre and Steve McQueen; featured in the cast of the remake are former Hitchcock movie leading ladies Kim Novak and Tippi Hedren, as well as Hedren's daughter Melanie Griffith. "Bang, You're Dead" is a taut, tension-filled tale of a child who wanders around town with a loaded gun. The child is a little girl (Bianca Rose), but in the initial 1961 version the protagonist was a boy, played by Billy Mumy (who appears in this remake in a small role). The final playlet, "The Unlocked Window," is an abbreviated version of a story first shown on The Alfred Hitchcock Hour in 1965. Bruce Davidson is featured in a virtual reprise of that beloved old Hitchcock protagonist Norman Bates. Each of the four stories in Alfred Hitchcock Presents had its own director -- in order of appearance, they are Joel Oliansky, Steve De Jarnatt, Randa Haines, and Fred Walton -- and all were narrated by co-star John Huston. The late Alfred Hitchcock opens and closes each playlet via colorized footage from the original series -- a bizarre touch that "The Master" might have approved of. ~ Hal Erickson, Rovi